Manuscript on paper of Annales Sanctae Iustinae. The Annals deal with the regional history of Lombardy and the March of Treviso, but also with world history and cover the years 1207-1270. With Mantissa. Notes on the history and buildings of Padua from its legendary foundation to the death of Petrarch (1374), together with some facts of general history, written as a supplement to the preceding text.
Description:
Binding: Nineteenth century. Quarter binding, pasteboard covered with brown paper, and white parchment; flat spine with black leather title label with gold-tooled inscription: “MONACHI / PADUANI / CHRONICON / MS.”; below this label an oval label in the same material., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., In the original parts of the Annals, pale red headings; pale red stroking of the majuscules and plain alternately pale red and black 2-line initials, either Gothic with some decoration, or slovenly-made Humanistic ones. The parts copied by the second scribe are undecorated., Script: The Annals are copied by a single scribe writing Italian Hybrida Libraria under Humanistic influence, using only vertical d. Mantissa, as well as replacement leaves in the preceding text, are copied by a ca. 1600 hand writing Gothico-Humanistica Cursiva., and The original part of the manuscript is soiled and waterstained. It had lost two leaves that were later replaced.
Subject (Geographic):
Lombardy (Italy)--History, Padua (Italy), and Treviso (Italy)--History
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and World history
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only.
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., Purchased from Enzo Ferrajoli through Nicolas Rauch of Geneva in 1958 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., and Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper of C. Iulius Caesar (100-44 B.C.), De bello Gallico; De bello civili; De bello Alexandrino; De bello Africo; De bello Hispaniensi.
Description:
Binding: ca. 1700 (repaired in 1993 by P. Dusel). Brown sprinkled calf over cardboard, gold-tooled: the covers decorated with a double fillet frame, the spine, with seven raised bands, richly decorated. In the second compartment a red title label with gold-tooled inscription “CESARIS / COMMENT/ARII .Ms.” Red edges., Collection of Bernard M. Rosenthal, Berkeley (MS 174). Purchased from Rosenthal on the Edwin J. Beinecke Fund., Pale red headings in Humanistica Textualis, sometimes missing, especially towards the end of the codex. Running headlines in the same colour and by the same hand, “L” in the middle of the verso page, the number in the middle and the title at right on the recto page. Gothic initials at the head of the subdivisions of the text as sketched above (including f. 69r): (1) foliate initials in Lombard style in red and green, filled with blue heightened with white penwork, on a square gold background, up to f. 51r; the opening one (f. 1r) is 9 lines high and has penwork extensions ending in leaves in the left and upper margin (the latter interfering with the heading); the others are 4-5 lines high and have similar sprays in the left margin only; (2) Starting f. 68v (art. 2) blue flourished initials (4-6 lines) with red penwork, the latter extending in the margin., and Script: Copied by one scribe writing a small Gothico-Humanistica with features close to Gothica Semitextualis Libraria.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Lawrence Justinian, Saint, 1381-1456 Tavelli, Giovanni, 1386-1446
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 796
Image Count:
466
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (sturdy) of Laurentius Iustinianus (Lorenzo Giustiniani, 1381-1456), De disciplina et spirituali perfectione monasticae conversationis (De disciplina spiritualium), Italian translation by Iohannes de Tossignano (Giovanni Tavelli da Tossignano, 1386-1446, bishop of Ferrara 1431-1446).
Description:
Binding: Of the original binding the wooden boards (and the gilt and gauffered edges) survive. The boards are now covered with brown 19th-century marbled paper and the spine with cloth-reinforced beige marbled paper. On the latter (now detached) a paper label with handwritten 19th-century inscription: "146. / Anonimo. / Della disciplina et perfectione / de la monastica conversatione. / Cartaceo. / secolo XV."., Collection of Bernard M. Rosenthal, Berkeley (MS 136). Purchased from him in 1994 on the Edwin J. Beinecke Fund., Headings in red ink of various darkness. On f. 1r the Prologue opens with an 8-line Gothic foliate initial L in purple and blue, heightened with white penwork, on a square golden background, containing a stylized flower in purple and yellow with green foliage and ending in blue, purple and green acanthus leaves; on the same page a full floral border in blue, purple and green with a multitude of hairy gold balls. On all the remaining pages the decoration was not executed: the rectangular spaces with guide letters for initials are blank. A 4-line initial was planned f. 5r at the beginning of the text, a 3-line initial at the beginning of chapter 2 (f. 10r), and 2-line initials at the beginning of the other chapters., and Script: Copied by one hand in Italian Gothica Hybrida Libraria/Currens.
