Perspective interieure de la Chapelle du College du Roi a Cambridge
Description:
Titles in English and French etched below image., Date based on time period (1746-1755) when Canaletto worked in England and produced the original painting., Text below English title: N.B. This building is esteem'd the most perfect and finest piece of Gothic architecture now remaining in Europe., Text below French title: Cet edifice est regardé comme le plus beau monument d'architecture gothique qui soit en Europe., Sheet trimmed within plate mark., and Mounted on page 24 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
"Satire on Wilkes's release from custody in April 1763 and the successful actions for damages by printers of the North Briton, No. 45. A scene in Guildhall with the legs of Gog and Magog visible at top left and the lower parts of two portraits at right: on the left, a prancing devil grasps the collar of Nathan Carrington, King's Messenger (his position identified by his greyhound badge) who complains that he had acted on "Orders from Above" in arresting the printers; two angry men reproach Carrington for having seized their papers, one demanding the return of "my Memoirs", the other, Arthur Beardmore, asking for his journal, the Monitor. In the foreground, two devils attack three other Messengers (Money, Watson and Blackmore) lying on the ground; a devil with type arrayed on his head belabours them with a printer's mallet. Behind this group are Sir Fletcher Norton, by then Attorney-General, and Lord Chief Justice Mansfield, covering their faces with their hands and lamenting their failure; they are sent on their way by a man who alludes to the General Warrant and damns them to make "good Fuel" in Hell. Wilkes takes the hand of Pratt, Chief Justice of the Common Pleas, who had released him from the Tower; Wilkes's advocate John Glynn stands behind and all three are celebrating the triumph of Liberty and English justice; William Beckford (shown with a black face in allusion to his Caribbean wealth) rushes towards them enthusiastically. To the right, a group of printers delight in their good fortune in the substantial sums they have been awarded, one man holding out both hands full of coins."--British Museum online catalogue
Alternative Title:
Messengers in the suds
Description:
: Interiors: Arms: City of London -- Slang: 'coney
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Camden, Charles Pratt, Earl, 1714-1794, Glynn, John, 1722-1779, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Beckford, William, 1709-1770, and Guildhall (London, England),
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
Just inside the open door on the left a man in military coat, with sword in hand angrily confronts an old bewigged man who rests on one knee near a small table and holds a paper inscribed "Wm. Day bond 100". Another man restrains the first, while two women occupy the background, one, probably a servant, holding a pocket watch
Alternative Title:
Bond canceled
Description:
Title from item., At top of plate: London Mage. June 1775., and Probably from the London Magazine.
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
A large group of men sit in chairs around a table in panelled room, among them Hudibras. In the center of the table is a piece of paper titled "The League & Covenant" along with quill pens and an ink well. Their hats hang on pegs on the walls behind them. Several of the men look to the right with startled expressions as a messenger rushes in through a door to the right, accompanied by a black man in a cloak and turban
Description:
Title engraved below image., After Hogarth., Caption on either side of title begins: And now the saints began their reign for wch. th' had yearn'd so long in vain ..., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 91.
Title etched below image., Etched beneath title: Hac itur ad astra' Anglicé - This is the road to Lambeth., and Ms. note in ink in an unidentified hand on verso: Before price 2s. was etched. Numbered also on verso in upper left.