Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave Man, the Knight repairs, For Counsel in his Law-Affairs; ..., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Sheet trimmed within plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave man, the knight repairs, for counsel in his law-affairs; ..., and Numbered "7" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Leaf 12. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife and family watch from the balcony; an inn-servant from the door. Dogs bark and spectators are amused."--British Museum catalogue
Alternative Title:
'Stop, stop, John Gilpin! here's the house!' they all at once did cry ...
Description:
Title etched above image., Four lines of verse below image: 'Stop, stop, John Gilpin! here's the house!' they all at once did cry; the dinner waits, and we are tir'd! said Gilpin 'So am I!'., Third plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "3" in upper right corner., and Bound in as leaf 12 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Taverns (Inns), Servants, Family members, Balconies, Spectators, and Dogs
"On a street, a man with a walking stick waves his hand at a dog standing at left, behind his back two finely dressed young men converse, one gesturing to right as if suggesting that they should leave, a monk behind them walking to left, and a religious building over a wall in the background (Two Gentlemen of Verona)."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Text below title: From the original drawing in the collection of Her Royal Highness the Duchess of York., Lines of dialogue on either side of title: Launce. O, tis a foul thing, when a cur cannot keep himself in all companies ... The two gentlemen of Verona., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd Jany. 1st, 1794, by Thos. Macklin, Poets Gallery, Fleet St.
Volume 2, page 8. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two girls in black capes and chip hats, their hair dressed high with ringlets, playing guitars, with a couple of dogs for audience, while a young man in a plumed hat ogles them but is pushed aside by a horrified monk, behind to right, a norman castle in the background."--British Museum online catalogue
Alternative Title:
Friar-Phillip's geese : a tale from La Fontaine
Description:
Title in French and English etched below image., Sheet trimmed to plate mark., Six lines of verse, in French and English, etched below each title. Verses in English begin: Oh the sweet bird, cries the lad in the utmost transport of joy, prithee sing a little ..., and Mounted on page 8 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 3d, 1782, by T. Watson, No. 33 Strand
Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., and Mounted on page 20 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., Mounted on page 9 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.3 cm, on sheet 40.2 x 35.0 cm.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 80. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A kneeling woman reads the palm of a girl standing at left in travelling clothes with a basket on her arm, two others watching, leaning on a fence behind, children and a dog sitting beside a fire at right, over which a large pan hangs; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Fourteen lines of verse below image, seven on either side of title: Last Friday's eve, when, as the sun was set, I, near yon stile, three sallow gipsies met ... Vide Gay's Pastorals., and Mounted on page 80 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, Poets' Gallery, Fleet Street
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Baskets, Fences, Children, Dogs, Campfires, and Pots & pans
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A rectangular plot enclosed by palings and gate and surrounded by trees outside an old-fashioned country house (left). The plot has four rectangles of turf set in gravel which a fat man in a dressing-gown with a cloth tied over his head is rolling, a dog running in front. A fatter man in night-cap, shirt-sleeves, and waistcoat (split up the back) holds a pair of dumb-bells, turning to a young woman (left) who is sawing a log of wood supported on trestles. Beside the paling is a dove-cote on a pole."--British Museum online catalogue
Alternative Title:
Passing the worst part of a rainy winter in a country ...
Description:
Title etched below image., Text below title: Passing the worst part of a rainy winter in a country so inveterately miry as to imprison you within your own premises so that by way of exercise ..., Restrike. For original issue of the plate, see no. 10823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Illustration to James Beresford's Miseries of human life, 1806; see no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 123., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 12, 1807, by T. Rowlandson, No. 1 James Street, Adelphi and Field & Tuer
Subject (Name):
Beresford, James, 1764-1840.
Subject (Topic):
Country life, Fences, Gates, Trees, Dwellings, Dumbbells, Obesity, Dogs, Woodcutting, Saws, and Axes
"A fat gouty invalid sits full face in a high-backed armchair beside his bedroom fire (left). He registers anguish as a young naval officer seizes his left hand, and tramples on his left. foot. An old nurse, followed by a man (right), pursue the officer into the room, much dismayed. A barking dog runs in front of them. Medicine bottles are ranged on the chimney-piece, a kettle stands on the fire, a high trivet with a dish is by the fender. At the invalid's right hand are a crutch and a round table with bowl and medicine bottle. A bird is in a cage."--British Museum online catalogue
Alternative Title:
When in the gout - receiving the ruinous salutation of a muscular friend ...
Description:
Title etched below image., Text below title: When in the gout - receiving the ruinous salutation of a muscular friend (a sea captain) who, seizing your hand in the first transports of a sudden meeting, affectionately crumbles your chalky knuckles with the gripe of a grappling iron ..., Attributed to Rowlandson by Grego., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Imperfect; sheet trimmed within plate mark with loss of page number from upper right. Missing numbering supplied from impression in the British Museum., and "Page 270"--Upper right corner.
Publisher:
Pub. Jany. 1, 1807, by R. Ackermann, Repository of the Arts, 101 Strand