A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
"A front elevation of a theatre-box crammed with delighted children fills the design. In the front row are a lady and four little girls. In the middle sits the father, one small boy on his knee, an arm round another child. Eight more children fill the box. Behind them a lady chooses fruit from an old woman's basket. Two men stand behind. Over the front of the box hangs a playbill: During the Xmas Holidays--Pantomime of Harliquin--Clown by Mr G [Grimaldi]."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 26th, 1826, by S. Knights, Sweetings [A]lley, Royal Exchange
"A grotesque dandy walks in a landscape in profile to the right, bending at the waist, sucking a cane, left arm hanging stiffly. His features and dress are inscribed with the names of food, e.g. his red carbuncled rose is 'Currant Jelly', his shallow broad-brimmed hat (an eccentricity) is 'Calves Head Jelly' and 'Pancake'; the cravat which covers neck, cheek, and chin is 'Puff Paste'; his loose short trousers are 'White Sugar Bags'; his handkerchief 'Blow Monge'; his long spurs 'Gilt Gingerbread'. See British Museum Satires No. 13029. A companion plate to British Museum Satires No. 13057 with the same signature."--British Museum online catalogue
Alternative Title:
Exquisite dandy. Prodigious!!!
Description:
Title etched below image., Alternative title from text above image: An exquisite dandy. Prodigious!!!, Production of the print was apparently a joint effort by Robert Cruikshank and George Cruikshank, according to the note "By my brother I.R.C. assisted a little by G.C" to the impression in the collection of W.T. Spencer (1931). See British Museum catalogue., Perhaps a different state from that described in the British Museum catalogue; the latter seems to lack any text in the upper margin. Cf. British Museum online catalogue, registration no.: 1862,1217.288., and Companion print to: A nice lady, or, An incomparable!!!!
Publisher:
Pubd. Septr. 12th, 1818, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, and Staffs (Sticks)
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
"Brougham stands in profile to the left, selling brooms; he holds up one, two are under his left arm. He wears a barrister's wig and bands, with a small conical cap tied under the chin, a tight-fitting bodice, and a full petticoat to the knee, showing flat feet and large and ill-formed legs in black stockings. The dress is that of the German and Flemish girls who sold brooms in the London streets ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to George Cruikshank in the British Museum catalogue., On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis., and Watermark: J. Whatman 1825.
Publisher:
Pubd. May 13th, 1825, by G. Humphrey, 24 St. James's St. St. [sic]
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Frontispiece. Dandyism displayed, or, The follies of the Ton.
Image Count:
1
Resource Type:
still image
Abstract:
"Two couples, the men on the right and the women on the left: the couple at top half for 'dandies in a morning dress', the man in morning suit with hat and umbrella, the woman with large hat and shawl; the other couple at bottom half for 'dandies in a evening dress', the man in short evening jacket with handkerchief, the woman with large feather headpiece."--British Museum online catalogue
Description:
Title from item., Attributed to George Cruikshank by Cohn., Frontispiece to: Bisset, J. Dandyism displayed, or, The follies of the Ton. London : Published by Duncombe ..., [approximately 1820]., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Duncombe
Subject (Topic):
Dandies, British, Clothing & dress, Umbrellas, Hats, Handkerchiefs, and Headdresses
"The death of Chunee, a large Asian elephant, kept at the Exeter Change menagerie; to the left; a group of soldiers and others, all carrying guns; some observing and others firing on Chunee to the right; who, roaring, breaks the bars of his wooden cage; blood pouring from many wounds and soaking the floor; the keeper, in shirtsleeves, stabbing the elephant with a bayonet; smoke obscuring the scene; behind; small iron-barred cages containg an agitated lion and tiger respectively; above hutches containing monkeys, one grasping the bars."--British Museum online catalogue
Alternative Title:
Destruction of the furious elephant at Exeter Exchange
Description:
Title etched below image., "Entered at Stationers Hall"--Above title., Issued with a broadside consisting of four columns of letterpress text, entitled "Interesting pariculars relating to the elephant." See Douglas., Sheet trimmed to plate mark on top edge., "Price 1s. plain - 2s. coloured.", and Watermark: J. Whatman Turkey Mill.
Publisher:
Pubd. March 6th, 1826, by J. Harrison, 56 Long Acre
"View of the procession in St. George's Chapel. The body is carried on the shoulders of some yeomen of the guard, under a canopy of black velvet, which is borne by eight gentlemen ushers, the pall is supported by baronesses who are preceded by the Lord Chamberlain and Vice Chamberlain of His Majesty's household, Garter, Principal, King-of-Arms, bearing his sceptre, the coronet is borne by Colonel Akenbroke, and followed by the chief mourner, Prince Leopold whose train is carried by Baron de Hardenbroke and Sir Robert Gardiner; on one side is the Duke of York, on the other the Duke of Clarence, who are followed by other princes of the royal blood."--Reid, G.W. Descriptive catalogue of the works of George Cruikshank
Description:
Title etched below image., Sheet trimmed within plate mark., Frontispiece to: The whole of the burial procession and obsequies. : a most correct account of the funeral of the Princess Charlotte, in St. George's Chapel, Windsor. London : Printed by and for William Hone, 1817., and Window mounted to 23 x 29 cm.
Publisher:
Pubd. by W. Hone, Old Bailey
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865,, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,, and William IV, King of Great Britain, 1765-1837,
"Lord Grantham, in military uniform, wielding the club of Hercules, inscribed 'L G his cane', stands with legs astride, threatening Wooler (left), a tiny 'Black Dwarf, as in British Museum Satires No. 12892, who registers extreme rage or terror. Grantham has enormous moustaches, which fly upwards on each side of his head. A lion's skin hangs from his shoulders, with a solid head which snarls savagely. He wears a bell-shaped shako, long tight trousers strapped under boots, and immense spurs. His left arm, terminating in a huge fist, is extended horizontally. On the left a knock-kneed yokel with bristling moustaches and wearing the cap of a Death's Head hussar, grins in oafish delight, saying, "Well done Col.! well done our side!!! my Zoul! what Honnor this will bring upon our Corpse!!! and if any more Dwarfs or Devils attack's our Regemunt Lord Grant'them all the zame fate, I zay!!" Wooler stands among piles of his paper, 'Black Dwarf', some of which have various inscriptions: 'Strictures on the York Hussars'; 'York you are not wanted'; 'The Devil to Pay'; 'a Lame Story to the Yellow Bonze at Japan'; 'universal Suffrage'; and (adapting 'As You Like It'), 'Then a Soldier, full of Strong Oaths & bearded like the Pard Jealous in Honor Sudden & quick in quarrel seeking the bubble Reputation Ev'n in the printing office'. He wears an ink-pot for hat, with three large pen-feathers; at his waist is a tricolour cockade. On the wall behind him is a framed picture of 'The Yellow Bonze', a grotesque imp, squatting with outspread fingers, and registering surprise. Below is a broadside headed by figures hanging from a gallows."--British Museum online catalogue
Alternative Title:
Lord G- & the printers devil, Lord Grantham & the printers devil, Lord Grantham and the printers devil, and Giant Grumbo and the black dwarf
Description:
Title etched below image., "Lord Grantham" written in ink by a contemporary hand., and Mounted to: 22 x 26.5 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
De Grey, Thomas Philip De Grey, Earl, 1781-1859 and Wooler, T. J. 1786?-1853 (Thomas Jonathan),
Subject (Topic):
Military uniforms, Clubs (Weapons), Dwarfs, Hides & skins, and Ethnic stereotypes
