Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.9 x 30.7 cm, on sheet 27.8 x 35.2 cm., and Formerly mounted on leaf 56 of volume 1 of 14 volumes.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
"A four-footed monster, with four human heads, the long hairy body resembling that of a dog, stand in an open space in front of the theatres of Covent Garden (left) and Drury Lane (right), the latter partly obscured by clouds rising from the ground, and with the statue of Apollo, headless as in British Museum Satires No. 10764. The three main heads are those of Sheridan, saying "Ha, ha, ha," Kemble saying "Oh!!!!!", with a tragic expression, and of a clown (evidently Grimaldi) with painted face and blue wig, saying, "Nice Moon". A dagger is thrust into Kemble's neck, blood gushing from the wound. A fourth head wearing a mask, that of Harlequin, looks over the back of the monster, who wears a Harlequin coat over its fore-legs and the front part of its body. It has a long barbed tail inscribed 'A Tail of Mistery'. The monster's fore-paws rest on a paper: 'Regular Dramas Congreve Beaumont and Fletcher Colman' [attacked in British Museum Satires No. 5064, now a standard author]. A hind-foot rests on 'Shakespear's Works'. Under its body are a number of modern dramatists, some of whom suck from its many teats. They are portraits, and some are identified by the titles of plays by which they stand. On the left. Frederic Reynolds bestrides a large dog (Carlo) by 'The Caravan' [see British Museum Satires No. 10172, &c.]. A man sits on the shoulders of a monk with cloven hoofs in order to reach a teat; the monk (Lewis) stands on 'Wood Daemon' [a 'Grand Romantic Melo-Drama' by M. G. ('Monk') Lewis, first played at Drury Lane 1 Apr. 1807 (cf. British Museum Satires No. 10727)]. Holcroft, wearing spectacles (as in BMSat 9240), stands on the 'Road to Ruin' [see British Museum Satires No. 8073]. Skeffington, wearing long striped pantaloons, stands on his 'Sleeping Beauty' [see British Museum Satires No. 10455]. On the extreme right. Dimond, tall, thin, and foppish, stands on his 'Hunter of the Alps', played at the Haymarket in 1804. There are five other men, less prominent, and unidentified by inscriptions. Behind, an old man (or woman) drives a flock of geese past the arcade of Covent Garden Theatre."--British Museum online catalogue
Description:
Title from British Museum catalogue. and Plate from: The Satirist, v. 1, page 225.
Publisher:
Published for the Satirist, Decr. 4th, 1807, by S. Tipper, Leadenhall Street
Subject (Geographic):
England and London
Subject (Name):
Covent Garden Theatre,, Theatre Royal, Drury Lane (London, England)., Sheridan, Richard Brinsley, 1751-1816, Kemble, John Philip, 1757-1823, Grimaldi, Joseph, 1779-1837, Grimaldi, Joseph, 1779-1837., Kemble, John Philip, 1757-1823., and Sheridan, Richard Brinsley, 1751-1816.
Dutch Cupid reposing after the fatigues of planting
Description:
Title and date of publication based on those of larger version of print., Reduced version of a print, also by Gillray, entitled: The orangerie, or, The Dutch Cupid reposing after the fatigues of planting. Cf. No. 8822 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted on leaf 24 of volume 9 of 12.
"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue
Alternative Title:
Frontispiece, Britannicus to Buonaparte : an heroic epistle
Description:
Title devised by cataloger; varying form of title from British Museum catalogue., Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham., 1 print : etching with aquatint, stipple & roulette on wove paper ; sheet 27.8 x 20.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 39 of volume 12 of 12.
Publisher:
Publish'd Novr. 1st, 1803, for the author by I. Hatchard, No. 199 Piccadilly, London
Plate 72. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of George III, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Times. Plate 2
Description:
Title etched below image., Third state as described by Paulson, with publication line and inscription engraved., 1 print : etching and engraving on laid paper ; plate mark 25.5 x 31.9 cm, on sheet 28.7 x 37.1 cm., Mounted on leaf 59 x 46 cm., Plate 72 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Publish'd May 29, 1790 by J & J Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
"Two officers stand together directed to the right, almost in profile, dressed alike. The taller (right) holds a sheathed sword crooked in the left elbow; his shorter and slightly stouter friend stands very erect, and takes his right arm. They wear cocked hats with small plumes and side-tassels, stock and jabot under high-collared tunics, wide crossed belts, high cavalry boots, and gauntlet gloves. They are Robert Christopher Packe, Captain Royal Horse Guards, killed at Waterloo, and Lieut. George Augustus Fenwick."--British Museum online catalogue
Alternative Title:
Two soldiers
Description:
Title from British Museum catalogue., Leaf 75 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 24.6 x 18.4 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Dighton Junr.
