Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year
Description:
In Latin., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r., and Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martí, Ramón, -approximately 1286. and Nicholas, of Lyra, approximately 1270-1349.
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Commentary on the Doctrinale of Alexander de Villa Dei, with the text of the Doctrinale (verses 29 to 1567) added in the margins by various hands
Description:
Script: Copied by various similar hands, writing in a very small Gothica Textualis Currens. The Doctrinale text (art. 3) is written in the margins by various later hands, mostly using a bold and rounded Gothica Semitextualis Libraria, with sometimes elongated and decorated ascenders or descenders. and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, de Villa Dei.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Alternative Title:
Historia scholastica
Description:
In Latin., Script: Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., The ink on the first pages has flaked, making them very difficult to decipher., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and Binding: Modern limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century, Catholic Church. Council of Lyons, and Franciscans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Religious poetry, Latin, and Sermons, Latin
Manuscript on vellum and paper of 1) Treatise on the Koran. 2) Ricoldus de Monte Crucis O.P. (Ricoldo da Montecroce, d. 1320), Libellus contra legem Sarracenorum (Confutatio Alcorani). 3) Anonymous treatise against the Koran in the form of letters exchanged between two friends, a Muslim and a Christian. 4) Bonacursius de Bononia O.P. (s. XIII2), De erroribus Graecorum. 5) A short history of the ecumenical councils
Description:
In Latin., Script: probably copied by one hand, who starts writing Humanistica Textualis but gradually changes into a rapid Gothico-Humanistica., and Binding: original binding. Blind-tooled calfskin over bevelled wooden boards, worm-eaten. Sewn on three split leather thongs. Brass? bosses.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Apologetics, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
In Latin., Watermarks, buried in tight binding: unidentified flower., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., and Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Vices, and Virtues
Manuscript on paper of a huge collection of mostly short quotations, arranged under more than one hundred headings, with other texts
Description:
In Latin, partly in Italian., Script: mainly copied by one hand writing a small Gothico-Humanistica with single-compartment a; a few additions and marginal notes by a contemporary hand. Art. 3 is copied in an unusual linear Humanistica Textualis close to Cursiva, marked by numerous loops., Headings in red. Underlining in black of the authorities and works quoted. A few plain initials in red. In the margins pointing hands (sometimes with human faces in the calligraphic loops) and arrows which have the same function., The manuscript includes short treatises, exempla, verses and prayers. With two fragments 1) of a Latin theological treatise on parchment, ca. 1300. 2) of a Latin philosophical treatise, probably a commentary on Aristotle's De caelo et mundo., and Binding: 16th century. Brown leather over pasteboard, sewn on three split leather thongs. The covers are blind-tooled with triple fillets and a frame of juxtaposed quadrangular tools with botanical motif. Remnants of one clasp attached to the front cover, with an engraved brass catch on the rear cover. In the center of the front cover a small paper roundel with a contemporary woodcut of one of the Magi; on the rear cover a rectangular contemporary woodcut on paper representing the Flagellation. The spine is reinforced by a piece of paper, on which the original title in ink has been replaced by “Sententiẹ / sacrẹ / et prophanẹ / Manuscript** / Sẹculi XV” (16th century). On the front detached pastedown r: “Opuscula varia” (16th century). Front pastedown is a fragment of a theological treatise, ca. 1300; rear pastedown, fragment of a philosophical treatise, probably a commentary on Aristotle's De caelo et mundo, both on parchment and orginally from the same manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
