Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Book of cyanotype photographs of New Orleans businesses created by photographer Edward T. Adams and compiled by publisher Albert D. Hofeline, 1887. The majority of the photographic prints appear facing a page with a printed advertisement for the business depicted in the image. The images often depict the staff of the business in front of its building. Several of the advertisements include detailed pictorial engravings and they all describe the goods and services of the business, Images of buildings identified with individual retailers include John Bastian, a book and picture dealer; William L. Cushing, a machinery dealer; E. C. Fenner, a carriage dealer; A. W. Hyatt, a stationer; Frank Keehn, an agent for the Anheuser-Busch Brewing Association; David Lemley, a tinsmith; J. C. Morris, a woodenware dealer; John P. Richardson, a dry goods dealer; and W. G. Tebault, a furniture dealer, Images of factories and manufacturers include Lhote & Co., door and sash factory and lumber yard; Adolph G. Ricks & Co., leather and shoe findings; Joseph Schwartz, a dealer and manufacturer of wagons and carriages; and the Steam Candy Manufactory of confectioner C. H. Miller, which includes a man standing on the sidewalk with a display board advertising Diehl & Johnson Fireworks, Images of grocery businesses include Clark & Meader; D'Amico, Sidotti & Lewis; John T. Moore, Jr. & Co.; and Schmidt & Ziegler. The image of Clark & Meader includes its delivery wagon and an African American male laborer, Images of hotels include the Hotel et Restaurant de la Louisiane, the Hotel Vonderbank, and the Hotel Victor, which also housed Victor's Restaurant, Images of insurance company buildings include Factors' and Traders' Insurance Company, Hope Insurance Company of New Orleans, and New Orleans Insurance Company, Images of newspaper offices include the Daily Picayune and Times-Democrat. The latter image includes African American delivery boys posed standing in front of the building, Images of other commercial buildings include the Avenue Theatre with a large crowd of people outside the building, the New Orleans National Bank building, and the Soulé Commercial College and Literary Institute with men and boys posed standing on a sidewalk outside the building, Images of retail business buildings include A. Baldwin & Co., a hardware dealer; A. Brousseau's Son, a carpet merchant; A. Geiger & Company, cloth merchants; Comptoir Industriel Belge, an importer from Belgium and France; Frantz and Opitz, jewelers; Hunter and Genslinger, stationers; John Gauche's Sons, china dealers; and the regional offices for the Nonotuck Silk Company, Images of tobacco factories consist of United States branch factories of the Real Fábrica La Honradez (La Honradez Tobacco Manufacturing Company) and the Ramon Allones Havana Cigarette Manufacturing Company. The latter image includes women laborers peering out the windows and its accompanying advertisement underscores its "Red Cross" Havana cigarettes by using red ink in the printing, A few images depict machinery. An image depicting the Louque's Improved Balanced Engine, invented by Charles Louque, a lawyer in New Orleans, faces a description of the engine. An engraving of a web perfecting printing press manufactured by Water Scott & Company faces an advertisement for the Daily States newspaper, Business advertisements without photographic representations include the wholesale grocery firm of Parker and Hart; John Bassich, Jr., an attorney and counselor at law; John Bastian, a stationer and frame maker; Paul Bordenave, a grocer; the Garden District Bakery; French Market Tea Depot; John Schmitt Restaurant and Saloon; Crescent City Book Bindery; and the branch office for Thomas Fawcett & Sons, coal and coke dealers. Other advertisements include a prospectus of the College of the Immaculate Conception and an announcement for Arlaud's Strengthening Elixir, developed and distributed by druggist Leon Arlaud, and Images of locations that do not represent adjacent advertisements include views of cemeteries, waterfront, ships, and incidental views. Views of cemeteries include the Confederate Memorial Monument in the Greenwood Cemetery and a monument to the Washington Artillery of New Orleans in Metairie Cemetery (also known as Howard Cemetery). Views of waterfront in New Orleans include the steamboat landing at the foot of Canal Street; Bayou Saint John at the foot of Esplanade Street; Lake Pontchitrain at Pass Christian; and West End. Views of ships include an English steamship loading cotton and a Brazilian man-of-war. Incidental views include an overview of Jackson Square, including the monument to Andrew Jackson, St. Louis Cathedral, Presbytère (court building), and Cabildo (city council building), in addition to an interior view of the Church of the Immaculate Conception (also known as Jesuits Church) on Baronne Street
Description:
Title from title page., Typescript captions below several images., Photographic prints primarily 19.1 x 15.2 cm., and Presentation inscription to John Kracke from Albert D. Hofeline, June 2, 1925.
