In an elegant bedroom a young woman sits at her dressing table looking at her reflection in the mirror. At her side is a barber with combs in his apron gestures at her image which shows the elaborate high hair of the fashion. Embroidered curtains hang over her canopied bed; the room is decorated with wallpaper and a patterned rug, curtains on the window, and a sash behing the dressing table
Description:
Title from item. and Date conjectured from costume.
"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
Lord North at a wash-tub, washing clothes, with women standing round him. He stands in profile to the left stooping over a tub resting on a square stool or table; he is in his shirt, with his sleeves tucked up, but wearing his garter ribbon. His coat, with its star, lies on a stool behind him. He says, "Oh Lord I wish that Fox at the Devil". In the foreground (left) a fox with playing-cards under its feet, is biting a sack inscribed "Budgett". One woman, in profile to the right, holds up her hands, saying "Poor man he must want a drop of comfort [i.e. gin]". A woman standing full face, behind the tub, says, "Look at him, see what he has got by his Taxation". The third woman stands behind North holding a cloth, and saying "He deserves this Clout pin'd to his tail". A small child with curly hair is looking over the edge of the wash-tub. Over North's head is suspended an axe, suggestive of the impeachment and capital punishment with which he had been threatened by the Opposition and Press, cf. BMSat 5660, 5661, 5964, 6046, &c. [Threats of impeachment and the block had been made by Burke and Fox, e.g. by Fox, 27 Nov. 1781, 'Parl. Hist.' xxii. 692: Ministers would he trusted expiate their measures "on the public scaffold".] The room is poverty-stricken, with plaster coming off the walls. On the table (left) is bottle and glass. In the foreground (right) is a barrel lying on its side inscribed "Gin". On the wall hangs a paper or broadside inscribed, "to praise Lord North i thirst it (?) no ten for he has [? illegible forborne] to tax our Dear Gin".--British Museum online catalogue
Description:
Title from item.
Publisher:
Publish'd April 1, 1782 by E. Dachery [sic] No. 11 St. James's Street
Subject (Geographic):
England
Subject (Name):
North, Frederick, Lord, 1732-1792. and Fox, Charles James, 1749-1806.
Subject (Topic):
Laundresses, Wash tubs, Interiors, and Clothing & dress
Leaf 49. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a breeches-maker's shop or workroom. Two men standing, one on a chair, the other on a stool, are attempting to pull up the very tight breeches of a stout man, who is lifted from the ground by their efforts. A stout woman enters from the right holding a pair of breeches under her arm. On the wall is a placard: 'Ramskin, Elastic Spring Breeches Maker They set close to the Hips and never alter their Shape which Thousands can Testify Likewise a large & curious assortment of Breeches Balls Straps Boot Garters &c &c &c.' Breeches and straps hang on the wall (right). The room is raftered and very scantily furnished."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6723 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 148., and On leaf 49 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Novr. 1, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Topic):
Interiors, Clothing & dress, Trousers, and Obesity
A man stands in the center of his dressing room with an expression of pain on his face as he pulls open one of his eye lids to expose a large black speck in its center. He stands in what appears to be his dressing room, dressed in a waistcoat, nightcap, heavy stockings over his trousers, and slippers.The table is filled with medicine bottles and a vial. His clothes hang from a dresser drawer, a laundry washtub, brushes, and a bar of soap lie off to its side under the window. A blanket has been thrown on the back of the upholstered chair with castors. Small weights for lifting lie on the rug beside the chair
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Caption below title: I wish you'd take it out. There's always something the matter with me!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Eye disorders.
A man stands in the center of his dressing room with an expression of pain on his face as he pulls open one of his eye lids to expose a large black speck in its center. He stands in what appears to be his dressing room, dressed in a waistcoat, nightcap, heavy stockings over his trousers, and slippers.The table is filled with medicine bottles and a vial. His clothes hang from a dresser drawer, a laundry washtub, brushes, and a bar of soap lie off to its side under the window. A blanket has been thrown on the back of the upholstered chair with castors. Small weights for lifting lie on the rug beside the chair
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Caption below title: I wish you'd take it out. There's always something the matter with me!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Eye disorders., 1 print : aquatint with etching on wove paper, hand-colored ; sheet 29 x 21 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
A drunken soldier stretches out in a chair by a table on which sit a punch bowl and empty glass. A young woman in large hat is taking his money and watch
Description:
Title engraved below image. and Numbered '192' in lower left corner of plate.
Publisher:
Printed for Robert Sayer, Chart and Printseller, No. 53 Fleet Street, as the act directs
Depicts a well-dressed lady approaching a table where a striped chair is being held for her by a young black serving boy. At the table are seated a bald and bearded man, and on his left, seated on a sofa, a lady wearing an ermine trimmed robe. The table holds a silver urn and various dishes on a tray. On the walls are two paintings of what appear to be seduction scenes and a wall sconce with mirror
Alternative Title:
One of the tribe of Levi, going to breakfast with a young Christian
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street
Subject (Geographic):
England. and England
Subject (Topic):
Jews, Judaism, Relations, Christianity, Sofas, Furniture, Sconces, Paintings, Tableware, Black people, Servants, Interiors, and Clothing & dress
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
A scene inside an apothecary’s shop, with a surprised looking apothecary standing behind the counter serving a shifty looking male customer wearing a Scottish bonnet cap and tartan trousers. Behind the counter is a labelled drug run (a set of drawers for storing medicinal ingredients) and labelled drug jars (for storing prepared medicines); on and in front of the counter are pestles and mortars. The shop has carboys and drug jars on display in the windows to the right. The apothecary holds a plaster iron in his hand and is in the process mixing a preparation. See: Royal Pharmaceutical Society Museum online, Attitudes to Health Collection, Reference 997.17.7.
Description:
Title etched below image., Sheet trimmed within plate mark., Two lines of dialogue etched below title: Please Dockthar to gee me a baubee's worth o' brimstane, its no for mysel but for anither gentleman thats outside., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Pharmacies, interior.