Subject (Name):
Lawrence Justinian,--Saint,--1381-1456
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monastic and religious life
Manuscript fragments on paper of 1) Final page of a violent invective against a pope (Paul II, 1464-1471, or more probably Alexander VI, 1492-1503) by a woman (repeatedly referring to herself as "ipsa") who had been badly treated by him; it is addressed to another woman. Here attributed to the humanist Filippo Buonaccorsi ("Callimachus"), born 1437 in San Gemignano, d. 1496, a member of the Accademia Romana, who was among the accused of a conjuration against the life of Pope Paul II and had to flee Italy. 2) Francesco Pietrasanta from Milan, De opibus Christianae religionis, a treatise against the wealth of the clergy, addressed to the theologian Filippo Maineri. 3) Two fragments of a history of Florence.
Description:
Collection of Bernard M. Rosenthal, Berkeley, CA, MS 164., Script: Copied by two hands, both writing a similar Humanistica Cursiva under Gothic influence, Currens in artt. 1-2, Libraria in art. 3., Space and guide letters for 2-line initials on ff. 1v and 2r, respectively at the beginning of the prologue and of the text proper of art. 2., and The first quire (artt. 1-2) was originally most probably composed as follows: ff. 1 2 3 8 // 6 4 7 5. It now consists of a bifolium with parchment stay in its center (ff. 1-2), 4 singletons with stubs(ff. 3 8 6 7) and a singleton without stub (f. 5). What remains of quire II now consists of two singletons, ff. 9 (with stub) and 10 (with half of a parchment stay). Horizontal catch word right of the center on f. 5v.
Subject (Geographic):
Florence (Italy)--History
Subject (Name):
Paul--II,--Pope,--1417-1471
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a Lexicon Latino-Grecum. With an epigram of Hubertinus Clericus (Hubertinus de Crescentino), Professor of Rhetoric at Pavia and Milan.
Description:
Binding: Sixteenth century, Italy (Italo-Greek?). Own endleaves. Unusual sewing through three spine linings, the central one paper. An endband of two joined lines of chain stitching is sewn on a largely exposed leather core. The flush paste boards are held on by the cloth spine linings which extend on either side of them and are glued to them. Covered in brown goatskin with rope interlace crosses and random small tools. Traces of four ribbon ties., First initial for each letter of the Roman alphabet: plain red or blue majuscules, 4- to 2-line. On recto, all Latin words begin with bright blue 1-line initials, on verso all begin with bright red; color scheme reverses on f. 7v to end. Art. 2, f. 1r, in pale red., Purchased from B. Rosenthal in 1955 by Thomas E. Marston., Script: Latin words written in humanistic bookhand; Greek words in a neat Greek minuscule., and Watermarks, in gutter: similar in general design to Briquet Couronne 4659; two unidentified serpents.
Greek language--Dictionaries--Latin--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Prologue by the translator, addressed to Henry of Lusignan, Prince of Galilee (d. 1427). 2) Plutarchus (c. 46-120), Vita Luculli, Latin translation by Leonardus Iustinianus (Leonardo Giustiniani, 1388-1446). 3) Plutarchus, Comparatio vitarum Cimonis atque Luculli, Latin translation by Leonardus Iustinianus.
Description:
Binding: Nineteenth century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Script: Copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i.
Subject (Name):
Lucullus,--ca. 117 B.C.-ca. 56 B.C and Plutarch
Subject (Topic):
Biography--To 500, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Albertano da Brescia, 1) Liber de doctrina dicendi et tacendi. 2) Liber consolationis et consilii. 3) De amore et dilectione Dei. 4-8) Sermones. 9) De omnibus ordinibus omnium hominum. 10-13) Unidentified moralistic passages. 14) Ps.-Seneca, Proverbia. 15) Seneca, De beneficiis (extracts).
Description:
Binding: Nineteenth century, Italy. Quarter bound in tan paper with semi-limp paper sides. Written, in ink, on spine: "De Scientia/ Loquendi/ Tacendi/ Manos" and "Albertani/ Pergomena". On parchment leaves at front and rear: rust stains from five bosses and 2 fore-edge fastenings of an earlier binding., Initials for major text divisions in red with designs on parchment ground, 18- to 4-line, and some (e.g., f. 28r) with modest penwork designs in red and/or black. Small plain initials, 3- to 1-line, rubrics, and paragraph marks, in red., Purchased in 1954 from B. Rosenthal by Thomas E. Martson., and Script: Written by a single scribe in an informal gothic bookhand, below top line.
Subject (Topic):
Consolation--Early works to 1800, Devotional literature, Latin (Medieval and modern), Didactic literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, Sermons--Early works to 1800, and Theology--Early works to 1800
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together.
Subject (Name):
Loschi, Antonio,--d. 1441
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholia, and Speeches, addresses, etc., Latin