Maids buy a map, Achetez de mas mappes, and Mappi per lauar terrazzi
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 28 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Leaf 71. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Markett place at Cambridge, Market place at Cambridge, and Marketplace at Cambridge
Description:
Title etched below image., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 408., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 71 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Cambridge (England)
Subject (Topic):
Plazas, Buildings, Teachers, Students, Academic costumes, and Street vendors
Title from caption below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 53 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "53" etched in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title from caption below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 53 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "53" etched in lower right corner., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 63 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "63" etched in lower right corner., Unidentified manuscript notes and numbers (in another hand) on versos of many of the hinged plates, giving detailed histories of the people depicted., and Numbered and described on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 63 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "63" etched in lower right corner., Unidentified manuscript notes and numbers (in another hand) on versos of many of the hinged plates, giving detailed histories of the people depicted., and Numbered and described on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
The collision of several coaches results in a scene of mayhem on a city street as the coachmen brandish their whips, much to the horror of their well-dressed passengers. As a result of the collisions, two vendors and their wares are thrown on a third vendor, all tumbling onto the sidewalk in front of the corner shop "Peter Thump Gold Beater". A workman carrying bricks up a ladder is also in peril. Gold beaters in the corner shop look on while continuing their work. On the right two dancing dogs continue their performance
Description:
Sheet trimmed within plate mark., Four lines of text below title: In going out to dinner (already too late) your carriage delayed by a jam of coaches ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman., and Mounted to 31 x 40 cm.
Publisher:
Pubd. Feby. 1st, 1807 by R. Ackeman [sic], No. 101 Strand
Subject (Topic):
Coach drivers, Carriages & coaches, City & town life, Dogs, Passengers, Street vendors, Trained animals, Traffic accidents, and Metalworkers
Leaf 67. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two burly women, almost naked above the waist, fight vigorously, surrounded by a yelling crowd. The scene is an irregular space surrounded by old-fashioned houses, and crowded with spectators, eager or disgusted. In the foreground (left) an apple-woman's barrow is upset and she sprawls across it to grab the head of a little boy who is collecting apples. Among the crowd are a porter carrying a trunk on his knot, and a woman with a basket of vegetables on her head. Adjacent houses have inscriptions: 'British Gin', 'Licensed Lottery Office Tickets Shares', and (with the sign of three balls) 'Mony Lent on Pledges Gripp Licensed Pawn Brokers'."--British Museum online catalogue
Alternative Title:
Being a compulsory spectator and auditor of a brawling and scratching match ...
Description:
Title etched below image., Six lines of text below title: Being a compulsory spectator and auditor of a brawling and scratching match, between two drunken drabs in consequence of the sudden influx of company by whom you are hemmed in an hundred yards deep ..., Restrike. For original issue of the plate, see no. 10825 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 124., and On leaf 67 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
City & town life, Fighting, Intoxication, Crowds, Porters, and Street vendors
The quadrangle at Tattersalls (1823) is filled with groups of betting men, 'the greater part ... are portraits' (p. xx). The three men on the extreme left are Mr. Tanfield, Lord Sefton, and Colonel Hylton Jolliffe. In the extreme right corner is Sir L. Skeffington; near him, but not identifiable, is John Gully the ex-pugilist. A Jew sells wares from a basket-tray. Over the doorway: Houses must not be taken away without being paid for
Alternative Title:
Heroes of the turf paying & receiving at Tattersals and Heroes of the turf paying and receiving at Tattersals
Description:
Title from caption below image., Sheet trimmed within plate mark., and For published state see, no. 14944 in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Published March 1, 1824 by Sherwood, Jones, & Co.
Subject (Geographic):
Great Britain.
Subject (Name):
Gully, John, 1783-1863., Skeffington, Lumley St. George, Sir, 1771-1850., and Tattersalls (Firm)
Subject (Topic):
Jews, Horse buyers, Horse trading, Crowds, and Street vendors
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 65 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., Number "65" etched in lower right corner., Unidentified manuscript notes and numbers (in another hand) on versos of many of the hinged plates, giving detailed histories of the people depicted., and Numbered and described on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
