"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., Formerly laid in Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and A note in pencil on verso, possibly in Frank T. Sabin's hand, mentions "Fritz Reiss Sale, 2900 guineas at Christies", in reference to the sale of another impression of the print in 1923. A second note below, in the same hand but likely written at a different time, asserts that this is the "finest impression of the 1st state known, specially selected by Horace Walpole, for whom the original picture was painted, & inserted by him in his own enlarged & illustrated catalogue of the pictures at Strawberry Hill".
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., With Horace Walpole's manuscript annotations in brown ink in lower margin identifying the sitters and their relationships and a note: "The original picture at Strawberry Hill.", and Sheet trimmed within plate mark: sheet 50.5 x 58.4 cm.
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
Bust portrait in profile to the left of an elderly woman, thin and of witch-like appearance. Her hair which recedes from her forehead is dressed high and ornamented with a lace cap
Description:
Title, printmaker, and imprint from later state., Contemporary ms. note identifying the sitter as Lady Mount Edgcumbe on the Lewis Walpole impression. (Call number: 780.00.00.157)., A variant, without imprint. Cf. no. 5749 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Sitter identified as "Dowager Ldy Edgcumbe" in contemporary manuscript inscription on verso.
Smith, John Raphael, 1752-1812, printmaker, publisher
Published / Created:
[20 July 1781]
Call Number:
Bunbury 781.07.20.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"A short man riding (right to left) after a coach, the back of which only appears in the print, with a footman standing behind it. The rider's head is turned to his right concealing his profile. His legs are thrust forward on each side of the horse's neck. On a building (right) is a placard, "Angel Fetter Lane Derby Diligence continues flying daily as usual. Inside [the poster is torn at this point] Outsides & Children on the Lap half price, perform'd (if God permit by Bull & Co." Beneath the design is etched: "When I follow'd a lass that was froward & shy Oh I stuck to her stuff but she would not comply"."--British Museum online catalogue
Alternative Title:
When I followd. a lass that was froward & shy ..., When I followed a lass that was froward & shy ..., and Derby Diligence
Description:
Title and artist from British Museum catalogue., Printmaker identified as J.R. Smith in the British Museum online catalogue, registration no.: 1868,0808.4766., Watermark, mostly trimmed., and Figure identified by ms. note in a contemporary hand below plate: Lord Derby.
Publisher:
Publishd. July 20th, 1781, by J.R. Smith, No. 83 Oxford Street, nearly oposite [sic] the Pantheon
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Farren, Elizabeth, 1762-1829.
Subject (Topic):
Carriages & coaches, Horseback riding, Servants, and Signs (Notices)
Portrait, head and shoulders slightly to left, head turned to right and glancing towards the viewer; wearing a low-necked gown with a rope of pearls hanging from the shoulder and a veil over her hair; in an oval
Description:
Title from pencil annotation below image., Date of publication based on death date of Richard Bull, who included an impression of this print in an extra-illustrated volume he assembled., Sheet trimmed within plate mark., Mounted on page 89 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
"Design in two rows of eight sections, with 15 figures demonstrating a salute with the half-pike; at top, the title in an oval decorated with arms, and figures numbered 1-7, below, figures numbered 1-8 ..."--British Museum online catalogue
Description:
Title, printmaker, and imprint from Paulson., One of two folding plates to John Blackwell's A compendium of military discipline., Caption in the oval at the left: The several postures of [the] salute wth [sic] [the] half-pike. Describ'ed from order & on [the] long march, as it is practis'd in [the] Artillery Company of [the ] City of London. By Jon. Blackwell adjutant and clerk., Companion print to: Exercise for the Halberd., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: See Nichols's book, 3d edit. p. 439. Blackwell's figure in all, 26. Note below print: Given me by the Revd Dr. Lort., and On page 44 in volume 1.
Publisher:
John Blackwell
Subject (Name):
England and Wales. Army. Honourable Artillery Company of London.
"The marriage of Henry VII, the crowned king in his ermine-lined robes of state over a heraldric tabard holding his sceptre and accompanied by the bishop to the right and Elizabeth of York in an embroidered floral gown accompanied by a bearded priest in long robes to the left, the ornamented arches of the cathedral above them and the interior view stretching away into the distance."--British Museum online catalogue, description of a later state
Alternative Title:
Marriage of Henry VII and Marriage of Henry the Seventh
Description:
Title from published state of the plate., Artist from statement of responsibility on published state: John Mabuse p., Early (proof?) state, before title and artist's name added to plate. Cf. British Museum online catalogue, registration no.: 1868,0822.6094., Publication information from that of the volume in which a later state of the plate appeared., A later state of this plate was published in: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Sheet trimmed to plate mark., Engraved after the painting hung by Horace Walpole in the Gallery at Strawberry Hill., Mounted on page 107 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Title "Marriage of Henry 7th" and statement of responsibility "J. Mabuse pinx." added by Horace Walpole in brown ink below image.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, and Strawberry Hill (Twickenham, London, England)
Portrait of a woman, head and shoulders slightly to left, head turned to right and glancing towards the viewer, wearing a low-necked gown with a rope of pearls hanging from the shoulder and a veil over her hair; in an oval
Description:
Title from note below image in Horace Walpole's hand., Date of publication based on death date of Horace Walpole, whose annotation is present on sheet., Sheet trimmed within plate mark on right and left sides., and Mounted on page 68 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"Portrait of a woman (possibly Mary Ruthven or Princess Mary), bust-length, turned to the right, with curly hair, pearl necklace, and embroidered dress."--British Museum online catalogue
Description:
Title from manuscript annotation in pencil above image, on mounting page., Place of publication based on printmaker's nationality; date range for publication from the British Museum online catalogue, registration no.: 1888,0612.40., Imperfect; sheet trimmed within plate mark with loss of statements of responsibility from bottom edge. Missing text supplied from impression in the British Museum., and Mounted on page 163 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Portrait of Mary Fairfax Villiers, wife of George Villiers, 2nd Duke of Buckingham; bust-length, shoulders slightly to right, head facing forward and glancing towards the viewer; wearing a gown with a single jewel or pearl hanging from the center of its low neckline; hair in curls
Description:
Title from note above image in Horace Walpole's hand., Artist and printmaker from statements of responsibility written below image in Horace Walpole's hand: S. Cooper pinx. ; Worlidge excudit., Date of publication based on printmaker's death date., After a miniature by Cooper that was kept by Horace Walpole in the Library at Strawberry Hill., Sheet trimmed to plate mark., Mounted on page 76 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Additional annotation in ink at bottom of sheet, in Horace Walpole's hand: She is mention'd in Grammont.
Publisher:
publisher not identified
Subject (Name):
Buckingham, Mary Villiers, Duchess of, 1638-1704, and Strawberry Hill (Twickenham, London, England)
