"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue.
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Imprint from British Museum catalogue. and Title etched in upper left corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"The windlass (right) is turned by Bedford, in profile to the left, Fox, in back view but looking to the raft (left), Sheridan, in profile to the right, and Tierney, coming towards the spectator. From Bedford's pocket hangs a paper: '£1400 Fined, for False Entry of Servants'. All are running, but it is clear that huge waves raised by Pitt will swamp the raft before it reaches shore. All wear coats except Fox, whose coat lies on the ground beside a paper: 'List of the New Republican Ministry. Citizen Volpone, Premier..'.. Fox's shirt is tattered, his hair is tied by a tricolour ribbon. Pitt's profile emerges from clouds in the upper (right) corner; his blast spreads as it reaches the raft, developing into flashes of lightning ..."--British Museum online catalogue.
Alternative Title:
Republican flotilla in danger
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"A design in two compartments. [1] 'Billy, in the Devil's claws'. Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, landed from the boats of French men-of-war and marching up the steep coast. He is a grotesque hairy creature, short and heavy, with webbed wings attached to his ragged coat, a barbed tail and talons, and wearing a bonnet-rouge. He says, turning a glaring eye-ball on Pitt: "Ha! Traitor! - there's the French landed in Wales! what d'ye think of that, Traitor?" [2] 'Billy, sending the Devil packing'. Pitt kneels on one knee in profile to the right, holding up a paper: 'Gazette Defeat of the Spanish Fleet; by Sir John Jarvis.' He looks up at Fox with a contemptuous gesture and a subtly triumphant smile, saying: "Ha! Mr Devil! - we've Beat the Spanish Fleet what d'ye think of that Mr Devil?" Fox springs upwards with a terrified expression, his hands held up as if asking for mercy, his cap falls off and his tail is between his legs. On the right is the sea, with a naval battle in progress."--British Museum online catalogue.
Alternative Title:
Billy in the Devil's claws, Billy sending the Devil packing, and Table's turned
Description:
Title etched below image and enclosed within curly brackets.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"Sheridan, as Punch, grotesquely caricatured, stands on a platform, above the heads of a cheering crowd, blowing soap-bubbles. Clusters of soap-suds fall from the pipe, and from it rises an oval containing a figure of Young Roscius, in Highland dress as Douglas in Home's play. The boy, breathing fire, holds out a coral and bells, striding arrogantly over decollated heads inscribed 'Exit Garrick - Kemble - Cooke'. Other actors, freely indicated, stagger back from the young conqueror, over whose head are the words 'Veni. Vidi Vici.' Sheridan's pipe is irradiated against a dark sky. From the pipe, and a source of some of the rays, project little trumpets with banners inscribed respectively: 'Times', 'Morning Chronicle', 'True Briton', 'Sunday Observer', 'Herald'. From each issue the words (sometimes repeated): 'Roscius!' followed sometimes by faintly-drawn ciphers. Sheridan gazes up at his huge bubble. He is bloated and pimpled; his head sunk between hump and paunch. His dress is striped, his contour defined by close-set buttons, ound his paunch is twisted a tricolour sash; a tricolour cockade decorates is hat, which has a conical crown, curved brim, and erect feather. His pocket angs inside out, patched and empty. The cheering crowd (r.) fling coins to the platform, on which lie two pamphlets: 'Account of the Profits of the Bubble' and 'Petition of the Renters for a Share in the profits of the Bubble'. Behind Sheridan lies the dog, 'Carlo', hero of 'The Caravan', see BMSat 10172, &c. Beside Carlo is a padlocked money-box: 'Drury Lane Strong Box'. These are under a table at the back of the stage. On the table is a barber's bowl, filled cubbies issuing from a pipe; the largest is inscribed 'Forty Thieves'; under the bowl is a paper: 'Materials for bran-New Pantomimes for Johnny Bull's Amusement'. Beside the bowl is a bottle labelled 'To be repeated the first opportunity', in whose neck is a funnel inscribed 'Bottle Conjurer', which is filled by a little fat man who grasps his paunch. The back of the stage is bordered by a curtain from which project over the table a sign and a banner. On the former is a dog with the inscription: 'The Wonderful Red Lion, of surpassing Abilities - to be seen within.' On the banner: 'In a few Days, will be Perfom'd - a new Comic Divertisment, called The Bubble-burst, accompanied bv Laughing Song by John Bull.' ..."--British Museum online catalogue.
