Title from caption below image., John Phillips: Satirical printmaker, worked for many publishers from 1825. Dorothy George in the British Museum catalogue suggests that Phillips was the producer of the prints made in 1829-31 by 'A Sharpshooter' and published by S. Gans, mostly pirating William Heath; she also suggests that he was the "false Paul Pry" of 1829 who used Heath's signature of a tiny figure of John Liston. ... A trade card of 'Phillips' also at 16 Brownlow Street is presumably the same man or a member of his family (Heal,56.12)., Text below title: By-and-bye a man will go a hunting after breakfast upon his tay-kettle., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"John Bull, fat and faint, lies back in an arm-chair with a deal table before him, left foot on cushion; he is in shirt and breeches. Round him are three doctors: Wellington (left), with the over-sleeve of a surgeon, holds a bayonet with which he is about to bleed the right arm over a bucket inscribed 'Pure British'. Peel (right), more insinuatingly, proffers a large bolus. Behind John's chair stands the King, saying, 'Patience Johnny'. Wellington, who wears blue frock-coat and white trousers, looks down at the patient through spectacles; he says: 'Come, Mr Bull, you are very plethoric--it is absolutely necessary that I phlebotomise you--you have a determination of blood to the head with strong symptoms of Choler!!!' Peel: 'Come, John, you must take this anodyne pill,--it will compose you "The ulcerous parts are only peel & skin I whilst deep corruption's mining all within" Pope' [sic]. On the table are a large pill-box inscribed 'Musket Balls', and a bottle labelled 'Black Dose Bitters' which stand on a paper: 'Prescription Taxation Decline of Trade National debt Want of Free Trade &c &c &c &c'. On the boarded floor is Wellington's syringe inscribed 'Injection of Injuries'. On the wall are a pair of pistols, 'Firing Irons', and a sabretache and bayonet inscribed respectively 'Pill Box' and 'Lancet'. J. B.'s dog (right) angrily befouls a chest inscribed 'Medecines Wise remedies Property Tax'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as John Phillips in the British Museum online catalogue, registration no.: 1868,0808.9158., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British -- The Lancet.
Publisher:
Pub. March 8, 1830, by S. Gans, 15 Southampton St., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830., Peel, Robert, 1788-1850., and Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
John Bull (Symbolic character), Finance, Public, Property tax, Politicians, Physician and patient, Phlebotomy, Dogs, Costume, History, Hypodermic syringes, Pails, Bayonets, Handguns, and Urination
"A farmer, wearing his hat, John Bullish and intimidating, hand resting on a cudgel, stands in a plainly furnished room staring fixedly at a closed door, at which a dog is sniffing. A plumed cocked hat, sword, and boots, just outside the door, tell their story. He says to a terrified maidservant who holds a lighted candle: 'Hulloa Girl! what the devil's all this?--Bring the light this way.--Where's your Mistress?--'. She answers: '--Why, Sir, She--she--she--sh--e--e--e--e--e--e--'. Above the hearth are two small pictures: 'Virtue Rewarded' and 'Village Innocence'. A wall clock points to 10.30. Through a casement window is seen a violent zigzag of lightning."--British Museum online catalogue
Description:
Title etched below image., Lines of dialogue below title: Halloa, girl! What the devil's all this? Bring the light this way. Where's your mistress? ..., and Sheet trimmed within plate mark on lower edge.
A satire on the Duke's pressure on the King to accept Emancipation. Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect
Description:
Title etched below image., Plate signed using an imitation of William Heath's device: A man with an umbrella., A close copy, apparently by 'Sharpshooter' (i.e. John Phillips), of a print by William Heath. See British Museum catalogue., and Mounted on gray wove paper: 43.4 x 29.7 cm.
Publisher:
Pub. by E. King, Chancery-Lane
Subject (Geographic):
Great Britain.
Subject (Name):
George V, King of Great Britain, 1865-1936. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
"Satire with a John Bull figure holding a gold coin in his palm and looking angry."--British Museum online catalogue
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Mounted to: 46 x 32 cm.
"Satirical print with a hung-over husband confronted by an angry wife over the breakfast table."--British Museum online catalogue
Alternative Title:
Deaf as a post
Description:
Title etched below image., Two lines of dialogue below title: "Pray what little snub-nos'd wench was that I saw you ogling of last night, sir?" "Eh?", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A stout lady pours tea on to a plate, missing the cup, in her amused astonishment at the appearance of her very fat and jovial husband who sits opposite her, wearing a hat burlesquing the French fashion, coat open over a wide expanse of horizontally striped waistcoat, and plain white trousers. She exclaims: Lord, my dear! the French folks have quite transmogrify'd you. What, is that a French collar? why, it sticks out like two large horns; and they've stuck a sugar-loaf on your head--and what have they been doing with your small cloaths? and where's your wig, my dear? He answers: O! all a mode! all a mode! His daughter, who leans on the back of her mother's chair, says with a quizzical smile: All a mode! all a mode! Why, Papa, you seem to have forgot all your English. You'll have all the customers take you for a French Mounseer. Both ladies are dressed in the fashion, with huge gigot sleeves. The daughter's dress is patterned with huge checks. Behind the traveller are his caped greatcoat, portmanteau, and a clipped poodle, surprised and resentful. Cf. British Museum Satires No. 15464."--British Museum online catalogue
