All headings are missing (one line is blank between the various satires). Red stroking of the majuscules on f. 1r only. 2-line red plain initials at the beginning of the satires, with guide letters. The Prologue opens with a 5-line plain initial with some decoration., Binding: Unbound., Mss. 897 and 898 are parts of the same manuscript., Script: Copied by one hand writing Gothico-Humanistica with single-compartment a. The majuscules, at the beginning of each verse, are Gothic., and Watermark: a Circle surmounted by a Cross. Parchment stays at the outer and at the inner sides of the quires, made from scraps of various manuscripts.
Binding: Nineteenth century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Script: Copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i.
Subject (Name):
Lucullus,--ca. 117 B.C.-ca. 56 B.C and Plutarch
Subject (Topic):
Biography--To 500, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Persius, Satirae 1.22-6. With argumenta added in the 15th century.
Description:
Binding: 20th-21st centuries, not digitized. Plain brown leather over cardboard. Yellowish paper endleaves., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Script: Copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft.
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together.
Filelfo, Francesco, 1398-1481 Fortunatus, Saint, d. ca. 400 Prudentius, b. 348 Sedulius, 5th cent
Published / Created:
1473
Call Number:
Marston MS 98
Image Count:
140
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (coarse) of 1) Prudentius, Praefatio. 2) Prudentius, Psychomachia. 3) Final verses from Francesco Filelfo, Satyrarum hecatostichon septima decas, hecatosticha quinta. 4) Franciscus de Fiano, Deprecacio pulcherrima ad gloriosissimam matrem. 5) Fortunatus, selected verses from Carmina III.9.1 (Ad Felicem episcopum de pascha). 6) Sedulius, Carmen paschale. 7) Sedulius, Hymnus I. 8) Two unidentified poems. Written by a Cistercian monk.
Description:
Binding: Nineteenth century, Italy (?). Bound in tan sheepskin, over wooden boards. Bluish green edges. "Prudentii" scratched on leather of upper board., Contemporary foliation, in ink, in upper right corner skips from 4 to 6; correct modern foliation, lower right, in pencil., Script: Written in humanistic bookhand with gothic features by a single scribe, above top line., Some headings, in red, for art. 6 only., and Watermarks, in gutter: similar to Briquet Lettres Assemblees 9607; similar to Piccard Blume II.900, but with prominent stitching holes.
Manuscript on paper of Publius Ovidius Naso (Ovid, 43 BC-AD 17), Heroides, 15 (Sappho Phaoni), and Epistola Phaonis ad Sappho, a response by an anonymous humanist to Heroides.
Description:
Binding: Twentieth century. Quarter binding, white parchment and brown paper. Red edges pertaining to a preceding binding., Blank space for a heading above art. 2; red final note on f. 6r. Red stroking of all majuscules. Gothic plain initials in red, 4-line at the head of art. 1, 2-line at the head of art. 2. Large guide letters at the left of the initials., On the originally blank f. 6v a later hand has written notes in a very rapid Gothica Cursiva most difficult to decipher., and Script: Copied by one hand in Humanistica Cursiva under Gothic influence and of low quality.
Ambrose, Saint, Bishop of Milan, d. 397 Jerome, Saint, d. 419 or 20
Published / Created:
1439-1440.
Call Number:
Beinecke MS 766
Image Count:
620
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris.
Description:
Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork (“R” instead of “D”) in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., and The codex belonged to the Diocesan Library of Dunedin, New Zealand. Sotheby sale, London, 27 March 1950 (catalogue, no. 35).
Manuscript on parchment of 1) Anonymous grammatical treatise in prose (Grammatica Latina secundum Donatum). 2) Disticha Catonis.
Description:
1-line red versals and 2-line red plain initials. Two large initials: f. 1r, at the beginning of the text of art. 1, historiated 10- line initial in pink on a blue background, containing a half-length profile of a poet or teacher in outline with a yellow dress; f. 10r, at the beginning of art. 2, decorated 9-line initial in pinkon a blue background, filled with red, yellow and green leaves., Binding: Original half brown leather binding over heavy bevelled wooden boards; sewn on two split leather thongs; the spine damaged. Remnants of one strap attached to the front cover, with iron pin on the rear cover., Due to intensive use the pages are badly rubbed and the legibility is impaired; whole passages have been rewritten by a later hand. The corners of the leaves are worn off. Holes and sewings., and Script: Copied by one hand in large Southern Gothica Textualis Formata (Rotunda). The opening majuscule of each verse set off in a separate column.