"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., and Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
Title from item., Printseller's announcement following publication statement: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Dentists -- Advertisements: Brewers trew English tooth powder -- Furniture: sofas -- Allusion to gambling., Printseller's stamp in lower right of sheet: S.W.F., and Mounted.
Title from item., Printmaker identified by British Museum catalogue., Publisher's advertisement following imprint: NB Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Reference to the London Corresponding Society's meetings near Copenhagen House in Islington, October-November 1795 -- Reference to the Convention Bill -- Crowns: royal crown -- Bonnet rouge., and Watermark: J Whatman.
Publisher:
Pub. No. 20, 1795, by S.W. Fores, N. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title and artist from British Museum catalogue., Description based on imperfect impression; sheet trimmed within plate mark with loss of title and attribution., Temporary local subject terms: Invasion prints -- Punch Bowl., Alternate title added in pencil in modern hand to lower portion of mount: The lion of the club on his legs -- "attention gentlemen"., and Mounted to 23 x 33 cm.
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
Title from item., Printmaker identified in British Museum online catalogue., Sheet trimmed mostly within plate mark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Temporary local subject terms: Literature: reference to William Shakespeare's Macbeth -- Politicians -- Opposition to Treasonable Practices and Seditious Meetings bills.
Publisher:
Pubd. Decr. 21st, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title from caption below image., Printmaker's initials and date etched backwards in upper right corner of design: I.C. 1790., Publisher's advertisement following imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., Key with the names of the numbered figures within image etched on either side of title., Temporary local subject terms: Card players -- Routs -- Horace Walpole referes to subject of print in Letters, xv. 225., and Watermark: J. Whatman.
Publisher:
Pub. Jan. 26, 1790, by S.W. Fores, N. 3 Piccadilly