publish'd according to act of Parliament June 15, 1775.
Call Number:
775.06.15.01 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A couple stand side by side before a rectangular tomb. The male figure is a skeleton wearing a feathered hat, a coat, and a sword; the lady wears a cloak. The tomb is decorated with the skull and crossbones and inscribed with the words "Requiescas in pace'. They stand on a road which leads to a Palladian portico, decorated with a baron's coronet. Above the couple a cupid hides his face in his hands as he turns away
Description:
Title etched above image., Attributed to Gillray in Catalogue of prints and drawings in the British Museum. Also attributed to "Miss Hartley, daughter of Dr. Hartley" by Horace Walpole in his Collection of prints engraved by various persons of quality., Inscribed below image in two rows, a quote from Lord Hervey's Reply to Hammond's Verses to Miss Dashwood: ... no smiles for us the God head wears! His torch inverted & his face in tears!, Sheet trimmed within plate mark., and 1 print : etching with stipple, on laid paper ; sheet 234 x 204 mm.
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper ; sheet 25.8 x 36.2 cm., and Ms. numbering in contemporary hand in top margin of print: 247.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper, hand-colored ; plate mark 25.9 x 36.2 cm, on sheet 29.4 x 39.8 cm., and Mounted on leaf 36 of volume 11 of 12.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., and 1 print : etching, hand-colored ; sheet 24.4 x 34.5 cm.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs; other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed saddle-cloth is a crown. Pitt is very emaciated, his flaming hair streams behind him encircled by a fillet inscribed 'Destruction'. In his right hand is a large flaming sword; in his left he holds the thread-like body of a scaly monster with gaping jaws, webbed wings, and serpent's tail. Behind him on the horse's hind quarters sits a naked imp wearing the feathered coronet of the Prince of Wales, with the motto 'Ich di[en]'. He grasps Pitt, and kisses his posterior; in his left hand he holds out a paper: 'Provision for the Millenium £125,000 pr An'. The horse's tail streams out, expanding into clouds, and merging with the flames of Hell which rise from the extreme right. In the tail and flames imps are flying, headed by Dundas holding a pitchfork; he wears a wig and plaid with horns and webbed wings. Behind are three imps: Loughborough, indicated as usual by an elongated judge's wig in back view (cf. BMSat 6796); Burke with webbed wings and serpent's tail; Pepper Arden [Identified by Wright and Evans as Lord Kenyon. The identification in the text is confirmed by Lord Holland.] wearing a large wig. In the foreground (right) Pitt's opponents are being kicked towards Hell by the horse's hind legs. Fox has just been violently struck in the face, and staggers backwards, clutching a paper inscribed 'Peace'. Sheridan lies prone, face downwards, hands raised, as if for mercy. Wilberforce sits on the ground clasping his 'Motion for a Peace' (see BMSat 8637). Behind Fox Lansdowne looks up from the ground, clenching his fists. On the extreme right the Duke of Norfolk, Lord Stanhope, and the Duke of Grafton are about to plunge into the flames: Fox in falling is pushing them over. ..."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: And e'er the last days began, I looked, & behold, a white horse, & his name who sat upon it was Death ..., and Mounted to 36 x 42 cm.
Publisher:
Pubd. June 4th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Brothers, Richard, 1757-1824, and Halhed, Nathaniel Brassey, 1751-1830.
"Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs; other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed saddle-cloth is a crown. Pitt is very emaciated, his flaming hair streams behind him encircled by a fillet inscribed 'Destruction'. In his right hand is a large flaming sword; in his left he holds the thread-like body of a scaly monster with gaping jaws, webbed wings, and serpent's tail. Behind him on the horse's hind quarters sits a naked imp wearing the feathered coronet of the Prince of Wales, with the motto 'Ich di[en]'. He grasps Pitt, and kisses his posterior; in his left hand he holds out a paper: 'Provision for the Millenium £125,000 pr An'. The horse's tail streams out, expanding into clouds, and merging with the flames of Hell which rise from the extreme right. In the tail and flames imps are flying, headed by Dundas holding a pitchfork; he wears a wig and plaid with horns and webbed wings. Behind are three imps: Loughborough, indicated as usual by an elongated judge's wig in back view (cf. BMSat 6796); Burke with webbed wings and serpent's tail; Pepper Arden [Identified by Wright and Evans as Lord Kenyon. The identification in the text is confirmed by Lord Holland.] wearing a large wig. In the foreground (right) Pitt's opponents are being kicked towards Hell by the horse's hind legs. Fox has just been violently struck in the face, and staggers backwards, clutching a paper inscribed 'Peace'. Sheridan lies prone, face downwards, hands raised, as if for mercy. Wilberforce sits on the ground clasping his 'Motion for a Peace' (see BMSat 8637). Behind Fox Lansdowne looks up from the ground, clenching his fists. On the extreme right the Duke of Norfolk, Lord Stanhope, and the Duke of Grafton are about to plunge into the flames: Fox in falling is pushing them over. ..."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: And e'er the last days began, I looked, & behold, a white horse, & his name who sat upon it was Death ..., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 32.5 x 37.5 cm, on sheet 36.7 x 42.8 cm., and Mounted on leaf 56 of volume 3 of 12.
Publisher:
Pubd. June 4th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Brothers, Richard, 1757-1824, and Halhed, Nathaniel Brassey, 1751-1830.
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., and Mounted to 31 x 46 cm.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 30.6 x 44.8 cm, on sheet 34.5 x 48.5 cm., and Mounted on leaf 47 of volume 9 of 12.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
