"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 26.6 x 36.9 cm, on sheet 30.4 x 40.7 cm., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 71 of volume 5 of 12.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
Print shows personifications of Europe, Africa, America, and Asia pointing their fingers at a blushing Britannia paying penance for corruption atop a stool of repentence along with Princess Caroline of Brunswick-Wolfenbüttel; King George IV; Robert Banks Jenkinson, 2nd Earl of Liverpool; Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh); Henry Addington, 1st Viscount Sidmouth; and Arthur Wellesley, 1st Duke of Wellington. A crowd of mostly women is gathered under the stool, some with glasses and bowls and "Political caricature on the Royal Divorce: George IV and Caroline sit with the cabinet on a stool, mocked by the four Continents, while Britannia blushes; below a waterfall of Corruption falls to pollute Westminster."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Wellington," "Q. Caroline," "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink within image.
Publisher:
Published Jany. 10, 1821, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westminster Palace (London, England),
Subject (Topic):
Britannia (Symbolic character), Symbols, Corruption, Punishment devices, Punishment & torture, Politicians, Embarassment, Bowls (Tableware), and Drinking vessels
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning"., 1 print : etching ; plate mark 39.1 x 25.8 cm, on sheet 40.3 x 26.7 cm., Printed on wove paper with watermark "J. Whatman 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 28 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With manuscript annotations within image that identify several of the persons depicted. The figures of "Sidmouth," "Liverpool," and "Caroline" are identified in red ink; "Londondery [sic]" and "Brougham" in black ink; and "Canning" in pencil. Date "June 1820" added in black in ink lower right. Typed extract of forty lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.3 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.9 x 24.1 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 11 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Leach," "Eldon," "Sidmouth," and "Liverpool" identified in ink below image; date "6 Nov. 1820" written in lower right corner. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., 1 print : etching ; sheet 24.2 x 34.9 cm., Printed on laid paper with watermark; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 22 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "George IV," and "Caroline" identified in pencil in lower margin. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., 1 print : etching on wove paper, hand-colored ; plate mark 26.0 x 36.0 cm, on sheet 30.7 x 40.9 cm., Watermark: J. Ruse., and Mounted on leaf 8 of volume 6 of 12.
Publisher:
Pubd. July 16th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Wilberforce, William, 1759-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Dundas, Henry, 1742-1811, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Erskine, James Francis, 1743-1806, and Kinnaird, Charles Kinnaird, Baron, 1780-1826
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
"Caricature on the trial of Queen Caroline: the King enthroned amid loyal subjects, while Radicals light a mortar full of suits aimed at them."--British Museum online catalogue
Description:
Title from text below image., Date of publication from the British Museum online catalogue, registration no.: 1983,0305.51., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.4 x 39.1 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 93 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Geo. IV," "Clarence," "Liverpool," "Sidmouth," and "Ald. Wood" identified in ink below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Politicians, Mortars (Ordnance), Thrones, Lions, Anchors, and Cannon balls
"Pitt stands in the House of Commons, facing the Opposition benches; he causes a tremendous explosion by uncorking a bottle containing the bloated and scowling face of Sheridan, whose hair swirls up into the neck of the bottle. He stands like a waiter with a napkin, marked with a crown and 'GR', under his left. arm; the bottle is between his bent knees, and in his right. hand is a corkscrew, held directly over the bottle. Similar bottles, corked and labelled, stand on the Opposition benches. In the foreground, facing Pitt, are bottles containing the heads of (l. to r.) Tierney, labelled 'a Glass of All-Sorts', Fox, labelled 'True French Wine' [see BMSat 9735, &c], Windham, labelled 'Brandy and Water', and in profile to the left., Grey, labelled 'Goosberry Wine'. All look up at Pitt with anxious melancholy. Rows of bottles recede in perspective on the back benches; only three contain heads: a melancholy profile (see BMSat 10372) of Burdett, labelled 'Brentford Ale' [the polling place for Middlesex], Erskine, labelled 'Spruce Beer' [frothy explosive stuff], and behind these two a partly concealed profile labelled 'Elder Wine'. Next Burdett is a bottle of 'Whitbreads Small-Beer'. Another bottle is labelled 'Mum'. On the ground behind Pitt lies an open bottle of 'Medicinal Wine' spilling its contents, and containing the head of Sidmouth (Addington, see BMSat 9849), with closed eyes suggesting death rather than sleep. Behind, on the extreme left., is part of the Speaker's chair, only a portion of wig being visible. The violent explosion spreads across the upper part of the design; it contains the words 'Bouncings', 'Growlings', 'Fibs! Fibs! Fibs', 'Abuse', 'Abuse', 'Damn'd Fibs', 'Invectives', 'Old Puns', 'Groans of Disappointment', 'Stolen Jests', 'Invectives', 'lame Puns', 'Invectives', 'Loyal Boastings', 'Dramatic Ravings', 'Low Scurrilities', 'Stale Jokes', 'Fibs, Fibs, Fibs! Egotism'. [Commas have been added.] Below the design: " - the honble Gentm tho' he does not very often address the House, yet when he does, he always thinks proper to pay off all arrears, & like \ "a Bottle just uncork'd bursts all at once, into an explosion of Froth & Air; - then, whatever might for a length of time lie \ "lurking & corked up in his mind, whatever he thinks of himself or hears in conversation, - whatever he takes many \ "days or weeks to sleep upon, the whole common-place book of the interval is sure to burst out at once, stored with \ "Studied-Jokes, Sarcasms, arguments, invectives, & every thing else, which his mind or memory are capable of embracing \ "whether they have any relation or not to the Subject under discussion - See Mr P-tts speech on ye Genl Defence Bill."--British Museum online catalogue
Description:
Title etched in bottom part of image. and Mounted on leaf 4 of volume 6 of 12.
Publisher:
Publishd. March 10th, 1805, by H. Humphrey, St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Burdett, Francis, 1770-1844
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.3 x 36.2 cm, on sheet 30.3 x 41.1 cm., and Mounted on leaf 28 of volume 6 of 12.
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
