Before frontispiece. Case and memoirs of the late Rev. Mr. James Hackman, and of his acquaintance
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of James Hackman, half-length, in an oval, in profile to the right, dressed in a dark frockcoat over his waistcoat, his hair curled and powdered and with a black patch on his forehead."--British Museum online catalogue
Alternative Title:
Reverend James Hackman
Description:
Title etched below image., Frontispiece to: The case and memoirs of the late Rev. Mr. James Hackman, and of his acquaintance with the late Miss Martha Reay. London : Printed for G. Kearsly, near Serjeants-Inn, Fleet-street, 1779., Leaf before frontispiece, in an extra-illustrated copy of: The case and memoirs of the late Rev. Mr. James Hackman ..., and Originally issued as the frontispiece, this plate is separated from the title page here by another plate (a portrait of Martha Reay) that was inserted into this copy.
Title from caption below vignette., Text following title: page 52., Frontispiece from: Wonderful characters by Henry Wilson, v. 1., "Jones & Barriff script"., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Illustrative material: The excursion of George Harvest -- Literature: Wilson, Henry, Wonderful Characters.
A punishment meted out to runaway slaves in Dutch Surinam as recorded by Stedman
Alternative Title:
Horrid torture of impalment alive as a punishment on runaway slaves and Horrid torture of impalement alive as a punishment on runaway slaves
Description:
Title etched below image., Formerly bound in as frontispiece to: Seizure of the ship Industry by a conspiracy and the consequent sufferings of Capt. James Fox and his companions. London : Printed for Thomas Tegg, 111 Cheapside, [1810?]., From a series of plates by the caricaturist William Elmes depicting shipwrecks and maritime disasters, attacks by native Americans and by other indigenous peoples and pirates, ceremonies, punishments and torture., Sheet trimmed within plate mark., and Possibly detached from: Lewis Walpole Library 86 810 Sc462.
Publisher:
Pub. by Thos. Tegg
Subject (Name):
Fox, James, Captain.
Subject (Topic):
Eskimos, Death, Families, Fugitive slaves, Punishment & torture, Enslaved people, Soldiers, and British
View of Horace Walpole's villa at Strawberry Hill, the white house seen at a distance through a break in the trees. A green lawn extends towards the viewer in the foreground; a blue sky is visible above
Description:
Title from note in pencil at bottom of sheet, in Thomas Kirgate's hand., Unsigned; questionable attribution to Edward Edwards from local catalog card., Date of production based on artist's death date., Drawn in the center of a proof state of the engraved frontispiece to: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]., and Bound in opposite title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Title from text within image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified by George., Plate numbered in upper right corner: Plate 8., Cf. Later state published by Thomas McClean in 1835; no. 14089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Sailors -- Ships -- Storms.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue
Description:
Title from text in image. and Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright.
Fortune, blindfolded and with one foot on her wheel, is guided by Wisdom who wears a plumed helmet and carries a spear. They stand on a cloud while a putto walks between them showering banknotes on the Hibernian Magazine's readers, who celebrate on the right side of the foreground, while snakes and demonic figures are kept at bay to the left
Description:
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers, p. 404; T. (Thomas) Walker, publisher of the Hibernian Magazine, was located at Dame Street, Dublin from 1770-1786., and At top of image: "Frontispiece" (probably from the Hibernian Magazine ca. 1775).
Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:
William Hogarth
Description:
Title from caption below image., After a portrait by Hogarth., and Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece.
Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:
William Hogarth
Description:
Title from caption below image., After a portrait by Hogarth., Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece., On page 207 in volume 3. Sheet trimmed to: 19.1 x 12.8 cm., and Ms. note in pencil in Steevens's hand to side of print: From S. Ireland's Graphic Illustrations &c.
Title devised by cataloger based on Paulson titles for Hogarth's originals., Designed originally for John Beaver's Roman military punishments; used as frontispiece., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 47., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 66., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 69., Ms. note in ink on mount above print, in Steevens's hand: In the title-page., and On page 24 in volume 1.
