"Ministers, much burlesqued, registering terror or anxiety, are grouped on either side of a large bottle of 'Evidence against the Queen' from which rise clouds of smoke, inscribed 'Lies' (four times) and 'Non mi Ricordo' [five times]. On the left sits Liverpool, saying: "We shall be all sent to the Devil." Next him Eldon scowls: "D--n that Non mi Ricordo." Wellington, fiercely anxious, stands behind Liverpool's chair holding a scimitar. Facing Liverpool sits Sidmouth, holding his clyster-pipe to his nostril, and exclaiming: "O! how reviving." Castlereagh exclaims: "Oh! L--d we shall be cast." Gifford says: "Oh! the secrets will come out." A seventh, (?) Harrowby, stands with a hand on the heads of Sidmouth and Castlereagh."--British Museum online catalogue
Alternative Title:
Song of sixpence
Description:
Title etched below image., Sheet trimmed within plate mark., Six lines of verse in two columns below title: Sing a song of sixpence a bag full of lies, Four and twenty witnesses all prov'd to be Spies, Before the bag was open'd the ministers 'gan to sing, Oh! here we have a dainty dish to set before the King. But when the bag was open'd the Lords began to stare, To see their precious evidence all vanish into air., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Eldon," "Castlereagh," and "Sidmouth" identified in ink at bottom of image; date "8 Sep. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 8, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Gifford, Robert Gifford, Baron, 1779-1826, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Subject (Topic):
Politicians, Anxiety, Fear, Bottles, Smoke, Evidence (Law), Chairs, Daggers & swords, and Medical equipment & supplies
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"Heading to a printed broadside: '(Third Edition.)' and 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., Publisher and approximate publication date of August 1820 from the British Museum catalogue. The same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Ten stanzas of verse in two columns below title, printed in letterpress: Cried G......e, who dare my will resist, My word shall ne'er be shaken ..., Watermark: Cater., Window mounted to 34.7 x 25.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 54 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Canning," "Londondery [sic]," "Liverpool," "Geo. IV," "D. York," "Caroline," and "Wood" identified in ink below image. Various blank spaces in the printed verses have been filled in using purple ink, to complete the censored names and the words "Royal" and "King." Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
C.E. Pritchard
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Digit "6" in day of publication "26" in imprint is etched backwards., Sheet trimmed to plate mark., Four lines of verse in two columns below title: To brandy I flew to seek relief, but he's ne'er the less before me, ah no, no, no, brandy cannot cure, the pains I endure for Bergami., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Digit "6" in day of publication "26" in imprint is etched backwards., Sheet trimmed to plate mark., Four lines of verse in two columns below title: To brandy I flew to seek relief, but he's ne'er the less before me, ah no, no, no, brandy cannot cure, the pains I endure for Bergami., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple and roulette ; sheet 29.8 x 20.7 cm., Printed on wove paper., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 100 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Ald. Wood" identified in ink below image; date "26 July 1821" written in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., 1 print : etching ; sheet 22 x 33.9 cm., Printed on wove paper with watermark "J. Whatman"., Sheet trimmed within plate mark., Window mounted to 23.6 x 35.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Dec. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.6 x 35 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 21 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Castlereagh," "Liverpool," "Vansittart," and "Ellenborough" identified in black ink above title; date "June 1820" written in lower right corner.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
