Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Title from item., Plate numbered '33' in upper right corner of design., Sheet trimmed within plate mark., An engraved letter in the form of rebus., The following words within title are represented by a rebus: To by a toe, 'er' in 'letter' by an ear, 'ants' in 'merchants' by two ants, London by a panorama of a city., and Plate from: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
"Satire on George II and Robert Walpole, based on a "Visio"n described in "Commonsense, or the Englishman's Journal", 19 March 1737. The king is represented as a satyr, seen from the rear, standing on an altar kicking his left leg and breaking wind; Queen Caroline, as a priestess wearing a bell on her wrist, approaches from the right to administer an enema of "Aurum potabile" (a flavoured brandy); Bishop Hoadly stands behind her followed by men carrying on their heads vessels of gold, several of which have been deposited at the foot of the altar, square pieces of gold having spilled from one. On the left; Robert Walpole dressed as the Chief Magician, dressed in a coat embroidered with dragons and the words "Auri Sacra fames" and carrying a rod, looks up at the satyr; behind him is a procession of couriters with the insignia of the golden rump embroidered on their shoulders; in the foreground Walpole's brother Horatio Walpole holds out a pair of scales, an allusion to his concern to preserve the balance of power in Europe which earned him the nickname, the "Balance Master". A curtain hanging across the top is embroidered with golden rumps."--British Museum online catalogue
Description:
Title engraved above image., Printmaker identified as Gerard Van der Gucht by Mark Hallett in Caricature in the age of Hogarth, see p. 137., Design on which this print is based, was attributed to the Earl of Chesterfield by the curator., "Price 1s."--Lower right corner., and Several subjects identified in a later hand below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Hoadly, Benjamin, 1676-1761, Fielding, Henry, 1707-1754, and Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773
Subject (Topic):
Politics and government, Bribery, Corruption, Medical procedures & techniques, and Theaters
A theater ticket with a scene from the play The mock doctor: Gregory, the mock doctor, holds the Charlotte's wrist, as they look at her father who points to his mouth indicating that she is mute. The print after a forgery purporting to be an admission ticket for a performance of Fielding's The Mock Doctor
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fielding, Henry, 1707-1754.
Subject (Topic):
Benefit performances, Actors, Theatrical productions, and Theaters
Verse - "A worthy squire of sober life,"., Signed at foot of the second column, above the single rule: Z. [i.e. Hannah More], Entered in the Stationers’ Register 26 June 1797, according to G.H. Spinney, "Cheap Repository tracts: Hazard and Marshall edition" (in Library, 4th series, volume 20:3 (December 1939), no. 102). Spinney does not record a broadside edition., The illustration is from the same block as that on the title page of the pamphlet edition of the same work (ESTC T37463), issued in Hannah More’s Cheap Repository., In two columns, with title and illustration above both columns, at foot of the second column, below a single rule, in italics, in square brackets: Entered at Stationers Hall., Mounted on leaf 68. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
s.n.
Subject (Name):
Adam (Biblical figure) and Eve (Biblical figure)
Subject (Topic):
Sparrows, Fall of man, Birds, Windows, Tableware, Table settings & decorations, and Tablecloths
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1770]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 107. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the author Oliver
Alternative Title:
Doctor Goldsmith
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1906,0419.156., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : drypoint with etching on laid paper ; sheet 18.5 x 13.1 cm., and Sheet trimmed to plate mark.