An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., and Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two men converse in an interior next to a fireplace. The figure at right rises and points to a portrait over the fireplace, a dog looking up to follow the gesture. The other figure, seated, holds a glass of wine. A grinning classical bust on the bookcase, lettered "Aristhoph..."."--Metropolitan Museum of Art online catalog
Description:
Title etched below image., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1816., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Frontispiece to part 20 of: The Wits magazine, and Attic miscellany. London : Printed for Thomas Tegg, [1818], Five lines of text below title: Foote, who had a sovereign contempt for his wife, said to Murphy, You may learn geography from her face ..., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Fireplaces, Portrait paintings, Dogs, Drinking vessels, Sculpture, and Bookcases
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., and Mounted to 28 x 34 cm.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
A young woman stands in a city street singing, a scroll with music in her one hand; beside her is a young girl who plays a triangle. The two performers are surrounded by a happy looking crowd of working class and poor citizens -- men, women and children -- smiling at the duo, some of whom seem to be singing along. A older woman holds a basket over their arms with a mug dangling from the handle; a young boy also with a basker stands with his dog looking on with awe. In the background on either side are buildings including a church tower
Description:
Title devised by cataloger., Frontispiece to: Jones, E. Musical bouquet, or, Popular songs and ballads. London : Printed and sold at no. 3 Green Street, near Grosvenor Square ..., [1799]., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs, by Ed. Jones
Subject (Topic):
Ballads, Children, Cries, Singers, Street entertainers, and Percussion instruments
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
"Frontispiece from Wolcot's 'Benevolent Epistle to Sylvanus Urban alias Master John Nichols, Printer, . . . 1790'. Nichols (left) has just risen in anger from his chair and looks to the left, resting his clenched fists on two large volumes placed on a small roughly made table, on which is also an ink-pot with pens. These are 'Q. Eliz: Prog:' and 'Anecdotes of Mr B.' [Bowyer]. In the background is Parnassus, with the Temple of Fame, on which is poised a figure of Fame blowing a trumpet. Against the mountain rests a tall ladder up which a dog has scrambled, but is still far from the summit. A man on stilts advances towards the mountain, an 'Essay on Old Maids' projects from his pocket, showing that he is William Hayley; a paper inscribed 'Eudora' falls from him. On the ground are: a letter 'ToMr.N--c--ll'; a book: 'Gentlemans Magazine', and papers; 'Charade', 'Conundrum Riddle', 'Rebus', 'Mr Badcocks Letters'. Beneath the design is engraved:'With anger foaming and of vengeance full, Why belloweth John Nichols like a bull?'"--British museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Frontispiece from: A benevolent epistle to Sylvanus Urban, alias Master John Nichols ... / by Peter Pindar. London : Printed for G. Kearsley, 1790., Temporary local subject terms: Allusion to The Gentleman's magazine -- Mythology: Parnassus -- Figure of Fame -- Temple of Fame., and Mounted to 33 x 21 cm.
Publisher:
G. Kearsley
Subject (Name):
Pindar, Peter, 1738-1819., Hayley, William, 1745-1820, and Nichols, John, 1745-1826
"The King (right), standing in profile to the left, holds out to Peter a rolled document inscribed 'Pension'. Peter, a thin elderly man, turns away, holding out both hands to ward off the gift. From his pocket projects a paper inscribed 'Odes'. Both wear bag-wigs, and old-fashioned dress with flapped waistcoats; the King wears a sword."-- British Museum online catalogue
Alternative Title:
Ah! let me Sire refuse it, I implore, ought not to be rich whilst you are poor
Description:
Title from British Museum catalogue; alternative title from text below image., Printmaker and date from British Museum catalogue, Frontispiece to: Pindar, P. Peter's pension. London : Printed by G. Kearsley ..., [1788], and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Wolcot, John, 1738-1819
