"John Bull's head and shoulders emerge from a gigantic coffee-mill. He is being ground by Pitt into guineas which pour from the spout of the machine into the inverted coronet of the Prince of Wales, held out by the Prince (left). John Bull, his hands clasped, shrieks "Murder! Murder!" Pitt (right), both hands on the handle, is working hard, stripped to his shirt. His coat lies across an enormous heap of guineas on which he rests his left knee. He says: "God save great George our Ki . . ." Behind him, and in the upper right corner of the design, is the crown, the centre of a sun whose rays extend behind Pitt's head, with the words: "Grind away! grind away grind away Billy! never mind his bawling! grind away." Other words from the crown are directed towards the victim: "What! - What! - what! Murder hay? why, you poor Stupe, is it not for the good of your Country? hay? hay". Between Pitt and the post of the mill Dundas and Burke are grovelling for guineas: Burke, frowning, uses both hands; Dundas, who wears a plaid, fills his Scots cap. Behind the post Loughborough grovels, his elongated judge's wig turned in back view (cf. BMSat 6796). The Prince (right) wearing a Garter ribbon, with the letters 'G.P' on the jewel, kneels on one knee, his head turned in back view; he points out his harvest of coins to a row of creditors. These stand in a row on the left: a jockey, probably Chifney (given a pension by the Prince, see BMSat 7918), holds out a paper: 'Debts of Honor'. Next, a bearded Jew holds out a paper headed 'Money Lent at £500 pr Cent'. Next is Mrs. Fitzherbert (caricatured) and another woman (? Mrs. Crouch); others are indicated. Behind this group is part of the colonnade and façade of Carlton House."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"John Bull, gross and obese, seated at a table covered with the emblems of naval victory, looks towards British admirals, who advance towards him wearing aprons over their uniforms, but with stern expressions, holding out dishes containing captured French ships. John, knife in his right hand, about to swallow a French ship speared on his fork, says: "What! more Frigasees? - why you sons o' bitches, you, where do ye think I shall find room to stow all you bring in? - " In the foreground is Nelson, in profile to the left, his face bearing scars; from his pocket hangs a 'List of French Ships Taken Burnt & destroy[ed]'. His dish is 'Fricassée à la Nelson'. Howe, full-face, is the centre of the group with 'Fricando à la Howe'. Warren holds up 'Desert à la Warren'. Behind Nelson (right) is Duncan, whose dish contains 'Dutch Cheese [bis] à la Duncan'. The other three are less characterized, their dishes are: 'a la Gardiner', 'à la Bridport', and 'à la Vincent'. Behind appears the head of an eighth officer. On the wall behind John Bull hangs a hat with a ribbon inscribed 'Nelson'; it obscures a print of 'Buonaparte in Egypt'. On the floor stands a large frothing jug of 'True British Stout', decorated with the Royal Arms. The table is laid with crossed cannons, a dish of battered ships: 'Soup and Bouilli'; and side-dishes containing small gunboats. Through an open window leaders of the Opposition are seen in flight, with upraised arms: Fox says, "Oh, Curse his Guts! he'll take a Chop at Us, next." Next him is Sheridan."--British Museum online catalogue.
Alternative Title:
British cooks cramming old grumble-gizzard with bonne-chére
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bridport, Alexander Hood,--Viscount,--1726-1814--Caricatures and cartoons., Duncan of Camperdown, Adam Duncan,--Viscount,--1731-1804--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gardner, Alan Gardner,--Baron,--1742-1809--Caricatures and cartoons., Harvey, Francis--Ownership., Howe, Richard Howe,--Earl,--1726-1799--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Nelson, Horatio Nelson,--Viscount,--1758-1805--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., and Warren, John Borlase,--Sir,--1753-1822--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"John Bull is a sailor, stripped to the waist, his trousers turned up, who stands arms akimbo in the English Channel. He looks at Napoleon, whose head peers over the top of a triple fortification on the French coast, bristling with guns, at the base of which small gun-boats are drawn up, on a low cliff rising from the sea. Napoleon, wearing his feathered cocked hat, haggard and alarmed, says: "I'm a com'ing! I'm a' coming!!!" Beside him flies a tricolour flag inscribed 'Vive la Liberta.' John, brawny and contemptuous, asks: "You're a' coming"? - You be d-n'd! [see BMSat 10110] If you mean to invade us - why make such a rout? - I say, Little Boney - why don't you come out? - yes, d-n ye, why don't you come out?" The words of both float upwards in large labels. On a cliff behind John is a fort flying the Union flag."--British Museum online catalogue.
