"A terrified French civilian is about to be impaled on a spike planted in the desert. He is carried by two Turks, in a sitting posture, one supporting his legs, and clasps in the left hand a paper: 'Le Prophete demasqué', while in the right is raised a large volume: 'L'Imposture de Mahomet'. A Mohammedan priest follows the group, declaiming from his open 'ALKORAN'. A stout Turk with a long spear stands (left) facing the victim and directing operations. In the background is a Frenchman holding on his head a large turban, his discarded hat lying on the ground. He looks over his shoulder with a grin at the impending execution."--British Museum online catalogue.
Description:
One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A face, wearing a plumed military hat, looks to the right out of a ferociously spurred military jack-boot which stands in profile to the left. The back of the head is concealed by the peak of the boot, which protects the wearer's knee. ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Watson, Robert,--1746-1838--Caricatures and cartoons.
"Napoleon is the London street-seller of gingerbread cakes whose wares and patter made him a long-remembered character. He stands in his bakery vigorously drawing out from the arched aperture of his oven a broad shovel (peel) on which are figures of three kings in royal robes holding orb and sceptre. They are 'Bavaria', 'Wirtembg (very fat), and 'Baden'. The keystone of the arch is inscribed 'New-French Oven for Imperial Gingerbread'. Napoleon, in profile to the right., wears a feathered cocked hat and a white apron over uniform with jack-boots. Behind him is a heap of cannon-balls, with a shovel inscribed 'Fuel'. Under the oven is a second and larger arched opening: 'Ash-hole for broken Gingerbread'. Broken and discarded cakes have been swept into it by a broom: 'Corsican Besom of Destruction', which lies on the ground against a (gingerbread) galleon flying the flag of 'Venice', a crowned skull inscribed 'Spain', a boot inscribed 'Italy', a Papal tiara, a staff and cap of 'Liberty', a figure, face downwards, showing heavy posteriors in bulky breeches inscribed 'Holland'; two fragments, 'Switzerland' and 'Netherlands'; a Habsburg eagle, inscribed 'Austria', the crowns falling from both heads; a tricolour flag, inscribed 'vive le Republique Francois' from whose shaft falls a bonnet rouge. There are also sceptres, a rosary, a coroneted skull, a fleur-de-lis. In the foreground (l.) is a round double-handled basket, from which protrude the heads of men and women puppets wearing crowns or coronets and holding sceptres. It is labelled: 'True Corsican Kinglings for Home Consumption & Exportation'. Beside it lies a cornucopia in the form of a fool's cap edged with bells and inscribed 'Hot Spiced Gingerbread! all hot - come who dips in my luckey bag'. From it pour crowns, coronets, orders, stars, sceptres, a cardinal's hat, three documents with pendent seals inscribed respectively 'Principality', 'Pension', 'Dukedom'. On the extreme right. is a solid chest with three drawers inscribed respectively 'Kings & Queens', 'Crowns & Sceptres', 'Suns & Moons'. On it stand unbaked figures crowded together: 'Little Dough Viceroys, intended for the next new Batch!' In the front row: Sheridan, Fox, Moira, Derby. Behind are Burdett [This is confirmed by Lord Holland. Stanhope, according to Wright and Evans.] and (?) Tierney. All wear coronets and hold sceptres. Behind (l.), Talleyrand, with his back to his master, bends over a large 'Political Kneading Trough' handling heaps of a yeasty mass inscribed 'Hungary', 'Poland', 'Turkey'; in the r. corner of the trough is a portion inscribed 'Hanover', which is being devoured by a crowned eagle with a collar inscribed 'Prussia'. Talleyrand wears a mitre over a tricolour cap and a bag-wig; a stole and robes looped up to show a bandy leg and a surgical shoe (incorrectly on the left foot) In his mouth is a pen; a rosary and an ink-pot hang from his waist."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue.
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!! and Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Boydell, John,--1719-1804--Caricatures and cartoons., Farington, Joseph,--1747-1821--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Opie, John,--1761-1807--Caricatures and cartoons., Reynolds, Joshua,--Sir,--1723-1792--Caricatures and cartoons., Titian,--approximately 1488-1576--Caricatures and cartoons., West, Benjamin,--1738-1820--Caricatures and cartoons., and Westall, Richard,--1765-1836--Caricatures and cartoons.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
Description:
Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
"Another version, reversed, of BMSat 8132. Paine (right) lies as before, but his legs and feet, which were hidden by straw and by cloud, project from under his coat, and the crisping of his toes indicates agitation caused by his dream. The three headless judges (left) with dependent scrolls are as before, with the addition of a cloud-shaped scroll ascending from the central wig, inscribed: 'Know Villain, when such paltry slaves presume To mix in Treason, if the Plot succeeds They're thrown neglected by - but if it fails Theyre sure to die like dogs! as you shall do.' In place of the prison wall is a glory of rays issuing from a sun in the centre of which are the scales of Justice. This is surmounted by shackles and by a scroll inscribed "The Scourge inexorable, and the tort'ring hour, awaits thee". Beneath are, as before, a gibbet (with the addition of a ladder) and a pillory. Between them are a scourge and birch-rod tied together. The inscriptions on the three scrolls are as before except that in 'Charges' 'Falshoods' takes the place of 'Lies', and to 'Punishments' is added 'Extinction from Society'. The inscriptions on Paine's book, &c, are as before except that the alternative title of 'Common Sense is or convincing Reasons for Britons turning Sans Culottes.' The fleurs-de-lis on the tattered curtain are larger and more conspicuous. Above the bed, in place of the crumbling wall, is an open casement window out of which flies a terrified demon with his tail between his legs; he holds a fiddle, but drops his bow and a sheet of music inscribed 'Ca-ira'. Through the window appear clouds and a full moon."--British Museum online catalogue.
