Woodblock depicting scene of the miracle of Christ stilling the wind and waves.
Description:
Accompanied by: Christmas card from "the Wilsons," dated 1930, containing a print made from the woodblock and attributing the block to a craftsman in the Netherlands, circa 1480., Binding: modern cloth case., Bookplate: Arthur and Charlotte Vershbow., Collection of Elmer Adler. Ex libris Arthur and Charlotte Vershbow., and Date uncertain.
Subject (Name):
Jesus Christ--Miracles--Art, Vershbow, Arthur--Bookplate, and Vershbow, Charlotte--Bookplate
Subject (Topic):
Christian art and symbolism, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Iacobus de Malvetiis (Jacopo Malvezzi, d. after 1432), Chronicon Brixianum. History of Brescia from its mythical foundation by Hercules up to 15 June 1332. With Prologue added ca. 1600.
Description:
Binding: Eighteenth century. Undecorated yellow parchment over pasteboard. On the spine dark red leather gold-tooled title label with inscription: “CRON. URB. BRIX. / PER MAG. JAC. / DE / MALVET. BRIX. / MS.” Below this label traces of an oval label. Endleaves in decorated paper printed with floral ornament in pink and gold., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., ff. 145-192 blank, not digitized., Guide letters and spaces for 2-line initials (for a 3-line initial on f. 1r and in some other places) have been provided; no initials were executed., and Script: Art. 2 is copied by one hand writing Humanistica Cursiva Currens (Libraria on the first pages), s. XVIin. Art. 3 is by another hand writing the same type of script (Currens). Art. 1 is written in Humanistica Cursiva Libraria s. XVI/XVII, most headings in art. 2 by the same hand in less careful script.
Subject (Geographic):
Brescia (Italy)--History
Subject (Name):
Malvezzi, Jacopo
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Marcus Tullius Cicero (106-43 B.C.), Paradoxa. 2) Prophecy in 11 verses added by a slightly later hand on the blank lower half of the page. The text is corrupt. 3) Two rhetorical exercises by an unrecorded author addressed to an emperor, who is praised with all possible exaggeration. 4) Astronomical or computistical table, recording for each month 3 up to 7 days, of which two are superscribed with a cross and an hour, the remaining ones only with the letter "p". The crosses are crutched crosses up to September inclusive, afterwards simple crosses. 5) Notes added by slightly later hands on a blank page; notes on ancient Roman abbreviations; various Latin names applied to the Greeks. 6) Ps.-Cicero, Synonyma, printed from 1487 onward, with 17th century Italian annotations, in the same hand as in art. 1, found in the margins of ff. 23v-25r. 7) Ps.-Sallustius, Invectiva in Marcum Tullium Ciceronem.
Description:
Binding: Twentieth century. Yellow parchment over light cardboard, with turned edges., Collection of Bernard M. Rosenthal, Berkeley, California (MS 211). Purchased on the Edwin J. Beinecke Fund., In the original parts all initials are missing; at the opening of art. 6 the upper half of f. 17r is blank (in view of a picture which was not executed?) and a later hand has entered a large and coarse initial “C” (8 lines) containing a human face; in that art. there are guide letters for the small initials which were intended to open each entry; a few of these initials were added afterwards. The initial planned at the opening of art. 7 is 6 lines high. The opening lines of art. 1 are in a large fanciful display script overdecorated with flourishes and almost illegible. There is some pale red stroking of the majuscules on ff. 68v, 69r and 70v., Script: The original parts are copied by two scribes: A copied art. 1 in Gothica Semihybrida Libraria/Currens; B, writing a bold Gothica Cursiva Formata with “northern” features and marked by lengthened and decorated ascenders on the top line, copied artt. 4, 6 and 7. The additional texts, copied on blank spaces or pages, are in badly shaped Humanistica Cursiva (art. 2), slovenly executed Gothica Semihybrida Currens (art. 3), Humanistica Cursiva (art. 5, [1] and [2]) and Gothico-Humanistica Cursiva (art. 5, [3] and [4])., and There are remnants of an early foliation in arabic numerals (17th century?) in the upper outer corner of the recto pages, starting f. 16 ("1").
