Title etched below image., Attributed to Rowlandson by Grego., Second plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local Medical Library subject terms: Health spas.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Health resorts, Music, Concerts, Audiences, Musicians, Singers, Obesity, and Sleeping
Ticket to a concert at Concert Room, King's Theatre, Haymarket, May 179[blank], with the day and year annotated in manuscript. On the right, St Cecilia seated, playing the organ; on the left, two winged figures standing; in an oval; below, a block of low-relief which depicts Charity and three children; a lion and a unicorn on sides of the relief; after Robert Smirke; title for 1792 concert printed in a separate printmark at top."--British Museum online catalogue
Description:
Title from engraved text above image; image and text on separate plates., For proof before letters, Cf. Lewis Walpole Copy: on page numbered 16 in Folio 75 B28 804., The plate with the image was used multiple times for concerts including ones held at at St Margaret's Church, Westminster, Thursday 31st. May 1792 and one at Whitehall Chapel, Thursday 8th June 1797. See impressions in the British Museum online catalogue., "Arnold" annotated below image in brown ink., and Formerly mounted on page numbered 17 in an album of 116 prints: [Bartolozzi and his pupils].
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d March 1773.
Call Number:
Bunbury 773.03.23.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Three men playing musical instruments: A fat man (left) sitting in a chair plays a viol da gamba, perhaps a portrait of Abel, see British Museum Satires No. 5163. A thin man in profile to the left plays a flute. He wears a bag-wig, laced coat, ruffled shirt and sword. A piece of music protrudes from his coat pocket. Behind, a stout man plays a horn."--British Museum online catalogue
Description:
Title from text below image., Artist attribution to Bunbury from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Abel, Karl Friedrich, 1723-1787, Fischer, Johann Christian, 1733-1800, and Punto, Giovanni, 1746-1803
"Full-length portrait, seated on a chair in centre, writing a music score on a table, looking up to top right; to right, a young angel standing in profile to left, putting a crown of laurels over Handel's head; a little angel flying above them, holding a banner with Handel's name; light shining from top; pipe-organ to left; in an oval frame decorated with laurels and a banner; book-illustration to 'An account of the musical performances in commemoration of Handel'."--British Museum online catalogue
Description:
Title from image., Sheet trimmed to plate mark., and On page numbered 19 in an album of 116 prints: [Bartolozzi and his pupils].
A young maid seated by the kitchen table is admiring in a small mirror her coiffure as it is being arranged by a footman. A little girl playing by the window is mimicking his work on her rag doll. In the foreground on rihgt, an old woman is washing clothes in a large tub. On the other side of the kitchen an maid plays a mandolin while singing together with a footman seated by her side. A small shaggy pet dog sits on an open music book by their feet, howling in accompaniment. A kitten plays with the ribbons of a hat left leaning against the table leg on the floor. In the background is a large fireplace with dishes and candlesticks on the mantle and a bird-cage from which a large black bird peeks curiously at the hairdressing in progress
Description:
Title from item., After painting by Collet titled: High taste in low life, exhibited at the Society of Artists in 1765. Cf. Catalogue of the paintings, sculptures ... exhibiting by the Free Society of Artists, 1765, no. 63., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Townhouse kitchen -- Containers: Warming pan.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, publish'd as the act directs
Subject (Topic):
Candlesticks, Cats, Dogs, Interiors, Irons (Pressing), Kitchens, and Music
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
"A grotesquely fat woman, much decolletee, sits at a piano (left) singing and playing, her left foot on the pedal. With upturned eyes and gaping mouth she sings: "Just like love ..." [three times]. Her music book is open at: 'Just like Love a Favorite Song Sung by Mr Braham'. A fat man in old-fashioned dress, standing just behind her, his hands raised in surprise, turns to address two younger men who are fashionably dressed. He asks: "Don't my Lady play and Sing delightfully? she was finished under the famous Sigr Squawlletti." The man on the extreme right, holding his friend's arm, says: "By G- if the Signior had been under my Lady she would have finish'd him! would'nt She Sir Thomas." The other laughs: "Ha! Ha! Ha! come that's a good one!"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on one side., and Watermark: Cansell 1822.
Title engraved below image., Sheet trimmed to plate mark at top edge., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., v. 1 (1769), page 473., Numbered 'No. XXVII' in upper left corner., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 431., and Temporary local subject terms: Theatres: Stratford upon Avon -- Female dress, 1769 -- Male dress, 1769 -- William Shakespeare's statue, 1769.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Monuments & memorials, Music, Musical instruments, Musicians, Performances, and Theaters
"Minerva and Apollo seated on a bank of clouds, Minerva reaching down to guide by the wrist a female personification of Music, who approaches at left, holding an open book of sheet music, towards Apollo, who holds out his hand; in foreground right, a shield with trophies, including a drum, axe, turban and helmet."--British Museum online catalogue
Alternative Title:
Musick introduced to Apollo by Minerva and Music introduced to Apollo by Minerva
Description:
Title etched within image., Title from Paulson: Music introduced to Apollo by Minerva., Artist signature moved to above the line, lower right., Sheet trimmed to plate mark., and On page 48 in volume 1.
Publisher:
Sold by J. Clark engraver & printseller in Greys Inn