Manuscript on paper, composed of two distinct parts. Part I (ff. 1-48): Cicero, Orator ad M. Brutum. Part II (ff. 49-114): Cicero, Orationes.
Alternative Title:
Orator; Orationes
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound for the Guarnieri-Balleani library (Iesi) in the same bindery as MS 450 and Marston MSS 72, 86, 181 and probably by the same binder. Title in ink on the tail edge, mostly illegible., Heading and plain initial, in red, on f. 49r only., On paper, Part I: Plain initials in red or blue; heading on f. 1r in red majuscules. Part II: Heading and plain initial, in red, on f. 49r only., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Each part written in humanistic cursive by a single scribe, above top line., Watermarks: Part I: unidentified hunting horn, in gutter. Part II, in gutter: similar in design to Briquet Fruit 7380-81., and Written possibly in Northern Italy in the middle of the 15th century. Part II was copied by the humanist Stefano Guarnieri who never completed copying the text
Americae pars sexta, sive, Historiae ab Hieronymo Be[n]zono Mediolane[n]se scriptae, sectio tertia
Image Count:
1
Subject (Geographic):
America --Early accounts to 1600, Canary Islands --Description and travel --Early works to 1800, Florida --History --Huguenot colony, 1562-1565, Peru --History --Conquest, 1522-1548, and Western Hemisphere --Maps --
Curlo, Giacomo Griffolini, Francesco, 1418-1483 Phalaris, Tyrant of Agrigentum, 6th cent. B.C Pliny, the Younger Plutarch
Published / Created:
[ca. 1450]
Call Number:
Marston MS 51
Image Count:
538
Resource Type:
Archives or Manuscripts
Abstract:
) Plutarch, Apophthegmata, Latin translation by
Description:
Acquired from C. A. Stonehill in 1954 by Thomas E. Marston., Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower., F. 140 lacking., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., and Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622.
Subject (Name):
Curlo, Giacomo, Donatus, Aelius, Ferdinand--I,--King of Naples,--1423-1494, and Terence
Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August)., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., Purchased in 1957 from H. P. Kraus by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written in humanistic bookhand by a single scribe, above top line.
Manuscript on paper of Eberhardus Bethuniensis, Graecismus.
Description:
Binding: Nineteenth century, Italy. Half bound in vellum with paper spattered with black on the sides. Gold-tooled spine with black label: "Trattato de' Grecismi in Versi Latini," and "1471" stamped along lower edge., Ink has corroded some leaves; many leaves repaired in margins., Plain initials, paragraph marks, initial strokes, punctuation, in red. Guide letters for rubricator., Purchased in 1956 from Bernard M. Rosenthal by Thomas E. Marston., Script: Written in gothic bookhand by a single scribe, below top line., and Watermarks: similar to Briquet Lettre G 8199, Briquet Lettre B 7980, Briquet Fleur 6393, Briquet Joug 7872, 7876.
Bernard, of Clairvaux, Saint, 1090 or 91-1153 Honorius, of Autun, ca. 1080-ca. 1156
Published / Created:
[ca. 1300]
Call Number:
Marston MS 122
Image Count:
542
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (palimpsests of ecclesiastical documents, many leaves pieced and patched) of Bernard of Clairvaux, Collection of sermons, treatises, and letters. With works by Ogerius de Lucedio, David of Augsburg, O. F. M., Arnulfus de Boeriis, and Honorius Augustodunensis.
Description:
Binding: Eighteenth century, France. Greenish brown goatskin gold-tooled. Gold-tooled panels and dark red gold-tooled label (damaged) on spine. Red edges., Folios 1-50 have flourished initials, 3- to 2-line, alternating blue with red penwork designs and red with purple; two initials of better quality, divided red and blue, with red and purple flourishes (ff. 42r, 43v); many initials have harping designs. For remainder of manuscript uninspired red initials, either plain or with harping designs in brown ink. Rubrics, underlining and initial strokes, in red, throughout. Running headlines, in red, on ff. 1r-83r. Notes to rubricator in margins. Paragraph marks, red or blue., Imperfect: some pages badly rubbed making text illegible., and Script: Written by multiple scribes in a small rounded gothic bookhand, below top line.