Volume 2, page 76. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: Non quo sed quomodo., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 76 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 24 Old Bond Street
"Interior of a poorly-appointed barber's shop. The barber (left) is shaving a customer who sits in profile to the left facing the window, he holds his razor carelessly, to his customer's alarm, while looking eagerly towards another customer, who sits (right) on a stool in profile to the left, reading from the 'Morning Chronicle'. The barber's assistant or apprentice, a small ragged fellow, gapes up at the reader, he straddles across the stand of a barber's block on which is the wig which he is combing. Two other customers listen intently, both wear aprons, one of them is a shoemaker with a last under his arm. The man reading is shown to be a tailor by the yard-measure which hangs from his coat-pocket. On the wall hang coat, hat, wig, a broken looking-glass, a ballad, a roller-towel. In the window wigs are suspended. On the floor are two wig-boxes (left), inscribed 'Mr Deputy Grizzle' and 'Mr Snipp', a barber's bowl, and a night-cap."--British Museum online catalogue
Description:
Title from text below image., After Dighton. See British Museum catalogue., Sheet trimmed to plate mark., Numbered "477" in lower left corner., The Lewis Walpole Library: For later engraving published by Bowles & Carver, see 782.05.20.02.2++., No. 23 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
"Interior of a poorly-appointed barber's shop. The barber (left) is shaving a customer who sits in profile to the left facing the window, he holds his razor carelessly, to his customer's alarm, while looking eagerly towards another customer, who sits (right) on a stool in profile to the left, reading from the 'Morning Chronicle'. The barber's assistant or apprentice, a small ragged fellow, gapes up at the reader, he straddles across the stand of a barber's block on which is the wig which he is combing. Two other customers listen intently, both wear aprons, one of them is a shoemaker with a last under his arm. The man reading is shown to be a tailor by the yard-measure which hangs from his coat-pocket. On the wall hang coat, hat, wig, a broken looking-glass, a ballad, a roller-towel. In the window wigs are suspended. On the floor are two wig-boxes (left), inscribed 'Mr Deputy Grizzle' and 'Mr Snipp', a barber's bowl, and a night-cap."--British Museum online catalogue
Description:
Title engraved below image., Publication date inferred from the date of partnership of Bowles and Carver. See Plomer, H.R. Dictionaries of printers and booksellers., Copy after a mezzotint of the same title published by Carington Bowles in 1782., Verses below imprint begin: Sam Soapsuds was scraping the Deputys chin; when Suet and Snip, with Old Crispin came in ..., and Watermark in lower part of sheet, countermark I V in upper part.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"The interior of a luxuriously furnished room. A young woman (right), fashionably dressed, looks down demurely as she receives the eager advances of an elderly and toothless man wearing a bag-wig and sword and the ribbon of an order. He covertly gives a purse to a fat and elaborately dressed bawd who stands behind him."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Reissue of no. 6872 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. Novr. 30, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Bribery, Courtship, Parlors, Daggers & swords, and Wigs
Title from item., Sheet trimmed to plate mark., Two columns of verse on either side of title: The matron thus surprised exclaims, and the deluded fair one blames ..., and Temporary local subject terms: Macaronies -- Female fashion, 1774 -- Military uniforms -- Vehicles: sedan chair.
Publisher:
Printed for S. Sledge, Printseller in Henrietta Street, Covent Garden, as the act directs
Title engraved below image., Caption below title: Lord, its [sic] Jemmy my town beau., "No. 104" in Laurie & Whittle Drolls series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lighting -- Carpets -- Female costume, 1794 -- Male costume, 1794 -- Literature: John O'Keeffe, The Farmer.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott and Tozer drive before them a crowd of fat bishops, who flee to the right in wild confusion. She uses a birch-rod, he wields a flail, inscribed 'Revd Roger Towser's Flail'. Joanna holds by the toe the hindmost bishop, who wears a papal tiara. One has fallen to the ground, losing wig and crosier, another escapes over the former's body; two wear mitres. Several turn round to shriek defiance; one kicks out at Tozer, and uses his crosier as a weapon, another brandishes his wig. Joanna is plainly dressed, and wears a cap and spectacles; from her neck hangs a medallion inscribed 'I C' between two stars, with the words 'A Fac Simili of Joannas Seal'. Drapery streams behind her inscribed 'Elijah's Mantle' and 'Mohair'. Demons and serpents fly round the angry pair. She screams: "Lay it on hip and thigh Brave Towzer Smite the unbelievers--I put no more trust in Bishops as men, than I do in their Chariots and Horses, but my trust is in the Lord of Hosts." He shouts: "I'll well Dust their Woolsacks and make them drunk in my fury, I will bring down their strength to the earth." Behind them (left) is a chest (as in British Museum Satires No. 12333) inscribed 'Contents of the Sealing. The Sealed of the Lord--The Elect--To inherit the Tree of Life. To be made Heirs of God and Joint Heirs of [sic] with Jesus Christ--Joanna Southcott.' Beside it lie a goblet and 'Salver'. At her feet is an open book: 'Third Book of Wonders'. A serpent darts from left to right over the bishops."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Know I told thee I should begin at the sanctuary I will cutt them all off, having already cutt off four bishops for refusing to hear her visitation., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 51 in volume 5.
Publisher:
Pubd. Septr. 20th, 1814, by T. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814 and Tozer, William, approximately 1770-1828
Subject (Topic):
Women prophets, Prophets, Bishops, Crosiers, Miters, Medals, Chalices, Boxes, Wigs, Beating, Whipping, Whips, and Demons
Title etched below image., Sheet trimmed within plate mark., From the Laurie & Whittle series of Drolls., Plate numbered '169' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lighting -- Female dress: miniatures as jewelry -- Practical jokes.
Publisher:
Published 8th March 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
John Bull (Symbolic character), Interiors, Theater audiences, Theaters, Wigs, Candles, and Military uniforms
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull stands on a stone on tiptoe under a tree, a rope round his neck attached to a branch of the tree. He holds the rope with both hands, to prevent strangulation. On the right stands a Frenchman (France) holding out a leek to John Bull, between them is a stream or river. John Bull is a moderately stout man with a thick neck, wearing an ill-made bob-wig, not the characteristic John Bull of later satires, who had already appeared, see British Museum Satires Nos. 5611, 5612. The Frenchman is very thin, wearing a night-cap, a long pigtail queue, a ruffled shirt, and sabots stuffed with grass."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the British Museum catalogue., Temporary local subject terms: France as a French peasant -- Emblems: Leek for France -- ?Reference to defeat at Yorktown., and Second of two plates on leaf 32.
Publisher:
M. Darly
Subject (Geographic):
France.
Subject (Topic):
John Bull (Symbolic character), Hangings (Executions), Nooses, Peasants, Onions, Streams, and Wigs
Leaf 13. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin outside the callender's house in Ware. The callender stands by the horse holding a hat, while Gilpin puts on the over-large wig. He wears a dressing-gown. On the steps of his house, inside a wall and railing, is a figure of Britannia. Two donkeys (left) complete the design."--British Museum catalogue
Alternative Title:
Whence straight he came with hat and wig, a wig that droop'd behind ...
Description:
Title etched above image., Four lines of verse below image: Whence straight he came with hat and wig, a wig that droop'd behind, a hat not much the worse for wear; each comely in it's [sic] kind., Fourth plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "4" in upper right corner., and Bound in as leaf 13 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Britannia (Symbolic character), Wigs, Dwellings, and Donkeys