Manuscript, in a single hand, of a collection of about 390 entries in verse and prose, which present satirical as well as sentimental and elegiac perspectives on the subjects of love, women, religion, and death. Titles include A reflection on death; On the death of a mother; Written in consequence of the execution of a young man for forgery, by Mrs. Taylor; Hymn by Miss Scott; To a lady who sung in too low a voice; On kissing; On female neatness after marriage; Advice to a young lady lately married; Unbeliever's creed; Sir Isaac Newton's creed; and numerous humorous epigrams and epitaphs. Several anonymous poems are labeled "Forton Prison" and dated 1795; the collection also includes poems by Tobias Smollett, Samuel Bishop, Samuel Rogers, Samuel Butler, and William Cowper
Description:
In English., 16-page index at beginning of manuscript., Title from title page. Also on title page: Vol 1., Laid in: newspaper clipping from the Daily Telegraph dated April 16, 1974., and Binding: half calf over paper-covered board; back cover missing. In gilt on spine: Gleanings.
Elegiac poetry, English, English wit and humor, Epigrams, Epitaphs, Occasional verse, English, Sentimentalism in literature, Verse satire, English, Women authors, Women, Conduct of life, and Religious life and customs
Manuscript, on paper, in a single hand, of a genealogy of the rulers of England from Brutus and Julius Caesar to James I, containing short biographies of each individual and illustrated with their emblazoned coats of arms
Description:
In English., Spine title: Arms of the Nobility of England. MS. 1042-1619., Script: English secretary hand., Decoration: more than 600 emblazoned coats of arms, in full color., and Binding: nineteenth-century full polished calf, by Clarke & Bedford.
Subject (Geographic):
Great Britain., Great Britain, Connecticut, and New Haven.
Subject (Topic):
Heraldry, Kings and rulers, Biography, Genealogy, Manuscripts, Renaissance, and Nobility
Manuscript on parchment (many holes and repairs) of Bede's Ecclesiastical History of the English People
Description:
In Latin., Script: Written by several hands of different appearances, perhaps by scribes of varying ages or at different dates. The scripts range from rounded to angular minuscule., Plain orange initial, 7- to 2-line; heading and chapter notations (in margins) in same shade. Guide-letters and notes for rubricator., and Binding: 16th-17th centuries (?). Sewn on three supports laced into wooden boards. The spine is slightly rounded and lined, the lining extending onto the inside of the boards. Covered with white pigskin, blind-tooled. Two fastenings, the catches on the upper board. On the fore-edge of the lower cover is a notation contemporary with binding: "Gesta anglorum bede." Appears to have been bound at the Benedictine abbey of St. Martin of Spanheim in the diocese of Mainz.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Bede, the Venerable, Saint, 673-735.
Subject (Topic):
Church history, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154
Published / Created:
[between 1175 and 1250]
Call Number:
Beinecke MS 590
Image Count:
278
Resource Type:
unspecified
Abstract:
Manuscript on parchment (sheepskin?) of 1) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. The text, containing the double dedication, to Robert of Gloucester and Waleran Count of Mellent, and wanting the epilogue addressed to Henry of Huntingdon and William of Malmesbury, is believed to be the earliest version of Geoffrey of Monmouth's work. 2) Unidentified French poem of which the end is missing (1276 verses preserved), on the vanity and corruption of the world. 3) Le Roman des Romans
Description:
