Leaf 17. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6495 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 124., and On leaf 17 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 4th, 1784, by W. Humphry, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Monro, John, 1715-1791
Subject (Topic):
Politics and government, Mentally ill persons, Physicians, Physical restraints, and Quizzing glasses
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital., and 1 print : etching with stipple, hand-colored ; plate mark 250 x 305 mm.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A Punch-like figure is shown standing to front, with head in profile to the left, holding a paper in each hand. A goat stands beside him on the right; a pole with a sign 'To Wynnstay' (lettered backwards) is on the left, pointing to the right. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Alternative Title:
To Wynnstay
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with a related drawing and a print on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design, with image and letters in reverse, for no. 7069A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
