"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., and Temporary local Medical Library subject terms: Alcoholism, Prevention and Control.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., Temporary local Medical Library subject terms: Alcoholism, Prevention and Control., 1 print : etching ; plate mark 343 x 245 mm., and Hand-colored.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 30 x 35 cm, on sheet 30.7 x 36.1 cm., and Mounted on leaf 33 of volume 7 of 14 volumes.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., and Matted to 46 x 52 cm.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., 1 print : aquatint with etching, hand-colored ; sheet 25.8 x 32.1 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint from lower left. The title is also separated from the rest of the sheet, having been trimmed away and then mounted beneath the design.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper ; sheet 25.8 x 36.2 cm., and Ms. numbering in contemporary hand in top margin of print: 247.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper, hand-colored ; plate mark 25.9 x 36.2 cm, on sheet 29.4 x 39.8 cm., and Mounted on leaf 36 of volume 11 of 12.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., and 1 print : etching, hand-colored ; sheet 24.4 x 34.5 cm.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 67 in volume 3.
