"Portrait of Sarah Siddons, after Gainsborough; three-quarters length sitting directed and looking to left, wearing a striped gown and large feathered hat, set at an angle, her hands on a fur muff in her lap."--British Museum online catalogue
Description:
Title, artist, printmaker and date of publication from similar image in the British Museum online catalogue, registration no.: 1931,0509.121.
Copy of Hogarth's self-portrait: Round frame with artist's implements
Description:
Title etched below image., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand centered above this print and one to right: See Mr. Nichols's book, 3d. edit. p. 297., and On page 147 in volume 2.
Publisher:
Publish'd according to act of Parliament by R. Sayer opposite Fetter Lane
"Portrait after Reynolds (Mannings 1396); whole-length, standing directed to front, head turned in profile to right, leaning with her right elbow on a pedestal bearing a large urn, her left hand on her right arm; hair high and curled, a robe over her dress; a woodland landscape behind with stream to right"--British Museum online catalogue
Alternative Title:
Honourable Mrs. Parker
Description:
Title engraved in image. and Sheet trimmed to plate mark. Bottom corners trimmed at an angle.
Publisher:
Publish'd. Octr. 25th 1773 for S. Hooper No. 25 Ludgate Street; W. Shropshire No. 158 & T. Watson No. 142 New Bond Street
Leaf 67. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed lady stands in profile, looking right; the print she holds in her hand is a Mary Darly print "The lily macaroni". and "Satire on a woman admirer of satirical prints: (No.7) a well-dressed woman, wearing a long loose jacket tied with large bows with a skirt in the same material, a small bonnet and gloves, standing in profile to right, holding a macaroni print."--British Museum online catalogue
Alternative Title:
Female connoisseur
Description:
Title etched below image., Printmaker from the Catalogue of engraved British portraits., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "7" in upper right corner., An impression of a print from the Darlys' Macaroni series entitled The Female Conoiseur (1852,0214.362) was annotated by Horace Walpole "Mrs Darly" and is assumed to be her portrait, although that cannot be confirmed. See British Museum catalogue., For an earlier state, see no. 4692 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Second of three plates on leaf 67.
A fashionably dressed lady stands in profile, looking right; the print she holds in her hand is a Mary Darly print "The lily macaroni". and "Satire on a woman admirer of satirical prints: (No.7) a well-dressed woman, wearing a long loose jacket tied with large bows with a skirt in the same material, a small bonnet and gloves, standing in profile to right, holding a macaroni print."--British Museum online catalogue
Alternative Title:
Female connoisseur
Description:
Title etched below image., Printmaker from the Catalogue of engraved British portraits., Initial letters of publisher's name in imprint form a monogram., Plate from v. 2: Caricatures, macaronies & characters by sundry ladies, gentlen., artists, &c., Plate numbered '7' in upper right corner., An impression of a print from the Darlys' Macaroni series entitled The Female Conoiseur (1852,0214.362) was annotated by Horace Walpole "Mrs Darly" and is assumed to be her portrait, although that cannot be confirmed. See British Museum catalogue., and Mounted to 54 x 39 cm.
Portrait of a young man, full-length, facing the viewer but with his head turned slightly to the right. He lacks hands and legs beyond the knee and is seated before a lectern (right) with a drawing of a tree on the page. He holds a pen held against his mouth using his left elbow
Description:
Title etched below image., Text etched below the image: "This extraordinary young man was born Decr. 18, 1769, at Hook, in Hampshire, without arms or legs, as here delineated, occasioned as his mother supposes by a fright she suffered when pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing & drawing, holding his pencil between the stump of his left arm and his cheek & guiding it with the muscles of his mouth. In order to assist these extraordinary efforts of ingenuity, this drawing was presented to him by Mr. Robertson, & Mr. Fittler kindly super-intended the etching. This print is sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road, where ladies & gentlemen may see him & many more of his performances."--Below title., and Sheet trimmed to plate mark.
Publisher:
Sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road
Subject (Name):
Inglefield, Thomas, 1769-
Subject (Topic):
Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
"Portrait in profile of a young man who lacks hands and legs beyond the knee; full-length, sitting on a cushion before a lectern on the right, drawing a tree with a pen held against his mouth using his left elbow."--British Museum online catalogue
Description:
Title from text within image., Etched below the image: These deficiencies were occasioned, (as his mother supposes) by a fright she suffer'd whilst pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing, and drawing, holding and guiding the pen and pencil with the muscles of his cheek and arm., and Mounted to: 27.7 x 21 cm
Publisher:
Publish'd for T. Inglefield
Subject (Name):
Inglefield, Thomas, 1769-,
Subject (Topic):
Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
"Portrait group of the Society of Artists; men gathered around a table in a fine interior, some seated, attended by servants; with portraits of Grinling Gibbons, William Kent, John Michael Rysbrack, Gawen Hamilton, Marcellus Laroon, Michael Dahl, John Vanderbanck, and Charles Bridgman; a landscape painting on wall in background, a curtain to the right, after Hogarth."--British Museum online catalogue
Alternative Title:
Society of Artists
Description:
Title etched below image. and Dobson. Hogarth, 1902, p. 233.
Publisher:
Published May 1, 1829 by W.B. Tiffin, 3, Hay Market
Copy of Hogarth's self-portrait; he is painting Thalia, the Comic Muse who holds a satyr's mask in her left hand and a book in her right hand. After the state without "Comedy 1764" on the pillar. Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife; the pot of oil on the floor in front of the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a volume with a print protruding from its pages and no title (in the original it is identified as "Analysis of Beauty").
Description:
Title engraved below image. and Date from other prints by Dent in the British Museum online catalogue.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British