"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
Title from item., Later state, with additions to title, as described in British Museum catalogue., Temporary local subject terms: Music: 'Ballanamonioro' by Charles Morris, 1745-1838 -- Music: 'God save great George, our king' by Henry Carey, 1690?-1743 -- Opposition to Irish Propositions -- Music: concertos -- Coalition., and Mounted to 37 x 56 cm.
Publisher:
Published 25th April 1785 by Thomas Cornell, [Bruton] Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Auckland, William Eden, Baron, 1744-1814
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted to 49 x 34 cm.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted on page 97.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., 1 print : etching on wove paper ; plate mark 37.7 x 26.1 cm, on sheet 39.9 x 28.2 cm., and Mounted on leaf 78 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