In French and Latin., Script: Art. 1: Copied by one hand, writing a large Praegothica. Art. 2: Copied by a single hand in early Northern Gothica Textualis Libraria. Art. 3: Copied by a single hand in early Northern Gothica Textualis Libraria., Art. 1: The decoration consists of Romanesque flourished (in one or two colours) or plain initials (2 lines, on f. 1r 4 lines), alternately in red and green. Guide-letters in the margins. On f. 55r, at the beginning of the history of Merlin, a male bust is drawn in the margin., and Binding: Original white leather over rounded oak boards; spine with four raised bands. Marks of one strap fixed to the front cover and clutching over a pin in the rear cover. The front pastedown (detached) consists of fragments of a court roll (from a trial of 1334), identified by N.R. Ker (note kept in the documentary folder in the Beinecke Library) and copied in Gothica Cursiva Antiquior (Anglicana).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Holograph diary tracing 6 months of Cornwall's extended foreign tour in the company of Henry Venn Elliott, his tutor at Trinity College, Cambridge. This volume covers his journey from Pisa through various Italian cities and his subsequent travels to Bari, Corfu and Albania. Cornwall's entries for Pisa, Florence, Rome and Naples are largely detailed description of the artworks, buildings, antiquities and museums he visited daily. He devotes over 30 pages to the Pitti Palace, for example, and lists the books and manuscripts he was able to view at the Riccardi Palace. In Rome, Cornwall also toured the Vatican Library, taking particular note of Henry VIII's letters to Anne Boleyn; attended Roman Catholic services, the profession of a nun, and Carnival; and took a series of guided walks through the city. His visit to Naples included extended tours of Pompei and Herculaneum and of the Naples museum of antiquities, where he observed archaeologists' efforts to unroll and preserve scrolls found at Herculaneum and In Corfu, Cornwall and Elliott met with Sir Thomas Maitland, British governor of the Ionian Islands, and obtained letters of introduction to Ali Pasha and advice on travel in Albania. Cornwall describes the great palace of Ali Pasha at Janina; records two lengthy interviews with Ali Pasha and details his dress and manner; comments on introductions to young men "who belonged to Ali's harem of boys;" and notes his disappointment at failing to see the seraglio. The volume ends as Cornwall's party sets out from Arta
Description:
Alphabetical index of placenames at back of volume., Volumes 1 and 3 not present., Inscribed on verso of front flyleaf: "Alan Cornwall. From his aff. friend H. V. Elliott. Pisa, Nov 15th, 1817.", and Binding: contemporary leather.
Ali Pașa, Tepedelenli, 1744?-1822., Byron, George Gordon Byron, Baron, 1788-1824, Cornwall, Alan Gardner, 1797-1874., Elliott, Henry Venn, 1792-1865., Maitland, Thomas, Sir, 1759?-1824., Biblioteca apostolica vaticana., Catholic Church, Palazzo Medici Riccardi., and Palazzo Pitti.
Subject (Topic):
Influence, Customs and practices, Grand tours (Education), Travelers' writings, English, Description and travel, Social life and customs, Antiquities, and Festivals, etc
Holograph diary of a stay in Brussels and France after the Battle of Waterloo. Many of the author's observations reflect the recent battle; she reports, for example, on the celebrations in Brussels when its inhabitants receive news of Napoleon's surrender; provides news about various acquaintances in the military as well as other military news after the Battle of Waterloo; and describes Paris as "a military camp for all the nations of Europe." She also makes numerous comparisons between French and English culture, as when she views a play at the Theatre Francaise and comments on the lighting techniques in French playhouses as compared to those in England. Elsewhere, she views as statue of King Henri IV and comments on his reign; vists the porcelain manufactory at Sevres; and describes acquaintances she makes in Brussels. The diary concludes with her road journey from Boulogne to Calais, where she meets several friends, and then to Dover, At the end of the volume is a table of inns in which the author stayed, and The work is the second volume of a set; see Osborn d186 for the first volume in the set. The author's diary was published in 1817
Description:
In English., Title from title page., Autograph on flyleaf: Jane Waldie., Written inside front cover: No. 118., and Binding: quarter red morocco.
Subject (Geographic):
France, Great Britain, and Belgium
Subject (Name):
Eaton, Charlotte Ann (Waldie), 1788-1859., Henry IV, King of France, 1553-1610., Napoleon I, Emperor of the French, 1769-1821., Waldie, John, 1781-1862., and Watts, Jane (Waldie), 1793-1826.
