Manuscript on parchment of St. Bonaventure's Commentary on Book IV of the Sentences of Peter Lombard.
Description:
Binding: Eighteenth century, Germany. Cream colored pigskin, blind-tooled. Gilt edges. Green and cream endbands. Title on spine: "De septem/ Sacrament. Tract. Mst."., One historiated initial, f. 1r, 6-line, beige with foliage serif, red, against blue ground with white filigree, containing an apothecary (unguentarius) mixing ingredients in a mortar with two pestles. Numerous flourished initials, 3- to 2-line, alternate in red with blue, and vice versa, or often plain initials in red or blue. Running headlines in red and blue. Paragraph marks, alternating red and blue, appear sporadically (ff. 1r-36v)., and Script: Written by several scribes in small gothic bookhand.
Subject (Name):
Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Scholia
Manuscript on parchment of Biondo Flavio, Italia Illustrata with the dedicatory preface to Pope Nicolas V (d. 1455).
Description:
Binding: Eighteenth century, England. Red goatskin gold-tooled, with the crest of Charles Chauncy on the sides. Gilt edges. Rebacked. The fine quality of the endleaves and leather, and the tool used on the edges of the boards and the turn-ins are similar to those in Marston MS 102 and Beinecke MS 497, both probably bound by Richard Wier, active in London and France in the 1770s; d. 1792)., Elaborately illuminated title page with historiated initial, 10-line, mauve with silver filigree against gold ground, edged in black, with a portrait of the author, seated and holding a book, against a hilly landscape and blue sky. Partial border of white vine-stem ornament against a predominantly gold ground with blue, green, and red patches with white and pale yellow dots in inner and upper margins, terminating in dense penwork scrolls with gold dots. In outer and lower margin, border of stylized flowers and foliage in red, purple, green, and blue, surrounded by dense penwork scrolls punctuated by gold dots. In center of lower margin, wreathed medallion with unidentified arms, supported by two purple winged putti outlined in blue and wearing red necklaces. 14 illuminated initials, 9- to 6-line, gold, on blue, green, and red ground with white vine-stem ornament, sometimes extending into the margins. Headings, running titles, and marginalia in red., and Script: Written in fine humanistic bookhand, below top line, by a single scribe who also wrote the running titles (epigraphic majuscules) and marginalia, in red.
Subject (Geographic):
Italy--Description and travel
Subject (Topic):
Geography, Medieval, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Christine de Pizan, La Cite des dames. With Jacques le Grand, Le Livre de bonnes moeurs., On f. iii verso, pasted in by a later owner, a miniature (80 x 61 mm.), the Queen of Sheba before Solomon, and a separate compartmentalized border (161 x 105 mm.) of blue and gold acanthus on pink, and red, purple and white flowers and grapevines., and Pasted in on f. 137v a small miniature (41 x 32 mm.) of St. Barbara, originally for a Suffrage, probably from the same Book of Hours as the border of f. iii verso.
Alternative Title:
The Queen of Sheba before King Solomon
Description:
Note, in ink, inside front cover: "Secundarius posessor et vetus peraccens erit quiuis alius I.g.
Subject (Topic):
Books of hours, Didactic literature, French, French literature--To 1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Women authors, French
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise.
Description:
Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Script: Written by a single scribe in a good humanistic cursive.
Subject (Geographic):
Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio,--ca. 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of an unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine, the Bible, Cicero, Seneca, Macrobius, Aristotle, and Vegetius. and Unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine (De civitate Dei, De beata vita, Epistolae), Bible (Proverbs), Cicero (De officiis, etc.), Seneca (Epistolae morales, De ira, De constantia), Macrobius, Aristotle, Vegetius, the "Storie Romane" of "Arineo" (f. 6r), and "Salino" (f. 23v). The presence of the "versificatore" (f. 11r), cited in Latin (Walther, Sprichwoerter 33507), and a similar constellation of sources suggest that Vincent of Beauvais' Speculum Doctrinale was a major (though not exclusive) source for this author.
Description:
Imperfect: incomplete manuscript; leaves 42-43 also wanting. and Written by a single scribe in humanistic cursive script.
Subject (Name):
Valerius Maximus
Subject (Topic):
Cardinal virtues, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Ps.-Joachim da Fiore, Vaticinia Pontificum. With additional prophetic texts including a Sibylline tract entitled De imperatore; and a Version of the "Tripoli" prophecy, added by a late 15th- or early 16th-century hand, here recorded as a vision in a Cistercian monastery in 1346.
Description:
15 small miniatures, 12-line, within narrow ochre frames inserted into text column, one for each prophecy in art. 3, ff. 15r-22r. The miniatures depict a cycle of Popes and city scapes with emblematic attributes against pink, blue and ochre grounds with small white filigree designs along the edges. Numerous flourished initials, 2-line, alternate in red and blue with purple or red penwork designs. Headings in red. Paragraph marks alternate red and blue., Binding: Fifteenth century (?). Tacketed through a limp vellum (palimpsest?) wrapper to thick leather pads with a basket weave around the sewing threads. Contemporary title in ink, on front: "De imperatore." Backs of quires cut in for sewing., Binding: Place uncertain, s. xv [?]. Tacketed through a limp vellum (palimpsest?) wrapper to thick leather pads with a basket weave around the sewing threads., Contemporary title in ink, on front: "De imperatore., Purchased from L. C. Witten in 1959 by Thomas E. Marston., and Script: Arts. 2-4 written in neat gothic bookhand. Art. 1 in a less formal bookhand and art. 5 in a notarial hand with various flourishes.
Subject (Name):
Joachim,--of Fiore,--ca. 1132-1202
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Papacy--History, Prophecies--Early works to 1800, and Visions--Early works to 1800