Four monkeys in human dress form a quartet and give a concert, one singing, the others plating a piano, guitar and flute
Alternative Title:
Little music
Description:
Title etched above image., Print signed using William Heath's device: A man with an umbrella., Date of publication from dealer's description., Sheet trimmed within plate mark., One line of quoted text below image: "What softer sounds are these salute the ear, as if the center of all sweets met here? Ben Johnson., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Monkeys, Musicians, Musical instruments, and Animals in human situations
"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue
Description:
Title etched below image., Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 35 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 8 of 14 volumes.
Publisher:
Pub'd Augst. 30th, 1802, by R. Ackermann, No. 101 Strand
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820., 1 print : etching with stipple on wove paper ; sheet 33.6 x 45.4 cm., Sheet trimmed within plate mark on two edges., and Mounted on leaf 20 of volume 2 of 12.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 35.8 x 46.1 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 22 of volume 2 of 14 volumes.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue
Alternative Title:
Chelsea Reach
Description:
Title etched below image., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from impression in the British Museum., Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boats: shallop -- Chelsea -- Flute -- Watermen -- Buildings: Battersea Church., 1 print : etching on wove paper, hand-colored ; sheet 18.6 x 27 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 3 of 14 volumes.
Manuscript, on paper, in several unidentified hands, containing a collection of 30 astronomical treatises and instructions for the creation of musical and matematical instruments, such as the organ, clavichord, Turkish instrument, cylindrical clocks, sundial, astrolabe, etc. Texts include treatises by Franco de Polonia, (Pseudo-)Bede, Johannes Symonis de Zalandria, Johannes de Lineriis, Petrus Peregrinus of Maricourt, and Gerardus Cremonensis. Number 2 of 4 titles bound together
Alternative Title:
Manuscripts, composed of astronomical and mathematical texts and instructions for making musical instruments written down by two different scribes [i.e. Yale Medical Historical Library Manuscript 25]
Description:
In Latin., Title devised by cataloger., Script: Gothic cursiva., Decoration: Ample rubricated mathematical tables and diagrams. Two- to four-line capital letters in red ink. Rubrication., Layout: 1 column of 35 lines., Binding: 16th-century red blind-tooled leather on wooden boards. Rebacked in the 19th century. Two clasps closing on the top cover., Locally also referred to as Manuscript 25., Foliation in modern ink; starting at f. 1., and Also available on microfilm.
Subject (Topic):
Astronomical Instruments, Astronomy, Mathematics, and Musical instruments
A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Alternative Title:
Negroes dance in the Island of St. Dominica
Description:
Titles engraved below image, in French and English., Approximate date of publication from dealer's description. A slightly later date in the 1780s is suggested by the active dates and street address information listed for the publisher Depeuille in the British Museum online catalogue., Sheet trimmed within plate mark., and Dedication engraved beneath titles: ... is humbly dedicated to the Honble. Charles O'Hara, Brigadier General of His Majesty's Army in America ... by his most obedt. & dutiful servt., A. Brunias.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, et au Palais Royal au Pavillon près le bassin
Subject (Geographic):
Haiti.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
"A staff dinner in a large open tent. At the head of the table the Duke of York carouses; a fat Flemish woman seated on his knee plays with his sword; he raises a full glass, looking down at the woman. He is seated on a drum, his left foot rests on a tattered British flag, beside which lies a bundle of muskets. On the table is a punchbowl ornamented with the royal arms. On one side (next the Duke) sits the Prince of Orange, a fat and stolid Dutch officer smoking a pipe and holding a small tankard. Facing him is a savage-looking (?) Austrian officer wearing a cap; his drawn sabre is on the table, he drinks wine voraciously from a bottle, his left arm round the waist of a stout Flemish woman seated beside him on the cannon which forms a seat; she raises her glass, holding a smoking pipe. Next the Dutchman a British officer and a fat Flemish woman are kissing. Behind the seated officers stand bandsmen wearing cocked hats and blowing wind instruments with great energy; a negro clashes his cymbals behind the Duke. On the extreme right two files of gaunt and emaciated British foot-guards advance behind the Duke carrying wine-bottles, glasses, and a punch-bowl, also with the royal arms. Empty bottles are stacked under the table. Behind (left), a file of conical tents recedes in perspective; the three flags which fly from them are British, Austrian, and Hanoverian. Dutch and Austrian officers are caricatured, but not the Duke, who is handsome and florid. The Flemish women with their wide straw hats are studies of type and costume."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., 1 print : etching with engraving & stipple engraving on wove paper, hand-colored ; plate mark 35.0 x 50.3 cm, on sheet 40.0 x 56.0 cm., and Mounted on leaf 55 of volume 8 of 12.
Publisher:
Publish'd May 20th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and William V, Prince of Orange, 1748-1806
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 January 1768]
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 79. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on pretensions to elegance showing a fine room in which a thin elderly dancing master teaches a stout young woman to dance, while an older woman sitting behind watches them. A man sits strumming a guitar to the left, books and sheets of music lie on the floor; a monkey plays with a fan; a little dog capers on its hind legs behind the dancing pair. On the wall behind are two pictures in ornate frames, one of a dancing couple and the other of a bear dancing with its keeper."--British Museum online catalogue
Description:
Title etched below image., Printmaker and publisher identified as Matthias Darly in the British Museum online catalogue, registration no.: J,5.80., Initial letters of publisher's name in imprint form a monogram., Imperfect; sheet trimmed within plate mark with loss of imprint statement and plate number. Missing text supplied from impression in the British Museum., Plate numbered "66" in upper right corner., Temporary local subject terms: Dancing lessons -- Music-books -- Bear-leaders -- Pictures amplifying subject -- Female costume -- Male costume -- Dancers., and Bound in opposite page 79 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