Subject (Topic):
Theater, Travelers' writings, English, Waterloo, Battle of, Waterloo, Belgium, 1815, Women authors, Description and travel, and Social life and customs
Manuscript, in a single hand, of a daily journal recording the events of Waldie's daily life. He goes on daily excursions with his family and describes the landscapes and estates they visit; mentions teas, dinners, dances, and singing with acquaintances; plays card games; records and reviews books he has read, including Aaron Hill's Zara and Maria Edgeworth's Belinda; and frequents the theater. In describing the plays he attends, he provides the names of the actors, including those of Sarah Siddons and Priscilla Kemble, and reviews their performances
Description:
John Waldie (1781-1862) was the administrator of Hendersyde Park at Kelso, Roxburghshire, Scotland. While a student at the University of Edinburgh, he began to keep daily journals recording his extensive travels and his observations of theaters, museums, and concert halls. An accomplished tenor, Waldie performed at private entertainments with Angelica Catalani, Michael Kelly, and John Braham; met with the composer Gioachino Rossini; and socialized with such well-known actors as John Philip Kemble and Sarah Siddons. Waldie also served on the committee of the Theatre Royal, Newcastle, as one of its proprietors. He was the brother of Jane (Waldie) Watts (1793-1826) and Charlotte (Waldie) Eaton (1788-1859), whose diaries are cataloged as Osborn d182, Osborn d186, and Osborn d187., In English., Pasted at beginning of manuscript: floor plans "made by J. Waldie in 1802 for Hendersyde Park House the uppermost nearly as adopted in 1803.", Pasted inside front cover: bookplate of John Waldie, Hendersyde., Title from title page., and Binding: half calf over marbled boards.
Subject (Geographic):
Great Britain and Scotland
Subject (Name):
Eaton, Charlotte Ann (Waldie), 1788-1859., Edgeworth, Maria, 1767-1849., Hill, Aaron, 1685-1750., Kemble, Priscilla, 1756-1845., Siddons, Sarah, 1755-1831., Waldie, John, 1781-1862., Watts, Jane (Waldie), 1793-1826., and Waldie family.
Subject (Topic):
Theater, Social life and customs, and Description and travel
The diary is concerned mostly with fashionable life in London, containing many lists of guests, descriptions of parties, masques, and "revels," details of evening dress and costumes, and sometimes sharp commentary on incidents such as waiting for her carriage for half an hour because her servants had been given "tickets for beer" by her hostess. De Crespigny sometimes quotes conversation extensively. The diary also details a trip to Brighton, where the writer was deeply offended at not being asked to dine at the Pavilion
Description:
Mary Champion de Crespigny (1750-1812) was married to the Admiralty official (later baronet) Claude William Champion de Crespigny. She entertained a fashionable Naval and court circle that included the Prince of Wales, and also published at least one novel, as well as a poem in tribute to Lord Collingwood (1810)., Phillipps MS 11956., Annotated on inside front cover: Journals in continuation of the year 1809., and Binding: marbled paper over cardboard, with title: Journals 1809 and 1810.
Subject (Geographic):
Great Britain
Subject (Name):
De Crespigny, Claude Champion, Sir, d.1818. and De Crespigny, Mary.
Subject (Topic):
Upper class, Social life and customs, Women authors, and Brighton (England)
Manuscript, in a single hand, of a letter from Wilkie asking Lady Holland to accept his gift of "two small and imperfect sketches, made from recollection, on my way back from Falmouth, of the two Portraits by Vandyke, of the Earl of Warwick and the Earl of Holland." He explains that the portraits will interest Lady Holland for "having been painted in Holland House." The letter is accompanied by the two watercolor sketches mentioned in the letter, which are signed and dated 1834
Description:
In English.
Subject (Geographic):
Great Britain., England., and Great Britain
Subject (Name):
Holland, Elizabeth Vassall Fox, Lady, 1770-1845., Holland family., and Wilkie, David, Sir, 1785-1841.
Subject (Topic):
Art, Letters, Portrait painting, Watercolor painting, and Social life and customs