Title from caption below image., Artist's signature from impression in the British Museum., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Design consists of ten figures arranged in two rows., Companion to a print of the same title and similar design. See Lewis Walpole Library call no.: Bunbury 787.00.00.24+., The Lewis Walpole Library impression: artist's signature erased from lower left corner of sheet, and sheet trimmed within plate mark with partial loss of title., and Temporary local subject terms: Dancing -- Minuet -- Couples.
Title from caption below image., Copy of a print by James Gillray with the same title., Variant state lacking plate number in upper right. Cf. No. 9386A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Seven lines of verse in two columns below image: -Ne'er may his whiskers loose their hue chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Temporary local subject terms: Male dress: quasi-military -- Sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI., and Numbered '99' in contemporary hand in upper right corner of design; mounted to 37 x 29 cm.
Publisher:
publisher not identified
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
A pedestrian struggles through deep slushy snow, facing driving snow, with a broken umbrella, the spokes projecting through the cover. He clutches at his cloak and hat; he wears gaiters to the knee with socks over them, and overshoes. Cape and comforter stream behind him. In the background are two buildings. Other figures also struggling through the snow are faintly etched in the distance
Alternative Title:
Merry Christmas and a happy new year in London
Description:
Title etched below image., A reversed and reduced version of a print by George Hunt after M.E. Egerton, published ca. 1825 by Pyall & Hunt. Cf. No. 14999 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Pasted on blue album paper at corners: sheet 19.4 x 15.2 cm.
Publisher:
publisher not identified
Subject (Topic):
Blizzards, Salutations, Snow, Winter, and Umbrellas
Title from text within banners at top and bottom of image., Date of publication from unverified data in local card catalog record., Temporary local subject terms: Christmas greetings -- Christmas., and Mounted to 29 x 21 cm.
An African woman known as 'Sartje' or the Hottentot Venus stands, left, in profile, a smoking pipe in her mouth and tall staff in her right hand. She has an enormous posterior and stands nude except for a pair of garters around her calves, a thin girdle round her waist, a beaded headdress and beaded necklace. Grenville stands behind her but looks back over his shoulder at her. Dressed in formal court dress, he too is depicted with an enormous posterior. Grenville says: Well I never expected Broad Bottoms from Africa! but one should never dispair! Mind Sherry dont let your Fireey nose touch the Venus for if theres any conbustibls about her we shall be blown up!!" In his pocket is a paper inscribed Chaselor [sic]. Between them, half-kneeling, Sheridan measures her bottom using a compass and answers: I shall be carefull your Lordship! but such a spanker it beats your Lordship's hollow."
Description:
Title from item/, Artist and imprint information based on a close copy with same title and same dialogue with misspellings. Cf. British Museum catalogue, no. 11578., Sheet trimmed within plate mark., Watermark: J Whatman Turkey Mill., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Walker Cornhill?
Subject (Name):
Baartman, Sarah, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Court of Chancery
Subject (Topic):
Officials and employees, Khoikhoi (African people), Africans, and England
Title from item., 'P.6'--Lower right corner., Twelve lines of verse in four columns below image: Pope Pius's table was spread with a net ..., Temporary local subject terms: Buildings: Lambeth Palace -- Rivers: Thames -- Domestic service: footmen -- Demons -- Mitres -- Crosses -- Daggers -- Jacobites -- Portmanteaux -- Wigs -- Hats: jockey cap -- Battles: reference to the Battle of Prestonpans, 1745 -- Battles: reference to the Battle of Boyne, 1690 -- Clergy -- Pope -- Reference to William Sherlock, 1641?-1707., and Watermark: Strasburg lily with illegible initials below.
A satire on Queen Caroline's alleged affair with Bartolomeo Bergami. On the left is the figure of Queen Caroline, with a parasol in her right hand and holding the hand of a child with her left hand. The child says "Only look- how he kicks!!" Her response is "Yes, yes, child- Many will be upset before it's over.-" The donkey, wearing a rosette and elaborate saddle, bucks his rider, Bergami, who says "I'm not a great rider - I only ride a Donkey!!!" A servant dressed in oriental costume makes reference to himself and his master, saying "My master and I are both Greeks." The grotto behind the servant has a sign "Grotto. Villa d'Este"; above the grotto is a wind vane with an arrow pointing left on which is inscribed "Non mi Recordo." The white structure of Villa d'Este proper is seen on the left above the bushes, with Lake Como and the mountains beyond in the center background. In the foreground, amongst the flowers, is a potted orange tree on the left and a potted pineapple on the right
Alternative Title:
Guildford high mettled racer
Description:
Title etched below image., Date of publication inferred from other prints depicting Queen Caroline and Bergami at Villa d'Este on Lake Como. Cf. Nos. 14103 and 14171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 15 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Villa d'Este, Spa,
Subject (Topic):
Adultery, Donkeys, Riding, Umbrellas, Whips, and Servants
"View of Hampton Court bridge; with an angler in the centre foreground to left seen from behind."--British Museum online catalogue
Description:
Title from text below images., Date of publication from the British Museum online catalogue, registration no.: 1871,0812.1599., Design consists of a view of the bridge at top of plate with an overhead plan of the bridge below., Sheet trimmed within plate mark., and Mounted to 37 x 54 cm.
Title from text below image., Questionable date of publication from manuscript annotation in pencil on similar print in The Lewis Walpole Library. See Lewis Walpole Library call no.: Topos L847 no. 120+., and Sheet trimmed within plate mark on left edge.
Title engraved below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lectures: philosophical lectures -- Furniture: bookshelves -- Spyglasses -- Literature: allusion to Aristotle, 348-322 B.C. -- Globes -- Astronomy -- Animals: goats -- Natural philosophy.