Title from caption below image., Questionable attribution to Marryat from British Museum catalogue., Sheet trimmed within plate mark., and Reissue of no. 14287 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Aug. 12, 1821, by G. Humphrey.
A man sits in an armchair next to fireplace frantically ringing for service while boling water pours from the spout of a kettle onto one of his two gouty feet. The other foot is raised from the stool to avoid the hot water but has overturned a table with tray full of dishes which has fallen in front of a maid lingering in the doorway. Embracing the maid from behind is a black footman. A screaming cat stands, back arched, in front of the man's footstool. On the left a pair of crutches are placed against the fireplace; the mantel is lined with medicinal bottles. A map hangs on the wall behind along side a barometer
Description:
Title from dealer's label on verso of the frame., Attributed to Thomas Rowlandson., and Another drawing on this theme with the title: The old batchelor in distress. In the Ashmolean Museum, Oxford: Ashmolean catalogue, vol IV-1982 #1623.
A dentist wearing a bag wig stands before an elderly woman in a chair as he works on her teeth. Behind him a younger woman looks on with concern and a young black servant grins at the viewer. Through the window is visible a portion of St. James's Palace
Description:
Title from item., Artist and date from British Museum catalogue., and Numbered "511" in lower left of plate.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Lock on wife's forehead added in ink., and On page 113 in volume 2. Sheet trimmed to: 38.6 x 45.6 cm.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., and Image 'touched': Stray hair and lock added in ink, presumably by Hogarth.
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., 'Tom. 1. No. XXII'--Upper right corner., and On page 5 in volume 1. Plate trimmed to: 25.5 x 34.8 cm.
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and 'Tom. 1. No. XXII'--Upper right corner.
A very fat man (Councellor Wollop), wearing a silk robe and cap sits at a well-laid table, his large napkin tucked in at his neck. He leans back in his chair while a thin man pours wine down his throat. Two other men smile as they offer him more food, as the one carves a joint. The table has contains platters with bread and plum pudding as well as a decanter of spirits. They are a well-appointed room arches and a portrait of a man in a wig hanging on the wall behind the councellor
Alternative Title:
Another slice of plum pudding for Councellor Wollop
Description:
Title engraved below image., Sheet trimmed to plate mark with thread margin on top and bottom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd April 20, 1774, by I. Sledge, Henrietta Street, Covent Garden