Description:
Text below title, in lower right: Vide, new method of raising [the] wind. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"Round a bare and decayed oak-tree is twined a serpent with the head of Fox; he has scaly arms with human hands and holds out a damaged apple inscribed 'Reform', saying, "nice Apple, Johnny! - nice Apple". John Bull (left) is a fat and squat yokel, wearing the Windsor uniform of blue coat with red collar and cuffs. The pockets of his coat and waistcoat bulge with round golden apples. His back is to Fox, towards whom he looks out of the corners of his eyes, saying: "Very nice N'apple indeed! - but my Pokes are all full of Pippins from off t'other Tree: & besides, I hates Medlars, they're so domn'd rotten! that I'se afraid they'll gie me the Guts-ach for all their vine looks!" Fox's scaly tail is coiled round the upper branches; its tip issues from a large cap of 'Liberté', decorated with tricolour cockade and ribbons, which is poised on a branch. The trunk of the tree is 'Opposition'; its roots are: 'Envy', 'Ambition', 'Disappointment'. The main branches are 'Rights of Man' (see BMSat 7867, &c.) and 'Profligacy'. Each rotten apple or medlar has an inscription: 'Democracy.', 'Treason.', 'Slavery.', 'Atheism.', 'Blasphemy.', 'Plunder.', 'Murder.', 'Whig Club', 'Impiety', 'Revolution', 'Conspiracy', 'Corresponding Society', 'Deism', 'Age of Reason' (Paine's deistic book). In the background (right) is an oak in full leaf: its trunk is 'Justice', the roots 'Commons', 'King', 'Lords', the branches 'Laws' and 'Religion'. From it hangs a crown surrounded by 'pippins', some inscribed 'Freedom', 'Happiness', 'Security'. (Cf. BMSat 8287, &c.)."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"The triumphal procession (l. to r.) of a hideous negress symbolizing Quassia, a drug obtained from the Quassia tree, which is supposed to have supplanted hops in brewing. She sits astride a drayman's pole (as in BMSat 10580, &c), from which is suspended horizontally a cask inscribed 'True Quassia Free from Taxation'; the pole is supported on the shoulders of two brewers, Whitbread (r.), and Combe (l.). She holds up in one hand a branch of the noxious tree, with a (tricolour) scroll: 'Kill-Devil [rum] for ever', and in the other a frothing tankard inscribed 'Quos-sia'. This is irradiated, the rays being inscribed 'Apoplexy', 'Palsy', 'Consumption', 'Debility', 'Colic', 'Stupor', 'Dropsy', 'Scurvy', 'Dysentery', 'Hæmorrhoids', 'Hydrophobia', 'Idiotism'. A third brewer, the very corpulent George Barclay, follows on the extreme left., waving his hat. He holds up a (tricolour) standard: 'Pro bono Publico - Quassia for Ever, - No Hops! no Malt! Down with all the Private Breweries! - Kill-Devil and Quassia for Ever!' From his apron projects a book: 'Receipts to make a Cauliflour Head'. In front of the procession is a dray-horse, with dangling chains which show that the barrel has been detached from them; its head is cut off by the r. margin. On its back sits the bulky Grenville between Fox and Petty who clings to his waist. All are in court dress, and exultingly wave their cocked hats, which, like the hats of the brewers, are decorated with large tricolour favours inscribed 'Quassia for Ever'. On the horse is a pannier with a (tricolour) label: 'Grains from the Quassia Breweries for the New Piggery' [cf. BMSat 10540]; this, like the riders' pockets, is overflowing with guineas. From Petty's hat fall two bundles of papers: 'Tax upon Private Brewer[ies]' and 'Tax upon Maid-Servants'. Whitbread, who looks round at the spectator, has a favour in his hat larger than the others and having the additional inscription. 'No Private Breweries - Impeachment of Malt & Hops! No Scotch Barley', indicating his charges against Melville (see BMSat 10576, &c). On the groun lie broken hop-poles, with hop-vines still attached to them. Behind are conical stacks of hop-poles 'To be Sold for Fire-Wood'."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Combe, Harvey Christian,--1752-1818--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
"Fox stands on a dais at the head of a rough table, the seat from which he has risen is magnificent, above it is the inscription 'Vive la Libertè' surmounted by a bonnet-rouge. He is held up (left) by Combe, the Lord Mayor, a pompous figure in gown and chain, and (right) by Erskine. The former holds a 'Petition to ye Throne; - or a new way to Combe the Ministers Wig'; the latter grasps a bottle of 'Brand[y]'. Fox is melancholy, and his swollen legs cannot support unaided his vast bulk. Before him is a frothing pot of 'Whitbread's Entire' (cf. BMSat 8638). Only the guests on Fox's right and left are visible; they are Grey (or perhaps Byng), [Incorrectly identified in Wright and Evans as Sir J. Sinclair. Identifications of Grey by Lord Holland appear conclusive, but he is identified in 'London und Paris' as Byng, M.P. for Middlesex, and he resembles the Byng of BMSat 8782.] turning to watch his chief, and Tierney, looking gloomily before him. Behind Tierney are the heads of a butcher, with marrow-bone and cleaver, and a chimney-sweep with brush and shovel. All listen intently to Fox, who says: "Gentlemen, you see I'm grown quite an Old Man in your Service! Twenty Years I've served you, & always upon the same Principles; - I rejoic'd at the Success of our Enemies in the American War! - & the War against the Virtuous French Republic has always met with my most determined opposition! - but the Infamous Ministry will not make Peace with our Enemies, & are determin'd to keep Me out of their Councils & out of Place! - therefore Gentlemen! as their Principles are quite different from mine, & as I am now too Old to form myself according to their Systems, my attendance in Parliament is useless: - & to say the truth, I feel that my season of action is past, & I must leave to younger Men to Act, for alas! my failings & weaknesses will not let me now recognise what is for the best!""--British Museum online catalogue.
