Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript, in a single hand, of a missal for the Use of St. Nicholas (Beauvais).
Description:
In Latin., Collation: 59 l. + 2 l. paper + 3 l. original parchment endleaves., Script: Gothic bookhand, large and angular., Decoration: rubricated. The two-line initials are in gold on pink and blue grounds. Large historiated initial "PP (5v)., and Decoration: miniature of the Crucifixion on gold ground, with protective cloth stitched to leaf (6v.)
Subject (Geographic):
Connecticut, New Haven., and Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor
Description:
In Latin., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., 8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., and Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Saint-Victor, 1096?-1141.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Ludolf, von Sachsen, approximately 1300-1377 or 1378
Published / Created:
[between 1500 and 1550]
Call Number:
Manuscript 55 vault
Image Count:
16
Resource Type:
text
Abstract:
Illuminated manuscript fragments of medical interest, on parchment, of a collection of Orationes in Ludolf von Sachsen's Vita Christi. F. 1: inveniri. Fac ut voluntatem ... resurgat a peccatis. (I. 40-42); f. 2: Domine deus om[n]ipotens ... verbo dei ac mee [et] (I. 71-72); f. 3: Presta misericors deus ... stent portitores occasiones pec (I. 42-44); f. 4: aliorum saluti. Amen ... preterit a peccata (I. 73-74); f. 5: tionum flatibus et motibus ... crucis ascendisti in (I. 46-48).
Alternative Title:
Vita Christi
Description:
In Latin., Formerly known as "The Book of Hours." Leaves identified by Peter Kidd, 2017, as part of the Vita Christi of Ludolph of Saxony. Additional leaves discovered in the Harry Ransom, HRC Leaf 18, and Detroit Art Institute, reference number 69.277., Title devised by cataloger., Script: humanist minuscule., Decoration: text in yellow frame. Two-line initials in white, blue, and gold with floral motifs. Titles in blue ink. Red, blue, and gold line fillers., Ten miniatures in ink, tempera, and gold, framed by columns: Jesus, accompanied by two apostles, heals man with leprosy (f. 1r); Jesus, accompanied by two apostles, stands beside centurion and bed-ridden servant (f. 1v); Jesus stands in field of wheat, accompanied by three apostles (f. 2r); Jesus, accompanied by apostle, heals man with withered hand--two men (Pharisees) stand behind him (f. 2v); Jesus frees possessed man from red demon (f. 3v); Jesus raises child from grave--mother looks on (f. 3v); Jesus frees possessed man from red demon (f. 4r); Jesus in front of city, talks to crowd (f. 4v); Jesus, accompanied by unidentified person, frees two possessed men from black and gold demons (f. 5r); Jesus, accompanied by unidentified person, heals bed-ridden paralyzed man (f. 5v)., Layout: written in 1 column of 21 lines., Binding: modern cloth binding over pasteboard signed by binder: Bound by J. Desmonts / J. Macdonald Co. / Norwalk. Conn., and Foliation of original sequence(?) in modern pencil on recto: 38, 55, 39, 72, 72.y52; and foliation of order of fragments (i.e., 1-5) in modern pencil on verso.
Subject (Geographic):
France.
Subject (Name):
Jesus Christ
Subject (Topic):
Miracles, Healing, Biblical teaching, and Illumination of books and manuscripts, Medieval
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard
Description:
In Latin., Script: Written in fine early gothic bookhand in two sizes of script, above top line., Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red., and Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gilbert, de La Porrée, approximately 1075-1154., Hugh, of Saint-Cher, Cardinal, approximately 1200-1263., and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on paper of Frère Laurent, Somme le Roi (The Book of Vices and Virtues). Written presumably for Agnes of Burgundy, Duchess of Bourbon, who died at Moulins-sur-Allier in 1476
Description:
In French., Watermarks: ff. ii-5, Briquet Armoiries 1876; ff. 6-315, similar to Briquet Lettre P 8527., Script: Written by two scribes in batarde script. Scribe 1) ff. 1r-100v, 131r-217v; Scribe 2) ff. 101r-130v, 217v-312r, 313r., At the beginning of each book there are spaces (9 to 13 lines) left blank for miniatures. 4- to 2-line initials for each book and for a few chapters, gold against blue and red grounds with silver or white filigree, with coarse gold ivy and black hair-spray. 2-line initials in blue or red for chapters; 1-line initials, blue or red, in table of contents. All initials with guide-letters. Chapter numbers and paragraph marks in red. Rubrics throughout., and Binding: Eighteenth century. Edges red. Brown calf, spine gold-tooled, with a red label: "Miroir du Monde M. S. S. Antiq."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Laurent, Frère.
Subject (Topic):
Conduct of life, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper of Summulae naturalium, composed in 1408 by Paulus Nicolettus Venetus O.E.S.A. (1369/72-1429).
Description:
In Latin., Watermarks, obscured by text: similar to Harlfinger Chapeau 17 and unidentified ladder., Script: Written by several scribes in humanistic cursive script with gothic features, below top line; inital words of each section in gothic bookhand., Decorated title page, f. 1r, with border, in black and red ink composed of various decorative devices: in the upper margin a bar border with a central semicircle flanked by stylized scrolls in black and red. In the outer margin, a roundel, black with red and black frame, filled with a flower of 6 petals in red; the roundel flanked by stylized scrolls. In center of lower margin a medallion framed in narrow black and red bands containing a flaming heart pierced by an arrow and an open book, also flanked by stylized scrolls. Numerous decorated initials, 30- to 4-line, black and red with interior designs of lozenges, small flowers, and wavy lines of paper ground. Plain initials and paragraph marks in red. Guide letters for rubricator throughout., Worm-eaten; some minor loss of text., and Binding: Nineteenth century, England. Blind-tooled brown goatskin with the same gold-tooled title on the spine and both covers: "Summule Naturalium/ Paulus de Venetiis/ M. S. 1373". Bound by Riviere (London) before 1881. Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle., Venetus, Paulus., and Augustinians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Physics, and Scholia
