Manuscript on parchment, composed of three parts, of Petrus Riga, Aurora, Biblia Versificata (a Latin verse translation of the Bible). Parts I and III in the same format and possibly from the same manuscript.
Description:
Binding: Nineteenth century, Belgium. Tan calf over wooden boards, blind-tooled with the Arenberg arms on the sides. Title on spine: "Sacrae Scripturae excerptae/ Circa 1225-50". Remains of old fore-edge tabs., Parts I and III: Red initials, plain or with modest designs throughout. Headings in red often added to right of text. First letter of each verse stroked in red or ochre, often by drawing a single line the length of the written space. Part II: Plain initials and headings in red throughout., Presented by Otto Rauschberg in 1956 to Thomas E. Marston., and Script: Parts I and III (ff. 1-72 and 113-136): Copied by multiple scribes in small gothic bookhand, with first letter of each verse usually aligned on the second vertical bounding line. Part II (ff. 73-112): Written by multiple scribes in a larger module and a neater gothic script than that in Parts I and III; each verse is justified by the placement of the final letter along outer vertical ruling. Script has often been retraced.
Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome, and interpretations of the Hebrew names.
Description:
Binding: 19th century: calf over cardboard; both covers and spine, in six compartments, gold-tooled. Purple silk doublures., Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome; interpretations of the Hebrew names: Interpretationes nominum Hebraicorum, with additions in the margins and at the end; an alphabetical list of words with explanations and/or ethymologies; a table of Epistles, Gospels and other readings for the ecclesiastical year: Temporale, Sanctorale and Common of the Saints; and a list, in two columns, of the kings of Juda and Israel., and Script: probably copied by one hand in extremely small Gothica Textualis Libraria (Perlschrift). Article 3 is by a contemporary hand. Numerous historiated initials of various sizes with long vertical extensions.
Manuscript of a Latin Bible with Prologues attributed to St. Jerome, pages1-823, lacking most of the prologue to the whole Bible but including the Prologue to the Pentateuch, lacking Numbers XXXIV:26 to Deuteronomy I:35, Deuteronomy XXXIII:21 to Joshua II:1, Ruth IV:15 to I Kings I:4, I Kings XXX:3 to II Kings II:3, Proverbs XIX:11 to XXIII:11; Ecclesiasticus X:16 to XIV:3, Jeremiah XLIX:16 to LI:3; Interpretation of Hebrew Names, pages 825-896, lacking end (from Uphir). The Psalms are omitted, although the final three Psalms (148:4-150) appear in two parallel versions on page 389 following Job.
Description:
Annotations: contemporary and later annotations in several hands. One mentions the book of Brother Richard of London (page 186)., Binding: contemporary tawed skin over wooden boards; remains of leather straps and brass clasps., Decoration: each Biblical book and some prologues open with a large puzzle initial in red and blue, often with the other letters of the initial word in red and blue capitals with penwork flourishing; chapter initials rubricated and with penwork flourishing., Layout: contemporary pagination. 52 lines in two columns; columns of each book numbered in the lower margins; with the columns themselves divided into sections using letters of the alphabet and Arabic numerals., Script: very small Gothic bookhand., Tra[m]ays, notarial sign and inscription, 15th century. Edward Turner, ownership inscription, 16th century. William Collins, ownership inscription and note, 1614. Purchased from Bernard Quaritch, Ltd. (Christie's London sale, 2012 June 13, lot 6) on the Herman W. Liebert Fund, 2012., and Wanting pp. 1-4, 125-126, 151-152, 191-192, 217-218, 399-400, 429-430, 511, 524-526.
Manuscript on parchment (thin, pliable) of Aristotle, 1) Priora analytica, Lat. tr. Boethius. 2) Posteriora analytica, Lat. tr. Jacobus Veneticus (ca. 1130-40). 3) Books I-III of the Ethica Nicomachea. 4) De anima, Lat. tr. Jacobus Veneticus. 5) De anima (from the Parva naturalia), Lat. tr. Jacobus Veneticus.
