"Mrs. Coutts (right), fat, swarthy, and moustached, sits at a table, holding out a cheque for £100.000 to Lord Burford. Her Cheque Book lies on the table. He steps forward, hat in hand, left hand on breast, in profile to the right. She says: Why you seem to be a good looking hard working young fellow, but I must tell you my business is extensive And I shall expect you will employ your time day and night for the benefit of the Concern, you must also be humble and submissive, should this be realized on Trial I will make you a Sleeping Partner. And here's a trifle for you to buy a pair of gloves. He answers with eager deference: You may depend upon it Madam I shall endeavour to give you every satisfaction. I shall be very attentive and if I can't get through the business as you like, you are at liberty to employ an Assistant. Mrs. Coutts is décolletée and bejewelled, wearing a turban trimmed with a paradise-plume. The gold-bordered tablecloth is weighted with balls inscribed £20,000 and £9,000. Large money-bags are on the floor behind her: £800,000 and . . . 000. Under her chair are a glass and a decanter of White Tape. Behind her is a picture of heaped sovereigns and money-bags. Other pictures are a cow looking over the wall of Mrs C--s Dairy, and (left) a castle: View near St Albans. The chairs are decorated with coins pouring from cornucopias."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46.4 cm.
Publisher:
Pubd. March 1825 by G. Humphrey, 27 St. James's Street, London
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.7 x 35.1 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted (with one other print) to 58 x 39 cm., Mounted on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Canning," and "Eldon" identified in black ink above title; date "June 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
Men are sitting around a table playing cards, one is looking at his cards under the table and two others are having a discussion and "Four men sitting around a table playing cards, the one on the left saying 'I'll bet my partner turns up an Ace or King', while two bystanders say 'Don't you see the mark' and 'The old trick'."--British Museum online catalogue
Alternative Title:
Symptoms of legerdemain
Description:
Title from text below image., Signed with the initials of an unidentified printmaker "I.H." in lower right corner., Impression in the British Museum is annotated with the date "1837," and also includes identifications of the two depicted figures as "Sir W. Inglesby" (left) and "Lord de Roos" (right). See British Museum online catalogue, registration no.: 1868,0808.9526., and "No. 16."--Upper right corner.
Publisher:
Published by S.W. Fores, 41, Piccadilly
Subject (Name):
Amcotts-Ingilby, William, Sir, 1783-1854 and Fitzgerald-de Ros, Henry William, 1793-1839
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," "Sidmouth," and "Eldon" identified in black ink at bottom of sheet; identification of "Geo. IV" follows in red ink. Date "June 1820" written in lower right corner. Printmaker name "Robt. Crknk.[?]" added in pencil in lower left. Typed extract of four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. Beneath the title is etched, "dedicated to the illustrious Inheritress of her fame in Professors of Arts & Sciences, the University of Cambridge O Matre pulchra Filia pulchrior!" Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"The Duke of York sits on a settee with a courtesan on each knee, Mrs. Clarke (left) and (presumably) Mrs. Carey (right). One foot rests on large volumes of 'Army Accompts'; by the other is a smaller book: 'Ovid Art of Love'. A chair is overturned; the Duke's (broken) sword transfixes a paper: 'Promotions, My Foot Boy' [Carter, see British Museum Satires No. 11223], 'Foster 200 ... 150, Smalcroft200....' [see British Museum Satires No. 11227]. On a round table are decanters, fruit, a stand of jelly-glasses. Above the Duke hangs a picture of the Prodigal Son watching swine at a trough, inscribed: 'I will Arise and Go To my Fa[ther]'. Mrs. Clarke, unnoticed by the Duke, makes a sign to Wardle (right) who enters the room holding out a paper: 'The Duty which I Owe to my Country is Paramount to Every Other Concideration' [the tenor of the opening of his speech of 27 Jan. attacking the Duke). He is followed by a crowd of shadowy figures carrying a gibbet, an axe, and a statue of Justice."--British Museum online catalogue
Alternative Title:
Beggars opera : Act 2, Scene 1
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Missing text supplied from impression in the British Museum., and Mounted opposite page 14.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Gay, John, 1685-1732.
"The Queen, not caricatured, sits regally in an armchair beside an ornate marble and gilt table, on which are dishes of fruit. Next her is a dish of pears. She holds a (bitten) pear near her mouth; in her left hand is a rolled document inscribed 'Defence' from which hang two pears on a forked twig. She says meditatively: "I do love these Pears! but I hate the English Pairs* [peers]." Above her is looped a heavy fringed curtain. The 'trial', see British Museum Satires No. 13825, is assumed to be proceeding badly for the Queen. Cf. in British Museum Satires No. 13900 the contrary assumption. For the Queen and Bergami see (e.g.) British Museum Satires No. 13731. Fruit-sellers in London cried 'Bergami pears and Caroline Apples'. 'Letters of Countess Granville', 1894, i. 172."--British Museum online catalogue, description of an earlier state
Alternative Title:
Choice fruit!!
Description:
Title etched below image., Later state, with alternative title etched on plate. For an earlier state with this alternative title in manuscript only, see no. 13869 in the Catalogue of prints and drawings in the British Museum, v. 10., Approximate date of publication from watermark., Publication date of 1 October 1820 is noted in the British Museum catalogue entry for an earlier state., Sheet trimmed within plate mark., Watermark: Weatherley & Lane 1820., Mounted to 58 x 39 cm., Mounted on leaf 88 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Q. Caroline" identified in ink below image; date "1821" written beneath lower right corner of image. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, Piccadilly No. 41
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
Queens, Adultery, Fruit, Pears, Tables, Documents, and Draperies
"Caricature with Caroline and Brougham with a broom standing accusing the Committee who cower back."--British Museum online catalogue
Alternative Title:
Caroline's Wood-en Brougham to sweep the filthy committee room, Caroline's wooden broom to sweep the filthy committee room, and Caroline's wooden Brougham to sweep the filthy committee room
Description:
Title etched below image; the second letter "o" in "broom" is scored through and the letters "ugha" inserted above the line with a caret, forming the name "Brougham.", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 31 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Wood," "Caroline," "Sidmouth," and "Liverpool" identified in pencil in lower margin; date "July 1820" written in ink in lower right.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wood, Matthew, Sir, 1768-1843, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Sidmouth, Henry Addington, Viscount, 1757-1844
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
