Manuscript on parchment containing emblematical drawings related to horology and astrology, and astrological tables, each section opening with an elaborate title page
Description:
In Latin, Hebrew, and Greek., Script: Written epigraphically and always with great calligraphic skill in a variety of styles by a single practiced hand, possibly the same which executed the drawings., Each page of the manuscript has a pen-drawn border on the recto side, containing an emblematical drawing, or complex calendrical or horological drawing, executed in pen and heightened with gold and silver., and Binding: Original calf binding, now rather deteriorated, the sides very elaborately gold-tooled in a multiple rectangle pattern, the large innermost rectangle with a series of circles containing floral ornaments, similar half-circles at the edges, the back in compartments with floral decoration; marbled endpapers, plain edges.
In English., Script: Written in a careful cursive hand sloping slightly to the right in a single column 170 x 110 mm without bordering lines or ruling. the text has been partly corrected by another hand and with significant marginalia throughout by this hand in inks of different hues., Watermarks: Paper watermarked with a crowned coat of arms, probably a Dutch paper not certainly identified., Binding: English binding of diced brown Russia leather, a border of gilt dots around the edges of the covers, inside and out, the backstrip in compartments similarly treated, original title label on second compartment from top gold-lettered: "Anonimo Manuscritto di un Vero Adepto." Plain edges. Hinges and corners repaired., Tome 1: 1 smaller leaf 220 x 140 mm inserted after first leaf of index., and Tome 2: 1 smaller leaf 190 x 112 mm inserted after page 157.
"Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7
Description:
Title from text engraved above image., Verses, attributed to John Hoadly, below image in three columns, four lines each: His hours of joy are fled with rapid speed, And scenes of anguish in a jail succeed ... Can his person from restraint enlarge., The seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and "Plate 7."--Lower right below design.
Publisher:
Published with the consent of Mr. William Hogarth by Tho. Bakewell
"Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge; with decorative border on either side; after Hogarth.--From another edition, British Museum online catalogue
Alternative Title:
[Rake's progress]. Plate 7 and His Hours of Joy are fled with raipd speed, ...
Description:
Added title from Paulson., "Plate 7."--Lower right below design., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., See: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 138., and Matted to: 34 x 46 cm.
Publisher:
Printed for Robt. Sayer & Co., Fleet Street, London
Manuscript on paper of an alchemical text containing an excellent copy of the poem beginning "Unter den sieben Planeten bin ich Sol genannt ..." with associated prose commentaries, as first seen in MS 94. Decorated with a fine frontispiece and elegant head- and tailpieces all drawn in a copperplate style, as well as a series of pen-and-wash drawings depicting alchemical processes emblematically within circles, often surmounted by crosses
Description:
In German and Latin., Script: Calligraphically written in brown inks in a delicate Fraktur with some words or passages in cursive and with title pages in red and brown in elaborate gothic scripts., Watermarks: Written throughout on paper with a "PRO PATRIA" watermark, similar to Heawood 3696-3718, but countermarked with letters "CMH" (? in folds and uncertain)., and Binding: Original or contemporary binding of brown calf, the sides with a blind-impressed border of small tools, partly covered by a single gold rule, the back in six compartments decorated with gold-stamped small tools in a floral pattern, the second compartment from the top stamped directly with "BUCH DER WEISH" and the next compartment below with "MS." Edges peckled red over gilding.
Manuscript on paper of an alchemy in verse with an extended prose commentary
Description:
In German and Latin., Script: Calligraphically written by a single hand in an elegant German Fraktur, the Latin passages in cursive, both sloping to the right., Watermarks: Fine Dutch paper watermarked with a cartouche with the inscription "C. & [?] HONIG" below, comparable to Heawood 3347 (1724-1726), but judged to be somewhat later., and Binding: Original German binding of mottled dark brown calf, sides plain, back in compartments with gold tooling imitative of French work, citron morocco title label with gold lettering in gothic characters, "Das geheime Buch der Weisheit," and blind impression in the compartment below of a second label now missing, lettered "1. 2. 3. 4." Red edges: pastedown and facing side of flyleaves at front and back marbled in red.
Holograph manuscript on parchment and paper of Caspar Harttung vom Hoff of Gastein, Das Vade mecum, a commonplace book of alchemical and medicinal materials, consisting of mostly shorter prose and verse sections, often with excellent drawings, thirty-one in all, of alchemical equipment, written in 1557, and with additions written about fifty years later
Description:
In German and Latin., Script: Written in a small, neat gothic cursive, additions in a neat italic hand and a rather irregular and sometimes scrawling cursive gothic, both perhaps about 1625., and Binding: Nineteenth century. Straight-grained black morocco, gilt single-line perimetric border for each cover and spine, gilt dentelles, and border of the same tools at head and foot of spine, modern tan leather spine label, with legend: HARTUNG V. HOFF | VADE | MECUM | MANUSCRIPT | AUSTRIA 1557 |".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Harttung vom Hoff.
Subject (Topic):
Alchemy, Drawing, Handbooks, vade-mecums, etc, Manuscripts, Medieval, and Medicine
Manuscript on paper of John of Rupescissa, De consideratione quinte essentie, anonymously translated into German
Description:
In German., Script: Written by a very fine and bold German gothic cursive hand., Headings and capitals (a few decorated) in red throughout., and Binding: Original reddish brown polished leather over finely beveled wooden boards, troughs for two clasps and two spikes on front cover, each cover with five nipplelike wrought brass bosses, one at each corner and one in the center, the lower cover with two large brass roundels used to fasten the now-missing strap ties which emerged from the lower fore-edge; sides ruled to a simple geometric pattern, back with raised bands, the clasps now missing and the hinges cracked, but the binding sound.
Manuscript on paper of Andreas Oberlender, Probter Buechleln, 1532, an unsigned later copy executed about 1600, with a few additions. A metallurgical experiment book of the type circulated among those interested in alchemy, mining, and metallurgy in the 16th century, this text treats at length several minerals with a metallic luster such as marcasite, especially crystallized iron pyrites, which were often used ornamentally, in costume jewelry
Description:
In German., Script: Written by a single copyist writing a practiced German secretary hand, partly in a modified Fraktur, partly in a more italic cursive, and occasionally (as in the title page) in a formal gothic script; a few additions at the end in a later hand., Red inks used for tabular data and infrequent sketches of alchemical apparatus in the text., and Binding: Original stiff parchment over paper boards, remnants of two thong ties on the upper cover, slits for similar ties, now missing, on the lower cover; front cover lettered in very faded gothic script, apparently by the scribe: "PROBIER BUCH | ANDREAS OBERLENDER | 1532 |". A title has also been supplied by a modern hand in old style on the backstrip. Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oberlender, Andreas.
Subject (Topic):
Alchemy, German literature, Manuscripts, Medieval, Marcasite, and Metallurgy