Description:
Attractive flourished initials, red and blue divided with penwork designs in the same colors, mark the beginning of arts. 1-4; first few words of each of these texts written in red and blue alternating majuscules. For minor text divisions 2-line initials red or blue with designs in the opposite color. Paragraph marks in red (or sometimes alternating red and blue). Headings and instructions to rubricator in red., Binding: Nineteenth century, Germany. Parchment case binding made from a bifolium of a missal (Germany, 15th century) containing text for the end of the Secret for the 11th Sunday after Pentecost through part of the Gospel reading for the 12th Sunday. Remains of title, in ink, on spine. Pink (faded red?) edges., and Script: Written in a small neat gothic text script, above top line and with uncrossed tironian et. Marginal and interlinear annotations, contemporary or slightly later, in a variety of scholarly hands; annotations written in ink, crayon and lead, some very faded and barely legible.
Manuscript on parchment (thick, furry; many leaves repaired) of a collection of Saints' lives. The manuscript can probably be attributed to an Augustinian house of Canons Regular in the ancient region of Lotharingia.
Description:
Binding: Fifteenth century (?), Flanders or France. Wooden boards with a faint rectangular panel design on each board; fastenings may be later additions? Original sewing on double cords. Remains of tawed skin saddle stitched around the tail endband and brown leather added at the head. Paper pastedowns and flyleaves added later. Traces of corner fittings from an earlier binding on first and last parchment leaves., Purchased from H. P. Kraus by Thomas E. Marston., Red and medium blue split initials with penwork designs in red and/or blue on ff. 3r, 107r, 194r, 217v; red and/or blue initials, most lacking penwork designs, appear for major text divisions; initial on f. 139r in red and yellow. Numerous smaller initials in green, red, blue and sometimes yellow, a few with simple void designs or in ink of a contrasting color. Rubrics throughout, some written perpendicular to text when there was insufficient space. Numbers and initial letters for chapter lists in red, blue, yellow and/or green. Remains of guide letters and notes to rubricator., and Script: Written by multiple scribes in early gothic book hand, above top line; an early hand has sporadically added running headlines and some notes in lead.
Eusebius, of Caesarea, Bishop of Caesarea, ca. 260-ca. 340 Rufinus, of Aquileia, 345-410
Published / Created:
[ca. 1250]
Call Number:
Marston MS 11
Image Count:
287
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (thick; holes and end pieces) of Eusebius, Historia ecclesiastica, translated into Latin by Rufinus, preceded by the prologue of Rufinus. Written presumably at the Premonstratensian abbey of St. Peter at Weissenau.
Description:
Binding: Nineteenth century, Germany. Bound in a grey-beige paper case with the title, in ink, on a label on the spine: "Eusebii Caesariensis Hystoria Ecclesiastica"., Decorative initials, 8- to 6-line, in red, some with modest penwork designs in red and black, or with foliage type appendages, in red, mark the beginning of each book; plain red 3-line initials, with knobs, for beginning of chapters. Rubrics, chapter numbers, and initial strokes, in red. Guide letters and instructions for rubricator., From the collection of Sir Thomas Phillipps (no. 19049)., Outer edge of f. 1v damaged and repaired resulting in some loss of text., and Script: Written in gothic bookhand below top line by several scribes whose hands are uneven; text is written for the most part between the rulings.
Subject (Name):
Eusebius,--of Caesarea, Bishop of Caesarea,--ca. 260-ca. 340 and Premonstratensians
Manuscript on parchment of text of Ezra and Nehemiah. With Glossa ordinaria, both in margins and between lines of text.
Description:
Binding: 19th-20th centuries. Plain vellum wrapper., Lower half of f. 62 repaired with contemporary (?) parchment., and Script: Written in two sizes of neat French minuscule by a single scribe; text written either above or below top line and gloss below top line.