Album of watercolor drawings depicting exotic animals, copied by the artist Ann Rich from the first few parts of the Naturalist’s Pocket Magazine (London, 1798-1802).
Description:
Title from manuscript text on first leaf., Each drawing executed on its own sheet, with a caption written in ink above; bound in contemporary plain paper wrappers., and For further information, consult library staff.
Volume 2, page 36. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady working at her embroidery turns to watch a child holding a bird, an oval composition."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., Companion print to: The tender mother., and Mounted on page 36 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Publisher:
Pubd. Feby. 27th, 1787, by S. Vivares, Great Newport Street
A volume of etchings by three daughters of art collector John Ingram (1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli. Most of the prints bear the monogram of one of the Ingram sisters and are dated 1816 -1821. The works include images after Rembrandt, Ostade, Pietro Novelli, and other artists, Continental views, views of Hartlepool and Newcastle, and a vignette after Bewick. Also included is an image signed "IG' and dated 1824
Alternative Title:
Etchings
Description:
Title devised by cataloger., Date of album based on internal evidence., With a manuscript gift inscription to front free endpaper, dated 1867., Bound in dark half morocco., and For further information, consult library staff.
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
"A lady working at her embroidery turns to watch a child holding a bird, an oval composition."--British Museum online catalogue
Description:
Title from British Museum online catalogue., Proof state before title. Cf. British Museum online catalogue, registration no.: 1917,1208.3321., Sheet trimmed within plate mark., Companion print to: The tender mother., and Mounted on leaf 14 of volume 12 of 12.
Publisher:
Pubd. Feby. 27th, 1787, by S. Vivares, Great Newport Street
