Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1490 and 1500]
Call Number:
Beinecke MS 4
Image Count:
127
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale
Description:
In Latin., Watermarks: unidentified bull's head., Script: Text written by one person in humanistic script; numerous marginal and interlinear notes in a slightly later hand., Many ornamental capitals of various sizes, 9- to 3-line, in red and blue with purple penwork, mark each section of text; some with pale shades of yellow, peach, and purple as background. Rubrics (except toward end); red, blue, and yellow paragraph marks., and Binding: between 1490 and 1500. Original sewing on three tawed, slit straps, kermes pink, laced through tunnels in the thickness of wooden boards into rectangular channels on their outer face. Twisted, tawed cores of plain, wound endbands laid in grooves. All supports pegged and gypsum (?) used to fill in around them. Spine lined with brown calf, wanting except under endband tie-downs. Covered in brown calf, blind-tooled with a rope interlace panel border. Corner turn-in tongues. Two catches on lower board, stubs of straps on upper. Boards worm-eaten and detached and most of the cover wanting. Minor repairs to endleaves and headband made ca. 1976.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Confession, Catholic Church, Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript contract, signed, in the hand of William Smith, between Smith and Andrew C. Barnett, for relocation of one hundred sixty enslaved African American plantation workers and farming property owned by Smith from his plantations in Alabama to his plantations in Louisiana
Description:
William Smith (1762-1840), plantation owner and member of the Alabama House of Representatives, 1836-1840. and In English.
Subject (Geographic):
Alabama., Louisiana., Louisiana, and United States
Subject (Name):
Barnett, Andrew C. and Smith, William, 1762-1840.
Subject (Topic):
African Americans, Farmers, Slavery, History, Economic conditions, Social life and customs, and Politics and government
Manuscript fragment on parchment of Conversio Sanctae Justinae
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: only six lines of the homily initials "I" are preserved; the shaft of the letter is half red and half yellow on a geometric ground of blue and pale purple, with vine-stem decoration in red; 1-line initials are in brown uncials with occasional rustic capital forms (D, Q, M) and enlarged minuscule forms (n); punctuated with the punctus and the punctus interrogativus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Saints, and Lives and legends
In Bohairic Coptic, Arabic, Script: Uncial Coptic script. Purple, teal, and black ink., Some marginalia and later redactions. 5 leaves excised at the end of MS., Binding: 19th century leather binding with "Coptic & Arabic Grammars" on spine., and From the collection of Rev. Johann Rudolph Theophilus Lieder (1797-1865). His collection of antiquities was purchased by William Tyssen-Amherst, First Baron Amherst of Hackney, for £200. Note on the inside of the front cover: “This volume contains a set of Coptic = Arabic Grammars. I obtained it from the Rev. Jn. Lieder at Cairo - 16th April 1858.” Contains a stamp from the Allan Library (~1891). Bookplate and de-accession stamp from the London Library, St. James' Square, on the front cover. In use in the London Library at least during the 1920's.
Manuscript fragment on parchment of a copy of a judician decision concerning Jacobus the bishop of Senigallia and the monasteries of S. Iohannes peneclaria and S. Iacobus in burgo, both in Ancona
Description:
In Latin., Script: written in notarial script by the notary Johannes, son of Julianus., and Decoration: The document begins with a flourished initial "I"; 1-line initials are in brown; the notary's sign is in the center of the lower margin; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a nearly contemporary copy of an extract from a Coram Rege Roll, involving Iohannes de Burgh, his wife Sibilla, and Nicholas de Burgh; concerns property dispute in West Bagborough (Somerset).
Description:
In Latin., Script: Written in English secretary script., and Badly mutilated with loss of text; stains along left margin suggest it formerly served as a flyleaf.
Subject (Geographic):
Great Britain., Connecticut, New Haven., and Somerset (England)
Subject (Topic):
Common law, Legal documents, and Manuscripts, Medieval
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of an alchemical text containing an excellent copy of the poem beginning "Unter den sieben Planeten bin ich Sol genannt ..." with associated prose commentaries, as first seen in MS 94. Decorated with a fine frontispiece and elegant head- and tailpieces all drawn in a copperplate style, as well as a series of pen-and-wash drawings depicting alchemical processes emblematically within circles, often surmounted by crosses
Description:
In German and Latin., Script: Calligraphically written in brown inks in a delicate Fraktur with some words or passages in cursive and with title pages in red and brown in elaborate gothic scripts., Watermarks: Written throughout on paper with a "PRO PATRIA" watermark, similar to Heawood 3696-3718, but countermarked with letters "CMH" (? in folds and uncertain)., and Binding: Original or contemporary binding of brown calf, the sides with a blind-impressed border of small tools, partly covered by a single gold rule, the back in six compartments decorated with gold-stamped small tools in a floral pattern, the second compartment from the top stamped directly with "BUCH DER WEISH" and the next compartment below with "MS." Edges peckled red over gilding.
Manuscript on paper of an alchemy in verse with an extended prose commentary
Description:
In German and Latin., Script: Calligraphically written by a single hand in an elegant German Fraktur, the Latin passages in cursive, both sloping to the right., Watermarks: Fine Dutch paper watermarked with a cartouche with the inscription "C. & [?] HONIG" below, comparable to Heawood 3347 (1724-1726), but judged to be somewhat later., and Binding: Original German binding of mottled dark brown calf, sides plain, back in compartments with gold tooling imitative of French work, citron morocco title label with gold lettering in gothic characters, "Das geheime Buch der Weisheit," and blind impression in the compartment below of a second label now missing, lettered "1. 2. 3. 4." Red edges: pastedown and facing side of flyleaves at front and back marbled in red.