Manuscript on paper of a play in five acts, written for an audience of nuns by a Dominican friar. The only surviving manuscript containing this text.
Description:
Binding: early paper binding., Play (Commedia) in five acts, in verse, about S. Catherine of Alexandria, written for an audience of nuns (see the frequent allusions to Christ as “sposo celeste”) by a Dominican friar whose initials are F.N.F. There are many important changes and additions by a slightly later, rapid hand., and Script: the original text copied by a single hand, writing Humanistica Cursiva. The changes and additions are written in Humanistica Cursiva Currens under Gothic influence.
Manuscript on parchment (goatskin) of a 1) Ps.-Marcellus, Gesta Petri et Pauli. 2) Ps.-Bernardus Claraevallensis (Ps.-Anselmus Cantuariensis), Sermo de miseria humana. 3) Guigo II Carthusianus (d. 1188, Ps.-Augustinus Hipponensis), Epistola de vita contemplativa (Scala claustralium). 4) Italian version of Dan. 13:1-64. 5) Passio Ciryci et Iulittae. 6) Passio sanctae Caeciliae. 7) Passio sanctae Eugeniae. 8) Vita sanctae Theodorae. 9) Passio sanctae Theodosiae. 10) Passio sanctae Felicitatis cum septem filiis. 11) Passio sanctae Reparatae. 12) Passio sanctae Agathae. 13) Passio sanctae Luciae. 14) Passio sanctae Agnetis. 15) Passio sanctae Domitillae. 16) Vita sanctae Thaidos. 17) Passio sanctorum Simplicii, Faustini et Beatricis. 18) Vita sanctae Margaritae. 19) Vita sanctae Mariae Aegyptiacae. 20) Passio sanctae Ursulae et sociarum. 21) Vita sanctae Mariae Magdalenae, followed by three miracles performed by the saint.
Description:
Binding: Nineteenth century. De luxe brown leather binding over cardboard, the covers decorated with gold- and blind-tooled frames; flat gold-tooled spine, with gold-tooled inscriptions: “LEGGENDE / DI SANTI / TESTO DI LINGUA / DEL / BUON SECOLO” and “TRASCRITTO / NEL / 1462”. Brownish marbled endleaves., Headings in red, sometimes missing. Blue plain 3-line initials (Capitalis) with guide-letters, half inset; missing on p. 198. On the opening page white vinestem left margin border with incorporated 7-line initial, and white vinestem lower border with wreath in which a coat of arms is missing (a later hand, who made also a few notes elsewhere in the manuscript, has written in the blank space "Ipsa est antiquitas")., and Script: Copied by one hand in Humanistica Textualis.
Manuscript on paper of Bartolommeo Fonzio (1445-1513), 1) Italian translation of Leonard Bruni's Latin translation of the "Oratio ad Alexandrum," attributed to Demosthenes. 2) Italian translation of Marsilio Ficino's "De Magnificentia." 3) Letter to Gerolamo Pasqualini.
Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Script: Written by a single scribe in fere-gothic script, above top line.
Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno.
Description:
Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., Purchased from Lathrop C. Harper in 1949 by Thomas E. Marston., and Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line.
Subject (Name):
Caesar, Julius, Decembrio, Pier Candido,--1399-1477, Plutarch, and Rufus, Curtius
Aeschines Anaximenes, of Lampsacus Bruni, Leonardo, 1369-1444 Demosthenes
Published / Created:
[ca. 1415-20]
Call Number:
Marston MS 10
Image Count:
207
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (speckled on hair side) of Greek works translated into Latin by Leonardo Bruni: 1) Demosthenes, Olynthica tertia. 2) Aeschines, Epistola senatui populoque Atheniensi. 3) Anaximenes of Lampsacus, Epistola Philippi ad Athenienses. 4) Aeschines, Oratio contra Ctesiphontem. 5) Demosthenes, Oratio pro Ctesiphonte (De corona).
Description:
Belonged to Sir Thomas Phillipps., Binding: Nineteenth century, France or Italy. Brown calf blind- and gold-tooled, with shells and caducei in the blind-tooled borders. Edges red., One very fine illuminated initial, 12-line, in gold on vibrant blue ground with white vine-stem ornament. The stems of the initial are divided into compartments and filled with penwork decoration in red, blue and green on parchment ground. Four small initials, 6- to 5-line, gold on vibrant blue ground with white vine-stem ornament. Headings in red., and Script: Written in an expert humanistic bookhand characterized by prominent approach and finishing strokes. The headings in red are by a different scribe.