Description:
Printmaker's signature present in lower right corner of design but mostly obscured by etched lines. and Title etched in top part of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"John Bull stands full-face on the pavement outside a shop window, holding on his head a red cap (i.e., bonnet rouge) trimmed with fur of quasi-military, quasi-libertarian shape. He is the yokel with wrinkled gaiters ... with a tattered great-coat held together by a military belt. In his left hand is a ragged hat. He says, with a broad grin: "Wounds, when Master Billy sees I in a Red-Cap, how he will stare! - egad; I thinks I shall cook em at last. - well if I could but once get a Cockade to my Red Cap, & a bit of a Gun - why, I thinks I should make a good stockey Soldier!" The shop is that of 'Billy-Black-Soul [Pitt], Hatter, & Sword-cutler \ Licenced to deal in Hats and Swords.' Above the door (right) are the royal arms and 'Stamp-Office' (the tax on hats being levied by a stamp). Within the window are crossed swords and military cocked hats with a number of stamps bearing the royal arms. In the foreground (left) is a pile of dead cats with a paper: 'List of Cats Killed for making skin caps 20000 Red 5000 Tabb ...'"--British Museum online catalogue.
Alternative Title:
John Bull evading the hat tax
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806.
Subject (Topic):
Cats., Hats. , John Bull (Symbolic character)--Caricatures and cartoons., Millinery., Show displays., Slaughtering., Swords., Taxation of articles of consumption--Law and legislation--Great Britain., Taxation--Great Britain--Early works to 1800., Taxes., and Window displays.
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue.
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Attribution following title: Vide le Sage. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Three burly French fishwives carry on their backs through the water three English visitors from a boat on the extreme right. Two other fishwives stand in the water by the boat trying to persuade a stout and angry lady to entrust herself to them; a Frenchman in the boat also addresses her. On the shore (left) a group of French people waits their arrival: foremost is a postilion standing in the huge milk-churn boots (worn only on horseback) which so much surprised English visitors. He holds out a paper inscribed 'Poste Royale'. A hotel servant holds back the postilion and proffers a card inscribed 'Hotel d'Angleterre'; he wears a nightcap with a bag-wig and ruffles and stands 'chapeau-bras'. Beside him is a rival tout, a dwarfish man or boy dressed in a slovenly manner, his feet in sabots stuffed with straw; he holds out a card inscribed 'Hotel.... Behind them' (left) are a monk and a fishwife with a basket on her back, her bare feet in sabots shaped like mules but stuffed with straw. A dog, grotesquely shaved in the French manner, completes the group. Cliffs (left) form a background. The foremost passenger is a typical John Bull wearing top-boots; he has an expression of fixed determination, his wig slips from his head and his hat is falling into the sea. Next is a lady wearing a riding-habit and a high-crowned hat. A younger man, fashionably dressed, with high hat, long breeches, and short boots, leers down at the woman who carries him. The fishwives are dressed alike with frilled muslin caps, loose jackets, and short petticoats; they wear ear-rings, and crosses hang from their necks."--British Museum online catalogue.
Alternative Title:
Landing of Sir John Bull & his family at Boulogne sur Mer
Description:
Printmaker and artist from British Museum catalogue. and Titles in French and English etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue.
Alternative Title:
John Bull giving his breeches to save his bacon
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left The others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue.
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ... and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Nicholls, John,--1745?-1832--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens.
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Printmaker from British Museum catalogue. and Title from text in image.
Subject (Geographic):
France--Foreign relations--1789-1815. and France--History--Revolution, 1789-1799.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
Subject (Topic):
Girondists--Caricatures and cartoons., John Bull (Symbolic character)--Caricatures and cartoons., Liberty cap. , Liberty., Popes., and Sansculottes--Caricatures and cartoons.
"Pitt stands beside John Bull in a basket, inscribed 'Sinking Fund', which is attached to an elaborate pagoda-like parachute. On the apex of the parachute is a solid ball or weight inscribed. 'Million pr Annum at Interest & Compd I[nterest]'. From this floats upwards into the clouds a tattered ribbon inscribed 'National Debt', by which the parachute was attached to the base of the balloon. The umbrella of the parachute is covered with the words 'Compd Interest \ Interest', many times repeated. The ropes which attach it to the basket are encircled by a 'Hoop of National Security'. John Bull looks down grinning and cheering, waving his hat. Pitt's right hand is on his shoulder, his left points out the earth beneath: the tiny British isles in a curving ocean near the edge of the globe. Over Great Britain, inscribed 'Land of Emancipation', flies a large Union flag. Unless the parachute drifts to the right, it will fall into the sea."--British Museum online catalogue.
Alternative Title:
John Bull conducted to plenty & emancipation
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.