"View looking across the square towards the King's Mews, George II and his Company viewing the horses."--British Museum online catalogue
Alternative Title:
Vüe de Ecuries du Roy a Charing Cross
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "6" in upper right corner., Watermark: Charles Ball 1817., Leaf 37 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: This rare plate is copied in Fairholt's "Haunted London".
Publisher:
publisher not identified
Subject (Geographic):
London (England), England, and London.
Subject (Name):
George II, King of Great Britain, 1683-1760,
Subject (Topic):
Stables, Horses, Horseback riding, Carriages & coaches, and Plazas
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., Mounted on page 93 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 23.3 x 31.1 cm.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[May 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs. Page 85. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge academic riding to the races: a man with a macaroni queue and holding a hooked stick riding along a rode past a signpost pointing towards Newmarket and away from Cambridge; in the distance on the left a church tower rises above trees, on the right King's College Chapel and another tower."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Cambridge: Trinity College Chapel -- Newmarket., Mounted on page 85 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 20.0 x 24.8 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs May 1772 by J. Bretherton, No. 134 New Bond Street
"Satire on a Cambridge student: a young man on horseback with a macaroni queue holding out a driving whip as if it is a lance and galloping to right; the horse is defecating; a hound runs beside them; in the distance on the right King's College Chapel."--British Museum online catalogue
Description:
Title from text below image., Printmaker and date of publication from description of an earlier state in the British Museum catalogue., Early state, before additional shading of the figures and more ground detail added in drypoint. For a later state before these additions to the plate, see no. 4724 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark., and Mounted on page 115 of: Bunbury album.
A man on horseback struggles to maintain control of his horse as it rears its hind legs, sending a boy scrambling away in the foreground on the right. In the background, another man looks on and grins at the prank he has played with his stick in the horse's tail; he stands in front of a building (an inn?) with a sign hanging above the entrance
Alternative Title:
Boots gets his revenge
Description:
Title from inscription., Attribution to Bunbury from inscription on verso, which notes that the drawing was presented to Lord Harrington., Two line inscription in ink across lower margin: Hard hearted Grower gives poor Boots his due, Or Boots at posting has a Rig for you - Anon., and Probably the original design for a print entitled "Tricks upon travellers," an illustration to Annals of horsemanship (London : W. Dickinson, 1791).
Subject (Topic):
Horseback riding, Kicking, Signs (Notices), and Taverns (Inns)
A young, fashionably dressed couple ride horses to the right through a barren landscape. The woman rides sidesaddle and faces away from the viewer; the man looks back over his right shoulder, an unhappy expression on his face
Description:
Title from inscription., Signed in lower left corner with the artist's initials., and Probably the original design for a print entitled "Love and wind," an illustration to Annals of horsemanship (London : W. Dickinson, 1791).
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Mounted on page 119 of: Bunbury album., 1 print : etching with rocker, drypoint, and engraving on laid paper ; sheet 41.9 x 53.3 cm., and Imperfect; only the third, rightmost sheet of the three-plate composition is present.
Leaf 11. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops towards a toll-gate (left) which a man runs to open. Beside the gate is a turnstile for foot-passengers."--British Museum catalogue
Alternative Title:
And still as fast as he drew near, 'twas wonderful to view ...
Description:
Title etched above image., Four lines of verse below image: And still as fast as he drew near, 'twas wonderful to view, how, in a trice, the turnpike-men their gates wide open threw., Second plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "2" in upper right corner., and Bound in as leaf 11 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Toll roads, Gates, and Gatehouses
Leaf 12. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife and family watch from the balcony; an inn-servant from the door. Dogs bark and spectators are amused."--British Museum catalogue
Alternative Title:
'Stop, stop, John Gilpin! here's the house!' they all at once did cry ...
Description:
Title etched above image., Four lines of verse below image: 'Stop, stop, John Gilpin! here's the house!' they all at once did cry; the dinner waits, and we are tir'd! said Gilpin 'So am I!'., Third plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "3" in upper right corner., and Bound in as leaf 12 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Taverns (Inns), Servants, Family members, Balconies, Spectators, and Dogs
