In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Sheet trimmed within plate mark., Following imprint: "Price six pence.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 17., Watermark: Strasburg bend with initials LVG below., Mounted to 32 x 48 cm., and 'Gazette' in title erased from this impression; 'Evening' written in contemporary hand.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
"A cow representing the commerce of Great Britain stands passively on the sea-shore while an American with a feathered cap saws off her horns; one horn lies on the ground. A Dutchman milks the cow ... France, a foppishly-dressed Frenchman, and Spain, a don in slashed doublet and cloak, hold bowls of milk. In the foreground lies the British lion asleep, unconscious of a pug-dog which stands on his back befouling him. Behind the lion stands a plainly-dressed Englishman clasping his hands in despair. In the background across the sea is a town inscribed Philadelphia; in front of it on the shore, two men on a minute scale (General and Admiral Howe) are seated at a table. Both are asleep, a punch-bowl is on the table... Beside them, laid up on dry land is a man-of-war inscribed Eagle (Howe's flag-ship.)" -- George
Description:
Title and date from British Museum catalogue no. 5472. and Print similar to illustration for Westminster Magazine, vi. 66, of February 1778, described as no. 5472, in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
United States, Great Britain., Great Britain, and America.
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799. and Howe, William Howe, Viscount, 1729-1814.
Subject (Topic):
History, Foreign public opinion, Commerce, Colonies, National characteristics, French, National characteristics, Spanish, National characteristics, Dutch, Milking, Cows, Lions, and Sleeping
Title and date supplied by curator., In image left side, artist's initials enclosed in a circle., Place of publication derived from artist's place of residence., Original work created 1893. Reissued after 1901., From Chansons du chat noir (songsheet)., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Plasters; Politics, French.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Carnot, Sadi, 1837-1894.
Subject (Topic):
France, Politics and government, Pulse, Politicians, Presidents, Sick persons, Physicians, Soups, Bowls (Tableware)., and History
A bound volume of 32 Napoleonic broadsides, all good impressions, suggesting they were ordered directly from a publisher, possibly from James Asperne who is well represented in the collection and who perhaps made a trade in offering collections of the broadsides to contemporary collectors. Also well presented are broadsides by John Ginger
Alternative Title:
Patriotic handbills
Description:
In English., Title from cataloger., Bound in 19th-century calf and marbled boards, spine ruled in gilt, red morocco label with "Patriotic Handbills" and green morocco label with the number "II"; a sheet of writing paper bound in before the broadsides has a watermark "G. Langley 1856". With a manuscript note on the blank verso of the final broadside that states "Patriotic Handbills Packet II / I have duplicates of each bill.", With two copies of: Plain answers to plain questions, in a dialogue between John Bull and Bonaparte., With two copies of: Britons triumph, or, Bonaparte's knell., and For further information, consult library staff.
Publisher:
multiple publishers
Subject (Geographic):
France and Great Britain
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, and History
Engraved depiction of a medal on the destruction of the Spanish Armada, the obverse depicted at the top of the design and the reverse depicted below it. Inscribed on obverse: "O COECAS HOMINVM MENTES O PECTOEA COECA" (Oh! the blind minds, the blind hearts of men); "DVRVM EST CONTRA STIMVLOS CALCITRARE" (It is hard to kick against the pricks--Acts ix. 5). Inscribed on reverse: "VENI VIDE VIVE 1588" (Come, see, live); "TV DEVS MAGNVS ET MAGNA FACIS TV SOLVS DEVS" (Thou, God, art great and doest wondrous things; thou art God alone--Psalms. lxxxvi. 10). Translations from the British Museum online catalogue and "Silver medal: (obverse) Pope, kings, bishops and others, seated in consultation, with bandaged eyes; the floor filled with spikes. (reverse) The Spanish fleet driven against rocks ... The obverse sarcastically satirizes the vain efforts of the Pope, the Emperor, Philip II, the Duke de Guise and other Princes, who had confederated against Elizabeth. The reverse records the destruction of the Spanish Armada, and ascribes the event to the immediate interference of Heaven."--British Museum online catalogue, description of an example of the medal after which this plate was engraved
Description:
Title devised by curator., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Horace Walpole kept an example of this medal in the rose-wood case in the Library at Strawberry Hill., For a description of an example of the medal, see British Museum online catalogue, registration no.: 1950,0805.3., and Mounted on page 89 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Publication information inferred from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Date range for publication based on publisher's street address. John Bowles gave his address as 13 Cornhill between 1768 and 1779; see British Museum online catalogue., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., Price erased in state 5 and new publication line added in state 7., Sheet trimmed within plate mark., and On page 8 in volume 1.
Publisher:
Printed for John Bowles at No. 13 in Cornhill
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"The King's champion challenges anyone opposing the King's authority; the King standing underneath a large drapery in a room of his palace on the left; courtiers surround him; his champion standing in the centre; three knights on horseback approach from the right; spectators in the back."--British Museum online catalogue
Description:
Title devised by cataloger., Date range for publication from the British Museum online catalogue, registration no.: 1849,0210.500., Series title given in the British Museum online catalogue: Engelants Schoutonneel., Two lines of text in Dutch on the left below image: S. Konings voorvegter daagt aldie geen die Koning William de III ..., Two lines of text in French on the right below image: Le champion du Roy fait un défi á tous ceux ..., and Temporary local subject terms: Joint coronation of William III and Mary II, April 11, 1689 -- Coronation challenge -- Coronation cups: silver-gilt chalice -- Champion of the King -- Yeomen of the Guard -- Royal canopies -- Constable's staff -- Royal arms upon shield -- Coronation banquet in the Westminster Hall -- Corner chairs -- Heralds -- Corinthian columns -- Westminster Hall -- Wall decoration -- Halberds -- Gloves: gauntlets -- Lion & unicorn -- Coronation costume.
Publisher:
Adriaan Schoonebeek
Subject (Geographic):
Great Britain
Subject (Name):
William III, King of England, 1650-1702, Mary II, Queen of England, 1662-1694, and Westminster Hall (London, England),
Title from later state., Printmaker from unverified data in local card catalog record., State before title. Cf. Later state in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c., p. 79., Date of publication based on that of the volume in which the later state appears., Sheet trimmed within plate mark., A reduced copy of a print after Bunbury published in 1773. See no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Fortifications -- Jack-boots -- Newspapers: London gazette -- Sentry boxes -- Uniforms: Grenadiers hats .