Subject (Name):
Packe, Robert Christopher, -1815 and Fenwick, George Augustus, active 1805
Gladstone, W. E. (William Ewart), 1809-1898, collector
Published / Created:
[ca. 1835?]
Call Number:
Folio 724 835G (Oversize)
Container / Volume:
v.1
Image Count:
226
Resource Type:
still image
Abstract:
A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the "Queen Caroline Affair" of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone's hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee
Description:
William Ewart Gladstone (1809-1898) was a British statesman and Liberal politician for over 60 years, including 12 years as Prime Minister of the United Kingdom as well as 12 years as Chancellor of the Exchequer., Title devised by cataloger., Laid in volume 1, two plates removed from Impartial historical narrative of those momentous events ...r 1816 to 1823 (London: Robert Bowyer, 1823). 1) Fac simile of the autographs of the royal family: Also of those peers who voted during the investigation of the charges against Queen Caroline in the House of Lords, 1820. 2) Autographs of those peers who voted during the investigation of the charges against Queen Caroline 1820 ... ., Also laid in volume 1, one leaf (pages 39-40) of an unidentifed work that includes a table: List of names on the two engraved plates of autographs., One French print included: L'amour ainsi qu la nature n'connaissent pas ces distances lá / by Williams Jonhson., Date based on latest annotation in the album., and Bound in later 19th- or early 20th-century black morocco, boards and spine elaborately tooled in gilt.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Gladstone, W. E. (William Ewart), 1809-1898, collector
Published / Created:
[ca. 1835?]
Call Number:
Folio 724 835G (Oversize)
Container / Volume:
v.2
Image Count:
222
Resource Type:
still image
Abstract:
A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the "Queen Caroline Affair" of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone's hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee
Description:
William Ewart Gladstone (1809-1898) was a British statesman and Liberal politician for over 60 years, including 12 years as Prime Minister of the United Kingdom as well as 12 years as Chancellor of the Exchequer., Title devised by cataloger., Laid in volume 1, two plates removed from Impartial historical narrative of those momentous events ...r 1816 to 1823 (London: Robert Bowyer, 1823). 1) Fac simile of the autographs of the royal family: Also of those peers who voted during the investigation of the charges against Queen Caroline in the House of Lords, 1820. 2) Autographs of those peers who voted during the investigation of the charges against Queen Caroline 1820 ... ., Also laid in volume 1, one leaf (pages 39-40) of an unidentifed work that includes a table: List of names on the two engraved plates of autographs., One French print included: L'amour ainsi qu la nature n'connaissent pas ces distances lá / by Williams Jonhson., Date based on latest annotation in the album., and Bound in later 19th- or early 20th-century black morocco, boards and spine elaborately tooled in gilt.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Actor William Parsons depicted half-length in profile to left taking a pinch of snuff, holding a hat under his left arm
Description:
Title and printmaker from British Museum catalogue., 1 print : etching & roulette on laid paper ; plate mark 6.9 x 6.4 cm, on sheet 11.5 x 9.5 cm., and Mounted on leaf 19 of volume 7 of 12.
Publisher:
Pubd. May 4th, 1782, by H. Humphrey, New Bond Street
"A caricature portrait of Pitt speaking in the House of Commons in profile to the right. In his right hand is a document: 'Regency Restrictions' (see British Museum Satires No. 7488, &c.); his hat is under his left arm, his left hand is held out. He bends forward, his right leg advanced."--British Museum online catalogue
Description:
Title devised by cataloger; title based on that given in the British Museum catalogue., Questionable attribution to Gillray from the British Museum catalogue., An imitation of the whole length portraits of Sayers. See British Museum catalogue., Temporary local subject terms: Speeches: Pitt's on Regency Bill, 1789 -- Bills: Regency Bill -- Opposition to Regency Bill -- Allusion to Regency restrictions., 1 print : etching with drypoint on laid paper ; plate mark 17.8 x 11.2 cm, on sheet 22.8 x 15.9 cm., and Mounted on leaf 57a (i.e. verso of leaf 56) of volume 2 of 12.
Publisher:
Pubd. June 17, 1789, by W. Fores, No. 3 Piccadilly