Publisher:
Hofeline & Adams
Subject (Geographic):
Louisiana, New Orleans, Bayou Saint John (La.), Jackson Square (New Orleans, La.), New Orleans (La.), and United States
Subject (Name):
Adams, Edward T., Arlaud, Leon., Bassich, John, Jr., Bastian, John, b. 1851., Bordenave, Paul., Cushing, William L., Fenner, E. C. (Edward C.), Hofeline, Albert. D., Hyatt, A. W. (Arthur W.), Keehn, Frank., Lemley, David., Louque, Charles., Miller, C. H. (Christopher H.), Morris, J. C. (Joseph C.), Richardson, John P., Schwartz, Joseph, b. 1828., Tebault, W. G. (William G.), A. Brousseau's Son (New Orleans, La.), A. Geiger & Company (New Orleans, La.), Adolph G. Ricks & Co. (New Orleans, La.), Anheuser-Busch Brewing Association, Avenue Theatre (New Orleans, La.), Church of the Immaculate Conception (New Orleans, La.), Clark & Meader (New Orleans, La.), College of the Immaculate Conception (New Orleans, La.), Comptoir Industriel Belge (New Orleans, La.), Confederate States of America. Army. Washington Artillery Battalion (New Orleans, La.), Crescent City Book Bindery (New Orleans, La.), Times-picayune, Daily states (New Orleans, La.), Diehl & Johnson Fireworks., Factors' and Traders' Insurance Company (New Orleans, La.), French Market Tea Depot (New Orleans, La.), Garden District Bakery (New Orleans, La.), Greenwood Cemetery (New Orleans, La.), Hotel et Restaurant de la Louisiane (New Orleans, La.), Hotel Victor (New Orleans, La.), Hotel Vonderbank (New Orleans, La.), Hunter and Genslinger (New Orleans, La.), John Gauche's Sons (New Orleans, La.), John Schmitt Restaurant and Saloon (New Orleans, La.), John T. Moore, Jr. & Co. (New Orleans, La.), Lhote & Co. (New Orleans, La.), New Orleans Insurance Company, New Orleans (La.). Cabildo, New Orleans National Bank, Nonotuck Silk Company, Parker and Hart (New Orleans, La.), Presbytère (New Orleans, La.), Ramon Allones Havana Cigarette Manufacturing Company., Real Fábrica La Honradez, Schmidt & Ziegler (New Orleans, La.), Soulé Commercial College and Literary Institute (New Orleans, La.), St. Louis Cathedral (New Orleans, La.), Steam Candy Manufactory (New Orleans, La.), Thomas Fawcett & Sons., Times-democrat (New Orleans, La.), and Victor's Restaurant (New Orleans, La.)
Subject (Topic):
Monuments, American newspapers, Commerce, Engines, Factories, Grocery trade, Industries, Insurance companies, Monuments & memorials, Newspaper presses, Newspapers, Retail trade, Tobacco industry, Description and travel, Views, and History
A photograph album, owned at one time by Theodore Guarvarius Cockrill, chief of the San Francisco police, with identification photographs of Chinese and Chinese-American men, circa 1874. Each photograph includes the name of the individual and an identification number between 875 and 1474. Names and identification numbers also appear in the margin of the album's pages
Description:
Theodore Guarvarius Cockrill (1834-1899) of Bowling Green, Kentucky, was chief of the San Francisco Police Department in California from 1873 December to 1875 December., Captions in English., Captions in the negative., Title devised by cataloger., Place of creation and date supplied by cataloger., and Embossed on front cover: "T. G. Cockrill / Chief of Police / Chinese no. 3".
Subject (Geographic):
California, California., and San Francisco (Calif.)
Subject (Name):
Cockrill, Theodore Guarvarius, 1834-1899. and San Francisco (Calif.). Police Department.
Subject (Topic):
Chinese, Chinese Americans, Identification photographs, Police, Race relations, and Social conditions
Savage, C. R. (Charles Roscoe), 1832-1909, photographer
Published / Created:
[circa 1880]
Call Number:
WA Photos 727
Container / Volume:
Box
Image Count:
52
Resource Type:
still image
Abstract:
Photograph album with photographs taken by C. R. Savage of Snake River in Idaho, circa 1880. Depicted are the Shoshone Falls, Blue Lakes, and a ferry crossing the river
Description:
Charles Roscoe Savage (1832-1909), British-born landscape photographer of the American West, joined the Church of Jesus Christ of Latter-day Saints in 1848. In 1856, Savage immigrated to New York and began photography assignments from the LDS Church. He moved with his family to Salt Lake City, Utah, in 1860. In 1862, he formed a partnership with George Martin Ottinger--the firm, Savage & Ottinger, was legally dissolved in 1870. From 1870 to 1875, Savage ran the Pioneer Art Gallery; from 1875 to 1883, he ran the Art Bazaar. His negatives were destroyed in a fire on 1883 June 26; the Art Bazaar, however, remained open until 1926, when Savage's sons closed its doors permanently., Captions in English., Captions in the negative., Title devised by cataloger., and Place of creation and date supplied by cataloger.
Subject (Geographic):
Idaho, Blue Lakes (Idaho), Shoshone Falls (Idaho), and Snake River, South Fork (Idaho)