"George IV, dressed as a Turk, marches arrogantly past a row of ladies of his harem, holding a large goblet whose contents are spilling. He wears a jewelled turban with the high peak of a fool's cap, terminating in a bell. The end of his long furred robe is held by a thin man (left) wearing a turban decorated with antlers to indicate Lord Conyngham; the latter's arms and legs are bare, and he shambles along, carrying a decanter. The King says: "Variety is charming. Constancy is not for me, so Ladies pray take warning." The seven ladies, all fat and all in quasi-Turkish dress with turbans, watch him intently."--British Museum online catalogue and "Illustration to a verse satire on the life of George IV, in which the villain is Queen Charlotte. The design may derive from prints of the Prince and Lord Jersey in 1796, especially Gillray's 'Grand-Signior retiring' (British Museum Satires No. 8807). In British Museum Satires No. 8809 there is a picture of the Prince as a Turk among his harem. Among the seven here depicted, but scarcely characterized, are probably, besides Lady Conyngham and Lady Hertford, the Duchess of Richmond, and Mrs. Quentin. The print appears in British Museum Satires No. 14030; a similar print is in British Museum Satires No. 14049."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Hudibras, the younger. Sultan Sham, and his seven wives. London : Printed and published by W. Benbow, 1820., Mounted to 58 x 39 cm., Mounted on leaf 5 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Front. to Sultan Sham & his seven wives" written in ink at bottom of sheet. Figures of "Ld. Conyngham" and "Geo. IV" identified in ink below image; date "Nov. 1820" written in lower right. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Richmond and Lennox, Charlotte, Duchess of, 1768-1842., Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Quentin, Georgina.
"A scene in the House of Lords, the foreground being filled by a fantastic game of chess. Gifford (left) and Brougham (right) play on a large chess-board supported on the heads of three witnesses against the Queen: Rastelli (?), Demont, and Majocchi. Copley watches behind Gifford's chair; both register consternation. Denman leans on Brougham's chair; both smile. The King, as a Chinese mandarin at Q.R. 4 is in check to the Queen (Q.R. 2), who stands beside Alderman Wood, her 'chief pawn'; both are whole length portraits. At the back of the board are two knights (men on horseback): ' Sir Exoff' (Gifford, so styled from the ex-officio Informations of the Attorney-General, see British Museum Satires No. 11717), and 'Birch' (Brougham). In the centre of the board stand five tiny men, the Queen's pawns, surrounding a woman in white (the Queen, who thus appears twice). The only pieces represented as chessmen are castles with the heads of Castlereagh and Wellington and two bishops, Canterbury and Exeter. Gifford has lost all his pawns: they are Italian witnesses who lie on the ground, broken, by Brougham's chair. Behind, the benches converge in perspective on the throne; Eldon, seated on the Woolsack, registers dismay. Peers, crowded on the ministerial benches (left) are alarmed. Those opposite are fewer: some are mildly pleased, others indifferent."--British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Playfair, P. The Queen and her pawns against the King and his pieces; or, The royal check-mate. London : Printed and published by W. Benbow ..., 1820., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Frontispiece to Queen & her Pawns" written in ink at bottom of sheet, above printmaker's signature; date "Oct. 1820" added in pencil following printmaker's signature. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
W. Benbow
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Gifford, Robert Gifford, Baron, 1779-1826, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, Denman, Thomas Denman, Baron, 1779-1854, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Manners-Sutton, Charles, 1755-1828, and Great Britain. Parliament. House of Lords,
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.9 x 39 cm, on sheet 46 x 59 cm., and Plate 4 in the album: Queen Charlotte's collection of Hogarth works.