Alternative Title:
Last dying speech of the Westminster representative ...
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Byng, George,--1764-1847--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Tierney, George,--1761-1830--Caricatures and cartoons.
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Erskine, James Francis,--1743-1806--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Kinnaird, Charles Kinnaird,--Baron,--1780-1826--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"Napoleon is the London street-seller of gingerbread cakes whose wares and patter made him a long-remembered character. He stands in his bakery vigorously drawing out from the arched aperture of his oven a broad shovel (peel) on which are figures of three kings in royal robes holding orb and sceptre. They are 'Bavaria', 'Wirtembg (very fat), and 'Baden'. The keystone of the arch is inscribed 'New-French Oven for Imperial Gingerbread'. Napoleon, in profile to the right., wears a feathered cocked hat and a white apron over uniform with jack-boots. Behind him is a heap of cannon-balls, with a shovel inscribed 'Fuel'. Under the oven is a second and larger arched opening: 'Ash-hole for broken Gingerbread'. Broken and discarded cakes have been swept into it by a broom: 'Corsican Besom of Destruction', which lies on the ground against a (gingerbread) galleon flying the flag of 'Venice', a crowned skull inscribed 'Spain', a boot inscribed 'Italy', a Papal tiara, a staff and cap of 'Liberty', a figure, face downwards, showing heavy posteriors in bulky breeches inscribed 'Holland'; two fragments, 'Switzerland' and 'Netherlands'; a Habsburg eagle, inscribed 'Austria', the crowns falling from both heads; a tricolour flag, inscribed 'vive le Republique Francois' from whose shaft falls a bonnet rouge. There are also sceptres, a rosary, a coroneted skull, a fleur-de-lis. In the foreground (l.) is a round double-handled basket, from which protrude the heads of men and women puppets wearing crowns or coronets and holding sceptres. It is labelled: 'True Corsican Kinglings for Home Consumption & Exportation'. Beside it lies a cornucopia in the form of a fool's cap edged with bells and inscribed 'Hot Spiced Gingerbread! all hot - come who dips in my luckey bag'. From it pour crowns, coronets, orders, stars, sceptres, a cardinal's hat, three documents with pendent seals inscribed respectively 'Principality', 'Pension', 'Dukedom'. On the extreme right. is a solid chest with three drawers inscribed respectively 'Kings & Queens', 'Crowns & Sceptres', 'Suns & Moons'. On it stand unbaked figures crowded together: 'Little Dough Viceroys, intended for the next new Batch!' In the front row: Sheridan, Fox, Moira, Derby. Behind are Burdett [This is confirmed by Lord Holland. Stanhope, according to Wright and Evans.] and (?) Tierney. All wear coronets and hold sceptres. Behind (l.), Talleyrand, with his back to his master, bends over a large 'Political Kneading Trough' handling heaps of a yeasty mass inscribed 'Hungary', 'Poland', 'Turkey'; in the r. corner of the trough is a portion inscribed 'Hanover', which is being devoured by a crowned eagle with a collar inscribed 'Prussia'. Talleyrand wears a mitre over a tricolour cap and a bag-wig; a stole and robes looped up to show a bandy leg and a surgical shoe (incorrectly on the left foot) In his mouth is a pen; a rosary and an ink-pot hang from his waist."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"Another version, reversed, of BMSat 8132. Paine (right) lies as before, but his legs and feet, which were hidden by straw and by cloud, project from under his coat, and the crisping of his toes indicates agitation caused by his dream. The three headless judges (left) with dependent scrolls are as before, with the addition of a cloud-shaped scroll ascending from the central wig, inscribed: 'Know Villain, when such paltry slaves presume To mix in Treason, if the Plot succeeds They're thrown neglected by - but if it fails Theyre sure to die like dogs! as you shall do.' In place of the prison wall is a glory of rays issuing from a sun in the centre of which are the scales of Justice. This is surmounted by shackles and by a scroll inscribed "The Scourge inexorable, and the tort'ring hour, awaits thee". Beneath are, as before, a gibbet (with the addition of a ladder) and a pillory. Between them are a scourge and birch-rod tied together. The inscriptions on the three scrolls are as before except that in 'Charges' 'Falshoods' takes the place of 'Lies', and to 'Punishments' is added 'Extinction from Society'. The inscriptions on Paine's book, &c, are as before except that the alternative title of 'Common Sense is or convincing Reasons for Britons turning Sans Culottes.' The fleurs-de-lis on the tattered curtain are larger and more conspicuous. Above the bed, in place of the crumbling wall, is an open casement window out of which flies a terrified demon with his tail between his legs; he holds a fiddle, but drops his bow and a sheet of music inscribed 'Ca-ira'. Through the window appear clouds and a full moon."--British Museum online catalogue.
Description:
Reversed version, with some different and some additional elements in the image, of a print with the same title published in November 1792. Cf. No. 8132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Paine, Thomas,--1737-1809--Caricatures and cartoons., and Priestley, Joseph,--1733-1804--Caricatures and cartoons.