"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue.
Description:
One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Printmaker, publisher, and publication date from British Museum catalogue., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., Title etched below image., and Traces of text burnished from plate in lower right corner of the image.
Publisher:
[W. Humphrey,] No. 227 Strand
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cooper, Grey,--Sir,--approximately 1726-1801--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, publisher., Walpole, Horace,--1717-1797--Ms. notes., and Walpole, Horace,--1717-1797--Ownership.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue, description of a later state of the same composition.
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
At bottom of broadside is printed the additional publication line "Published by J. Ginger, 169 Piccadilly," the printing line "Printed by D.N. Shury, Berwick Street, SOHO," and the price statement "Price two shillings and six pence, coloured." Another edition of the broadside, in a different type and apparently lacking these statements, was also printed in 1803. See British Museum catalogue., Date of publication based on that of probable later state. See British Museum catalogue., Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Printmaker from description of a later state in the British Museum catalogue., Probably an earlier state of a plate later published with the imprint: Published by H. Humphrey, 27 St. James's Street, Septr. 1803. Cf. No. 10091 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Text below title: New style-- No quarter day!, and Title from letterpress text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Ginger, John, active 1797-1806, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue.
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, and Title from letterpress text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
Lord North, sitting on a large roll inscribed "Budget" offers Charles Fox a spoonful of broth from a bowl in his lap. He warns Fox to "... Be cautious! - a little of my Broth goes a great way ..." Fox, with a fox's head, sits on "Pandora's Box," his right arm round North's shoulder, saying, " ... give me a sup of your soup ..." To the right, a devil squatting on a low stool in front of a fireplace blows bellows at the fire under a large cauldron with more broth in it. A large coalition medal (cf. BMSat 6183) with the likenesses of North and Fox hangs above the mantel.
Alternative Title:
Devil is the best of the bunch and Devil's the best of the bunch
Description:
Printmaker from British Museum catalogue. and Title from item.
Publisher:
W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, publisher., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., and Pether, Thomas, active 1772-1781, artist.
Subject (Topic):
Bellows., Cauldrons., Devil., Fireplaces., and Pandora's box.
"The patient sits on a stool, averting his head from the surgeon who supports his left. arm, from which the blood spurts into a bowl. The operator wears spurred top-boots, and has a bucolic appearance suggesting a veterinary surgeon. The patient wears a nightcap and buttoned waistcoat over his shirt."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The patient, buttoned up in a coat, sits full face in a water-closet."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A bishop, full face, supports his elbows on his pulpit-cushion, the tips of his fingers together, his eyes turned up sanctimoniously. He is plump, smooth, and bland, wearing a small wig. He is framed by the carved back to the wooden pulpit which is against a panelled (and vignetted) wall. Two lighted candles flank the pulpit-cushion."--British Museum online catalogue.
Description:
Printmaker and date of publication from British Museum catalogue. and Title etched below image.
Publisher:
Percival & Co.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Mansel, William Lort,--1753-1820--Caricatures and cartoons.
Depicts the new ministry attempting to push down an already headless statue of Britannia. Thurlow and Mansfield on right pull on ropes to keep the statue in place, while Fox (depicted as a fox), Wilkes, Dunning, Richmond, Burke and Keppel attack it. Britain's foreign enemies, America (shownas an Indian), France, Spain and Holland run away with the spoils.
Alternative Title:
Britannia's assassination, or, The republicans amusement and Republicans amusement
Description:
Printmaker from British Museum catalogue. and Title from item.
Publisher:
E. D'Archery, St. James's Street
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Darchery, Elizabeth, publisher., Dunning, John,--Baron Ashburton,--1731-1783--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Keppel, Augustus Keppel,--Viscount,--1725-1786--Caricatures and cartoons., Mansfield, William Murray,--Earl of,--1705-1793--Caricatures and cartoons., Richmond, Charles Lennox,--3d Duke of,--1735-1806--Caricatures and cartoons., Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons., and Wilkes, John,--1725-1797--Caricatures and cartoons.
Subject (Topic):
Britannia (Symbolic character),--depicted., Sculpture., and Vandalism.
"A comic map of England formed by an old woman seated in profile to the left on the back of a dolphin-like monster, whose open mouth (right) represents the 'Thames', the two points of its tail being 'Lands End' and 'Lizard Point'. She holds a trident in her left hand. Her right hand (on which is a dove) and right foot form the north of Wales and the north of the the Bristol Channel. The peak of her cap is 'Berwick'. Many other names are inscribed round the coast. The sea forms a background."--British Museum online catalogue.
Description:
Questionable attribution to Gillray from the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.