Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 45 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.9 x 18.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 April 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 43. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a mountain-top, looking away to left, her hands tucked under her apron, wearing a gown with a laced bodice, fichu and a soft hat, with a shaggy dog beside her to right and a little boy chasing a butterfly in front of her, with a church at the foot of mountains in the background to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 43 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.4 x 17.4 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs April 30th, 1772, by J. Bretherton, No. 134 New Bond Street
From the Collection: Hanbury-Williams, Charles, 1708-1759
Published / Created:
1584 1717
Call Number:
LWL MSS 7
Container / Volume:
box 48, folder 11
Image Count:
37
Description:
The volume consists of five separate documents bound together; they are unrelated in hand, format, date, and topic though four of the five concern Ireland. Further content description and analysis was supplied at the item level by David Brown, Department of History, Trinity College Dublin, in December 2023.
The volume is in a stiff-board binding covered in brown paper with a blue cloth spine, with printed CH-W and Phillipps number labels on the spine. The Hanbury-Williams volume number is 42; the Phillipps number is 11409.
From the Collection: Hanbury-Williams, Charles, 1708-1759
Published / Created:
1717–1719
Call Number:
LWL MSS 7
Container / Volume:
box 52, folder 25
Image Count:
84
Description:
Charles Williams was a native of Caerleon, and had a successful career in Smyrna when he fled Wales after killing his cousin in a duel. He returned to London as a financier in the 1690s and befriended John Hanbury. When he died in 1720 he left his estate to Hanbury, who entailed it for his son Charles, who then took the name Hanbury-Williams. For further information, see The Hanburys of Monmouthshire by Richard Hanbury Tenison (1995), chapter 4. and A volume of letters bound in gold-tooled and stamped green vellum, with a printed CH-W number label (and evidence of a Phillipps label, now missing) on the spine. The Hanbury-Williams volume number is 46; the Phillipps number is 10893.
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
A volume of etchings by three daughters of art collector John Ingram (1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli. Most of the prints bear the monogram of one of the Ingram sisters and are dated 1816 -1821. The works include images after Rembrandt, Ostade, Pietro Novelli, and other artists, Continental views, views of Hartlepool and Newcastle, and a vignette after Bewick. Also included is an image signed "IG' and dated 1824
Alternative Title:
Etchings
Description:
Title devised by cataloger., Date of album based on internal evidence., With a manuscript gift inscription to front free endpaper, dated 1867., Bound in dark half morocco., and For further information, consult library staff.