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue
Description:
Title, printmaker and date from British Museum catalogue., Proof state, before "Ode for new year" lettering added to the roll of paper within image., Lettered state of this plate is the frontispiece to: Ode upon ode, or, Peep at St. James's ... London : Printed for G. Kearsley ..., [1787], and Mounted on verso of leaf 13 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue
Description:
Title, printmaker and date from British Museum catalogue., Proof state, before "Ode for new year" lettering added to the roll of paper within image., Lettered state of this plate is the frontispiece to: Ode upon ode, or, Peep at St. James's ... London : Printed for G. Kearsley ..., [1787], 1 print : etching on wove paper, hand-colored ; sheet 17.1 x 22.8 cm., Sheet trimmed within plate mark., and Mounted on leaf 14 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue
Description:
Title, printmaker and date from British Museum catalogue., Proof state, before "Ode for new year" lettering added to the roll of paper within image., Lettered state of this plate is the frontispiece to: Ode upon ode, or, Peep at St. James's ... London : Printed for G. Kearsley ..., [1787], 1 print : etching on laid paper ; plate mark 20.0 x 25.3 cm, on sheet 20.8 x 25.7 cm., Alerternative title written in ink in a contemporary hand below image: Pindars Pegasus., Statement of responsibility, "T. Rowlandson fecit," written in later hand below image in lower left; identifications of the figures written below plate mark in the same hand., and Mounted on leaf 14 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
Volume 1, after page xxxvi. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Samuel Johnson is shown full-length on the left, facing right and apparently asleep standing up; his knees are bent, his eyes are closed, and his head rests on his left hand. A second man stands on the right, hands in his coat pockets, looking over at Johnson; this figure may be Sir John Hawkins
Alternative Title:
Scene from Boswell's 'Tour'
Description:
Title and date supplied by curator., Alternative title from description of original drawing in: Riely, J. The age of Horace Walpole in caricature. New Haven : Yale University Library, 1973, no. 48., After a drawing that is probably the work of Samuel Collings., Printmaker attribution to Rowlandson from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 38 x 27 cm., and Bound in after page xxxvi (leaf numbered '41' in pencil) in volume 1 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Johnson, Samuel, 1709-1784 and Hawkins, John, 1719-1789
Bretherton, Charles, approximately 1760-1783, printmaker
Published / Created:
pubd. as the act directs, Jy. 8th, 1781.
Call Number:
Auchincloss Gillray v. 7
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait (half length) of Lady Archer in profile to the right, her aquiline nose exaggerated, and she is frowning. She wears a hat tilted forward, her hair being dressed high with a club resting on her shoulders."--British Museum online catalogue
Description:
Title from British Museum catalogue. and Mounted on leaf 8 of volume 7 of 12.
Title assigned by curator., Probably by Rowlandson. See simillar frontispieces by Rowlandson for Pindar's poems in the British Museum catalogue, nos. 7051, 7186, 7431., Date of publication based on that of the volume in which the print appears., Frontispiece to: Pindar, P. Sir Joseph Banks and the Emperor of Morocco. London : Printed by G. Kearsley ..., [1788], Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 73 of volume 2 of 14 volumes.
Print shows a design in five numbered ovals, with a central medallion portrait atop a pillar featuring the Duke of York ("The Aga"), surrounded by four smaller medallions featuring a portrait of Mrs. Mary Anne Clarke ("Fatima pinning up a new list"), Mrs. Clarke's confidante and coauthor of her memoirs, Elizabeth Taylor ("Tailoriska"), Captain Huxley Sandon, who testified as a witness at the Duke of York's rial in 1809 ("Captn. Sandonasso"), and emblematical design showing "Cupid the Arbitrator of promotions", wearing an officer's bicorne hat, holding a sword in one hand and a bishop's miter in the other, and seated beside a cornucopia of coins; at the foot of the design is the head of Medusa crowned with serpents
Description:
Title supplied by cataloger., Illustration to the satirical piece "The trial of Fatima Clarkis. A fragment of an oriental tale", by "Barnaby Sketchwell", which concerned the 1809 trial of the Duke of York, the king's second son and commander-in-chief of the army, for his alleged involvement in the sale of commissions by his former mistress, Mrs. Mary Anne Clarke., Plate from: Sketchwell, B. London characters, or, Fashions and customs, of the present century. London : Printed for the booksellers in Bond-street ..., 1809, v. 2, facing page 317., Sheet trimmed within plate mark., Lettered below image: 1. The Aga. 2. Fatima pinning up a new list. 3. Tailoriska. 4. Captn. Sandonasso. 5. Cupid the Arbitrator of promotions., "Vide, page 317"--Lower right., and Mounted on recto of first front flyleaf.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Taylor, Elizabeth, active 1800, Sandon, Huxley, and Cupid (Roman deity),
