Verse begins: "Come all you young gallants that's passing along,", In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The range of dates and printers’ names are from the Bodleian Library Ballads database; see also David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Imprint below fourth column., Mounted on leaf 49. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Topic):
Prostitution, Paternity, Domestics, Love, Gifts, Foundlings, and Baskets
Date of publication supplied by cataloger., Verse begins: "Come all you young gallants that's passing along,", Imprint below fourth column., In this edition, the imprint reading is "Stonecutter Street, Fleet-Market"; the heading "John’s Confession" (middle of last column) is in roman type; and the first three words of the first line are "Come all you". In another edition (ESTC N1343), the reading is "Stonecutter-street, Fleet Market"; "John’s Confession" is in italics; and the first three words are "Come all ye"., In four columns with the title and two woodcuts above the first two; the columns are not separated by lines of ornamental type., Mounted on leaf 50. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Stonecutter Street, Fleet-Market
Subject (Topic):
Prostitution, Paternity, Household employees, Love, Gifts, and Foundlings
An old man with tears streaming down his face, his hat clutched in his hands, pleads with a fresh-faced country girl in a straw hat, a staff resting across her left shoulder. A well-dressed black man rests his hands on the older man's back as he watches the scene, a smile on his face
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '1' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A group of cinder-sifters at work on one of the vast laystalls which disgraced the surroundings of London in the 18th century (notably off Tottenham Court Road). A woman of the lowest type, ragged, naked to the waist, holds her sieve, turning her head to her male counterpart, a burly dustman, who helps her by shovelling cinders into her sieve. They grin amorously at each other. She is hideous, stout, and muscular. Two other cinder-sifters kneel on the ground, both are aged crones; one bends over her sieve, the other drinks a glass of gin. In the foreground are the bones of a horse. Behind (left) is the dustman's cart. In the sky a flight of birds (left) are suggestive of carrion crows."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., Probably a later reissue of the plate, with Tegg's imprint statement and the year "1810" under Rowlandson's signature burnished out., Publication information based on earlier reissue with the imprint "Pub'd June 4, 1810, by Thos. Tegg, No. 11 Cheapside." Cf. No. 7444A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, page 969., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 189., Watermark: 1817., and Leaf 91 in volume 1.
A hideous, ragged woman looks amorously at her male companion, a burly dustman, as they sift through cinders; two others kneel at their feet, one also using a sieve to sift through the cinders while her companion drinks gin. In the foreground are the bones of a horse; flying overhead a flock of carrion crows
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., For a later reissue of the plate, see no. 7444 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 34.5 x 24.9 cm, on sheet 39.2 x 27.5 cm., and Mounted on leaf 9 of volume 11 of 14 volumes.
Publisher:
Pubd. June 4, 1810, by Thos. Tegg, No. 11 Cheapside
A hideous, ragged woman looks amorously at her male companion, a burly dustman, as they sift through cinders; two others kneel at their feet, one also using a sieve to sift through the cinders while her companion drinks gin. In the foreground are the bones of a horse; flying overhead a flock of carrion crows
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., For a later reissue of the plate, see no. 7444 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark: GT 1803.
Publisher:
Pubd. June 4, 1810, by Thos. Tegg, No. 11 Cheapside
Date of publication supplied by cataloger., Verse in four numbered parts begins: "A seamen of Plymouth, sweet William by name,"., In four columns with the title above the first two and the imprint below the last column; the columns are not separated by rules., Cf. no. T192396 in ESTC., Mounted on leaf 74. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold by J. Evans, No. 41, Long-lane, West-Smithfield, London
Date of publication from ESTC., Verse begins: "Near Woodstock-town in Oxfordshire,"., Printed in five columns with the title above the first three; there are no rules between the columns., Mounted on leaf 62. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold in Bow-Church-Yard
Subject (Topic):
Seduction, Betrayal, Suicide, Man-woman relationships, and Love
Date of publication from ESTC., Verse begins: "You young men and maidens of beauty most bright,"., In four columns with the title and two woodcuts above the first two; the columns are separated by lines of ornamental type., Mounted on leaf 51. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at the Printing-Office in Bow-Church-Yard
Subject (Geographic):
Great Britain
Subject (Topic):
Broadsides, Ballads, English, Love, Disguise, Man-woman relationships, and Horseback riding
Date of publication supplied by cataloger., Verse begins: "At Winchester there was a wedding"., In four columns with the title and two woodcuts above the first two; the columns are not separated by rules., Mounted on leaf 67. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Geographic):
Winchester (England)
Subject (Topic):
Weddings, Marriage, Love, Ballads, English, Broadsides, and Dance
