Title from item., Date and place of publication from item., Description from British Museum website: A broadside satire on the quack Richard Rock shown standing on the foot board of his chaise in Covent Garden; the horse, somewhat cross-eyed, standing quietly. He is finely dressed and holds a cup in one hand. His medicine chest stands open behind him, and his hat hangs inside the hood of the chaise. To the right of the chaise is a hunchbacked (?) man, possibly Rock's assistant, or toady, under whose arm is a package of books lettered "Dr. Rock 52 ways f[ro]m Ratlife" . Among the the crowd gathered around Rock are, on the left, two soldiers, one with a sword and wearing spatterdashes who may be intended as a blind man, has his hand on the shoulder of a bald man who holds his hat in his hand, gazing distractedly at Rock; behind Rock is a man apparently on horseback; on the right, a pregnant gin seller who has a large open basket slung from her waist in which are glasses and wicker bottles, the basket is lettered "S[an]d[y]'s Public spirit" (a reference to the recent Act of Parliament relaxing the law against gin), a another poorly clad woman with a large fish (?) basket resting against her leg, and a man offering a coin to Rock. To the right of the chaise can be seen the pillar with a sun-dial and globe which stood in Covent Garden market. Below, letterpress text satirising Rock with allusions to contemporary political affairs, including a probable reference to George II's frequent visits to Hanover, described as "an itch for Rambling"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published April 2d, 1743, according to Act of Parliament, by G. Foster, at the White Horse, on Ludgate-Hill, and G. Bickham in May's-Buildings, Cove[nt-Garden, London--lacking]
Subject (Name):
Rock, Richard, 1690?-1777.
Subject (Topic):
Quacks and quackery, Great Britain, Politics and government, Physicians, Spectators, Medicine shows, Selling, and Horses
Title from item., Date and place of publication supplied by curator., Trimmed sheet., See: British Museum, Catalogue of political and personal satires in the department of prints and drawings in the British Museum, no. 8183, This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Bossey, Dr.; Mountebanks.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Patent medicines, Medicine shows, Spectators, and Monkeys
Title from item., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Lockyer, Lionel, 1600?-1672.
Subject (Topic):
Quacks and quackery, Spectators, Monkeys, Horses, Selling, Medicine shows, and Patent medicines
Title derived from volume title., Frontispiece for: Essai sur l'ectricité́ des corps, Paris, 1746., Sheet trimmed within plate mark., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Scales & Balances; Weights & measures.
Publisher:
Chez les Frères Guérin
Subject (Topic):
Electricity, Experiments, Biomagnetism, Spectators, Scientists, and Scientific equipment
Title from item., Date from copy in Victoria & Albert Museum, accession number S.252-2018., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
chez Le Bas graveur du Roy, au bas de la rue de la Harpe vis à vis la rue Percée chez un Fayancier
Subject (Geographic):
Venice (Italy).
Subject (Topic):
Fairs, Quacks and quackery, Spectators, Puppet shows, Stages (Platforms)., Quacks & quackery, and Patent medicines
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., Sheet trimmed within plate mark., 1 print : etching and engraving with stipple on laid paper ; sheet 22 x 25 cm., and Sheet trimmed within plate mark on top and bottom edges.
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., and Sheet trimmed within plate mark.
"A stout farmer rides (left to right) past an inn on a cow. The cow befouls and tramples on a paper inscribed 'Tax on Ho[rses]'. The farmer looks triumphantly over his right shoulder at a group of spectators standing at the door of the inn, and snaps his fingers, saying, "Pitt be D------d". A basket containing poultry hangs from the saddle. Part of the inn is on the left of the design, its sign is a stout man holding a foaming tankard gazing at three sacks, inscribed 'Joe Jolly 1784' (a '7' appears to have been etched over the '4'). Five amused spectators stand by the door; from a window above two men applaud the farmer."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print originally published in 1784., Pitt's budget of 1784 imposed an annual tax of 10s. on saddle- and carriage-horses, exempting those used for trade and agriculture. On 27 November 1784 one Jonathan Thatcher rode his cow to and from the market of Stockport in protest against the horse-tax. See Chambers, 'Book of Days', ii. 627, where there is a copy of a similar print., and For a variant state, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
James Figg stands with his right hand on his back-sword and his left hand on his hip as he faces his a gentleman opponent in a boxing ring; specators crowd the stands on two levels; with ornaments above the frame
Description:
Title from etched text., Sheet trimmed within plate mark., Not Hogarth., and Mounted on a sheet (wove paper 333 x 268 mm, ruled-border in red ink) with two clippings from newspapers (or broadsides?) announcing boxing matches: one dated in ms. 29 May 1752 and the other 1729.
