Manuscript on paper of Atto recitabile da fare avanti che nella compagnia si dieno panellini benedetti composto dal Cecchi
Description:
In Italian., Script: the original text copied by a single hand, writing Humanistica Cursiva. The changes and additions are written in Humanistica Cursiva Currens under Gothic influence., and Binding: early paper binding.
Manuscript on parchment of a summary of Giovanni Villani's Croniche
Description:
In Italian., Script: copied by a single hand writing Gothico-Humanistica Libraria on the basis of Italian Hybrida. Pale red headings. Flourished initials with penwork and marginal extensions, 2-line up to f. 16r, generally 3-line from f. 16v onwards. On f. 1r 2-line white vinestem initial incorporated into a border corner piece of the same style. In the lower margin two marks of oval seals (?) and the early number or date "1264"., The manuscript contains the Chronicle of Florence up to 1333, being a summary of the Croniche of Giovanni Villani (c. 1280-1348); the most recent edition of the Croniche is by G. Porta (Parma, 1991). The Compendio presented by our manuscript corresponds to Book 1, ch. 38 up to Book 10, ch. 219 of Villani's work. The author of the summary skips the majority of the chapters of the original and summarizes the ones he retains, placing them generally under Villani's headings without much changing the latter., and Binding: Italian binding circa 16th century: brown leather over wooden boards, both covers blind-tooled with fillets making a rectangular frame inscribed with a lozenge, and decorated with rows of stamps. In the center of the lozenge a cross. Spine with four raised bands. Remnants of four brass clasps attached to the rear cover, one at the upper and lower edges and two at the outer edges; five small brass bosses on each cover. On the spine a parchment label with the handwritten 16th century inscription: "Gio: Villan:"
Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
In Italian., Script: Written by a single scribe in fere-gothic script, above top line., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Bruni, Leonardo, 1369-1444. and Cesarini, Giuliano, Cardinal, 1398-1444.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of an anonymous Latin grammar, with some Italian translations
Description:
In Latin, with some Italian., Written by a single scribe in careful humanistic cursive, above top line., Folio 1r illuminated by Francesco d'Antonio del Chierico. Full border, partially rubbed, of white vine-stem ornament curling around a thin gold bar against blue, green and pink ground. In outer border, a medallion, framed in gold, with profile of a young man against blue ground. In lower border a wreathed medallion, framed by two circles of gold with partially erased arms. Medallion supported by six green and red winged putti. The entire border inhabited by a large number of putti playing among the vine stem, various birds and three does. Illuminated initial, 3-line, joined to the border, gold against blue, green and pink ground with white vine-stem ornament inhabited by a seated putto. One small illuminated initial, f. 1v, 2-line, gold against blue and pink ground with white filigree (partly rubbed). Plain initials alternate in red and blue. Guide letters for initials., and Binding: Nineteenth century, Italy (?). Semi-limp vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, and Manuscripts, Medieval
Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno
Description:
In Italian., Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., and Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, the Great, 356-323 B.C., Caesar, Julius., Decembrio, Pier Candido, 1399-1477., Plutarch., and Rufus, Curtius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Includes index., Yale Med copy imperfect: leaf 1 torn (only "Mesue Vulgare" visible); leaves 2-7 wanting, supplied from another volume; leaf 8 in both original and supplied copy., and Yale Med copy has contemporary Italian binding. Described by Scott Husby, 2010.
Manuscript on paper of mercantile statutes of Florence in three Books, revised by a committee of experts and promulgated by Grand Duke Francesco I de' Medici of Tuscany (1574-1587); the basis for the revision were the statutes of 1393 ("statuto vecchio") and those of 1496 ("statuto nuovo").
Description:
In Italian., Script: Copied by one scribe in sloping calligraphic Humanistica Cursiva., On the frontispiece f. r, a woodcut title-page with spaces for text (a handwritten title) left blank. The full-page woodcut represents the ruins and symbols of Rome with the god of the Tibre under a portico with five allegorical female figures., The paper of most pages is damaged by the corrosive ink., and Binding (repaired): ca. 1700. White parchment over pasteboard. Spine with four raised bands and handwritten title in ink: "Statut. / Florent. / M.S.". Bordeaux edges.
Subject (Geographic):
Connecticut, New Haven., and Florence (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Statutes, and Politics and government
Manuscript on paper of a Miscellany of vernacular humanistic prose texts, including works by Giovanni Boccaccio, Petrarch, Francesco Filelfo, and Leonardo Bruni
Description:
In Italian., Watermarks: Briquet Fleur 6655, Echelle 5908, 5910, and similar to Briquet Chapeau 3370., Script: Written in neat humanistic cursive by a single scribe, below top line., Three-quarter border, f. 5r, white vine-stem ornament on blue, red and green ground with grey and yellow dots. In lower border, vine-stem turning into a floral border and brown penwork scrolls with pink, blue and green flowers and gold dots. Illuminated initial, 6-line, gold on blue, green and red ground with white vine-stem ornament joined to inner border. Headings in red. Plain 3-line initials in blue mark text divisions. Guide letters in margins., and Binding: Fifteenth century, Italy. Vellum stays adhered inside the quires. Original sewing on four tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. Edges yellow ochre. A green and natural color, beaded endband is sewn on five cores. The primary one laid in grooves on the outside of the boards. The spine is lined with tawed skin or vellum extending onto the edge of the boards between supports. Covered in tan leather blind-tooled with a potented cross in a central square with rope interlace panels above and below, and a border also filled with rope interlace. Spine: supports defined with double fillets and the panels diapered. Traces of five bosses on each board. Two ivy leaf fastenings, the catches on the lower board, the upper one cut in for green fabric straps attached with star-headed nails. Binding is heavily overoiled.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Topic):
Humanism, Italian literature, and Manuscripts, Medieval