Description:
Reversed version, with some different and some additional elements in the image, of a print with the same title published in November 1792. Cf. No. 8132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Paine, Thomas,--1737-1809--Caricatures and cartoons., and Priestley, Joseph,--1733-1804--Caricatures and cartoons.
"The procession trudges through the muddy channel (kennel) between cobblestones from 'Hudsons Hotel', whose pillared porch, with a placard, 'Paul & Indep[endence]', is partly visible on the extreme right., to the hustings, part of which is in the background (l.). The central figure is Paull, seated with crossed ankles on a big 'India Cabbage' on the back of a goose with the head of Sir Francis Burdett, the goose's beak projecting in front of Burdett's profile as in BMSat 10708, &c. Paull is an out-at-elbows tailor, in slovenly dress. In his right. hand he holds a huge pair of shears, between the blades of which is a vast 'True Perth Cucumber'. In his left hand is a yard-stick over his shoulders is a tape-measure; on the back of his goose are a roll of patterns of 'Superfine Cloth' inscribed 'Patterns for the New Parliament Dress', and a smoothing-iron inscribed 'Goose upon Goose'. Horne Tooke, full face and walking sideways, leads the goose by a noose of rope round its neck; he says: "Come along Goosee! come along! Paulee says he will go with you if its to the Scaffold! Goosee!!" Under his arm is a pamphlet: 'Hints for New Patriots'. In his hat is a favour: 'Paul & Public Good'. In front of Tooke, and leading the procession is Bosville, a shambling elderly man scattering coins from his hat; he says: "There's a Penny apiece, for you Lads! & now Hollo out - "Paul forever!" and then Ill give each of you a Ride, in my Coach & Four! - Hollo boys!!" In his pocket is a 'List of the London Correspo[nding] Society'. Behind the goose Cobbett marches aggressively, putting his top-boot to the bird's rump, and blowing a fiery blast from a trumpet: 'Glorious News! - Paul for ever! - damnation to the Whigs'. In his left hand he holds out a sheaf of 'Cobbett's Political Register'; from his pocket projects 'Speeches for Paul Goose &c &c &c'. In his hat is a favour inscribed 'Independence and Public Justice'. Behind him and on the extreme right. are hideous crones bawling from the ballads they hold: 'Paul & Plumpers'. They wear favours inscribed 'Paul'. In the background the mob faces the procession, cheering wildly, waving hats and bludgeons, and with the inevitable chimney-sweep. They shout "Paul for Ever" and "Paul & Plumpers". Some (l.) hold out their hats to catch Bosville's coins. Below the design are inscriptions describing the figures (l. to r.): '[1] Tom Paine [i.e. Bosville] distributing Halfpence among the Mob - (Vide, Election at Honiton - "Tom Paine for Ever" - [2] an Old Monk from Brentford - leading poor Goose in a string! (Vide - Paul's address to the Electors of Westminsr [3, the title.] [4] Porcupine [see BMSat 11049] dirtying his Boots, in attempting to give Poor Goosee a shove out of the Kennel. - [5] Ballad Singers at 5 shilling a day closing the Procession.' On the two posts of the hustings, at the end occupied by Paull's supporters, are the placards: 'St Giles in the Fields' and 'Tothil Fields'. (On the actual placards were the names of the Westminster parishes, indicating where voters were to poll: Gillray implies a rabble from the slums, outside and inside Westminster.)."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Paull, James,--1770-1808--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Sir Francis Burdett declaims, holding up a bonnet rouge shaped like a fool's cap; he addresses those who are making a bonfire of statutes, &c., on the cobbles of Palace Yard (left). His raised left arm is flung back, pointing towards Westminster Hall, which is being stoned and demolished by a mob. He says: "It is only in the House of Commons / "that the People of England are spoken of / "with Contempt, & calumniated!!!-- / "--can things be remedied by Bills? No!-- / "it must be by an Honest House of "Commons!--what is the use of Magna-Charta, Habeas-Corpus, / "or the Bill of Rights?-- / See, my own Speech at Westminster--Vide, "Cobbett's Patriotic Register. He tramples on a sceptre beside which lies a crown, reversed and covered by a long scroll: Resolution[s] of the Whig-Club; Resolved--That it is the decided Opinion of this Club that no Substantial & permament [sic] Good can be derived by the Country, from any change of Ministry, unless accompanied by an entire change of Systemn--accomplish'd by an entire Reform of the Parliament. A great pile of documents with a Holy Bible in the centre, is ready for the flames; Horne Tooke, in bonnet rouge, dressing-gown, and slippers, kneels at Burdett's feet, holding a dark lantern (as in No. 10738), and applying a flaming brand, inscribed Sedition, to the pile. Three simian and negroid creatures holding papers like sub-human newsboys, as in Gillray's New Morality [No. 9240], apply torches to the pile. One, with a tartan cloth round its waist, holds the Edinburgh Review, another the Morning Chronicle; the third wears a wig inscribed Independ[ent] Wig. Under Tooke's firebrand are the Rights of the House of Brunswick to the Throne Brunswick Succession; Magna Charta; Bill of Rights; Habeas Corpus. Other documents are Act for Punishing Libelers of the State, and Act to Suppress Inflamatory Libels (attacked by the Independent Wig and Morning Chronicle respectively); Legal Authorities; Rights of the Establish'd Church; Rights of the House of Lords; Priviliges of the He of Commons; Act of Protestant Succession; Freedom of Election; Old-Bailey Trials. ..."--British Museum online catalogue.
Alternative Title:
Patriots lighting a revolutionary bonfire in New Palace Yard
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [Or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the print-seller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer.] a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue, description of an earlier state of similar composition.
Description:
Reissue, with design reworked and printmaker's signature altered. Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.