Subject (Topic):
Latin letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Manuscript on parchment containing 1) Benedictus XII papa (1334-1342), Constitutio pro reformatione Ordinis Cisterciensis (1335), c. 1, first part. 2) Benedictus XII papa, Constitutio pro reformatione Ordinis Cisterciensis (1335), cc. 1 (second part) - 42. 3) Statutes of the General Chapter of Cîteaux of 1335. 4) Benedictus XII papa, Bulla "Regularem vitam professis", 4 July 1335. 5) Benedictus XII papa, Bulla "Pastor bonus diligens", 17 June 1335. 6) Statute of the General Chapter of 1422, c. 24. 7) Part of the statute of the General Chapter of 1422, c. 23. 8) Carta caritatis, a later version of the original constitution of the Cistercian Order. 9) Statutes of the General Chapter of 1317, incomplete at the end: cc. 1-13.
Description:
Binding: Blind-tooled white parchment over wooden boards, decorated with fillets in a frame and lozenges pattern. Spine with two raised bands., Foliation s. XVII in ink 2-109, but ff. 37-39 are missing., Script: The original text (artt. 2-5, 8, 9) is probably copied by a single hand (A) writing a small Gothica Textualis/Semitextualis Libraria. The additional texts are copied in 16th century hands: artt. 1 and 6 in Gothica Hybrida Libraria by hand B, who wrote also the majority of the marginal notes and additions; art. 7 by hand C, who used a bold Humanistica Cursiva., and The additional texts are not decorated. The original parts have red headings, red paragraph marks, and red 2- or 3-line plain initials. Art. 2 opens f. 2r with a 7-line littera duplex with extensive penwork and extension in the inner margin in red and blue; art. 8 opens f. 42v with a 3-line flourished initial (Prologue) and a 4-line littera duplex with penwork, as in art. 2 (text). All initials are half inset and have guide letters in the margin.
Subject (Name):
Cistercians
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monasticism and religious orders
Manuscript on paper containing 1) Claudius Claudianus (ca. 400), De raptu Proserpinae. 2) Plinius Maior (23-79), Naturalis Historia, C. Mayhoff, ed. (Teubner, 1906 ff.), 10.3-5: note on the phenix, as an introduction to art. 3. 3) Claudius Claudianus, Phoenix (Carmina minora 27). 4) Fictitious epitaph of Claudius Claudianus. 5) Publius Ovidius Naso (43 BC-AD 17), Metamorphoses, 11.592-615: description of the dwelling of the god Sleep. 6) Titus Vespasianus Strozza (Tito Vespasiano Strozzi, 1424-1505), Laus Bacchi (poem in praise of wine). 7) Note on the question whether Claudianus was a Christian. A quotation from Paulus Orosius (d. after 418), Historiae adversus paganos, 7.35.2, followed by verses 1-5 of the poem De Salvatore, by or attributed to Claudianus (Carmina minora, 32). 8) Three verses from Claudius Claudianus, Panegyricus de tertio consulatu Honorii Augusti, 96-98. 9) Final three verses of Claudius Claudianus, Deprecatio ad Hadrianum (Carmina minora, 22), 56-58. Followed by a conclusion about Claudianus's nationality.
Description:
Binding: Nineteenth century. Brownish mottled paper over cardboard. The preceding binding had wooden boards as appears from the worm holes in the first and final leaves., Headings and explicit formulas in pale red; the heading of art. 5 in Capitalis. Space for 3- or 2-line initials reserved in art. 1. The first words of artt. 2 and 5 are written in pale red capitals., and Script: Copied by one hand in Humanistica Cursiva Formata; artt. 7-9 in a more sloping and more rapid script.
Subject (Name):
Claudianus, Claudius
Subject (Topic):
Latin fiction, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Christian literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--History--Early church, ca. 30-600